Dadaji (Sir Dilip Kumar Roy) and the River’s Octave Root in the Transformation Process on Earth: 22nd January, 2013

Dadaji and the River’s Octave Root in the Transformation Process on Earth: 22nd January, 2013

 

Dadaji/Sri Dilip Kumar Roy/: Playing the Instrument

Dadaji/Sri Dilip Kumar Roy/: Playing the Instrument

 

 

The Ganges/The River's Octave Root, Art Wolf, Getty Images

The Ganges/The River’s Octave Root, Art Wolf, Getty Images

The River’s octave root is in the polished metallic surface of a biodegradable apparatus of the Sun

In the hollow well the coal offers fire of worship to the unburnt elements of the living charter

The doctrine of life is in the swing-volley of the tennis ball at the psychic centre of the willed craft-translations of the grand work

Shared acquisitions of the chintamani server can manifest perfect rainbow effect of the anti-gravity device

Fall is the jump in levatrohan cycle for every broheng tatyam

Silence is the causal-ship of speech in the yayupa-yayupa roaming space

Decorations are destiny doors of divine revelations when the naked earns its clothes to surrender itself to the quantum magic of love and proportion

Methods ate the man

The fairy is winging to glory

The gates of the dawn are carried in the sweet pellets by the ant

And then the River met the Ocean far across the undivided plane where the diving gulls are immersed in the flame of ecstasy

Yathesta yokrohong zaza

Satprem…Satprem…Satprem

Mother is the Music of the Soul.

- Joy Roy Choudhury

The Resurrection of Time in the Valley of the Stars Riding the Xenon Calf of Superman

Vaxuta Eternal, Samij Datta 2012

The Resurrection of Time in the Valley of the Stars Riding the Xenon Calf of Superman

Consciousness-Analogue

Silence is an anonymous poet who has painted the murals of the sky with the stars

He himself is the king advocate of the divine order in the creation

His vessels are the building blocks of consciousness

His reign over time has crossed the eternal existence

His kingdom has harboured man with manifold gifts

From the naked desire he gave cognition its birth from 8verb-light-muscle5 /matter of the Creatrix

And the speech came out from the Brouhaman gripping sound-tablets walking like verbs

Ganges slept on the mind of the man (manu)

Nile was overflowing through his veins

Mississippi was his destiny of dreams                                                       

And the Volga gave him the rare instinctive faculty of effect-cause synthesis

Lao Tzu was an ancient man

Lao Tzu was him

Silence crucified himself in the para-brahman 6-afterlight-6 causes

The night sang the glory of the day in the deep honour of his love

Ringing petals as if they are bells in the odyssey of the light leaping into the sea

The stars say it’s the resurrection of time in the lap of its mother

Vaxuta was only looking at the mountains, farmers, horses and elephants

Ambatat-harstot-afraz-haramaz

Entire-Creation-Entire= (JAZUP –YAWUX-786 UKA) System Evolution Strength

- Joy Roy Choudhury

Ref: Lao-Tzu Painting

“The great Chinese sage Lao-tze has said: ‘One who may die, but will not perish, has life everlasting’. It means that he lives in the life of the immortal Man. The urging for this life induces men to go through the struggle for a true survival.

- Man’s Nature, The Religion of Man, Hibbert Lectures, Oxford (1930), Rabindranath Tagore

 

 

The Pagan Orb of Isaac’s Sacrifice to the Red Matter Justice of Law-Arm Coat/ Cross with Time on Consciousness is Yime-Zatter Macrocosmic Apocalypse

Pagan Orb, Samij Datta, 2012

The Pagan Orb of Isaac’s Sacrifice to the Red Matter Justice of Law-Arm Coat/ Cross with Time on Consciousness is Yime-Zatter Macrocosmic Apocalypse (Ganges is Nile in the Eye of the Seer)

Consciousness-Analogues

Zatter is the next Nile-door paradise of matter

(anti-matter is empty)

From the cross-syllogisms of unitary time, man has perfected his imagination

He grows as a child learning the instrument he has to play

In the polymath temple of Light-Matter-Consciousness-Matter, wealth is the supra-physical equation of wisdom/vir-ham

Vigrahaman in ancient Vigrahaman

Intelligence offers her the beak-mind of surrender, rule of 8 over 9

She had black tea-rose when the sun was falling from the stars over Yerevan   

And as the kettle made the hissing sound in the spring afternoons

The smoke bent over time to become the orb of her wings

Constant she revisited earth like rain over Ganges

Lapping the snow crags over the Gangotri glacier

To time was the time the child of her consciousness

Reaping the sowing seeds of his ancestor’s grain

Alblackica meditating on blue-heaven Alblackica,

Gave innumerable creators in the x-matrix of alpha creation

Anon! Let the work be the truth of the force that works.

- Joy Roy Choudhury

The Questions as Asked by the Brahman Observer to the Relative Quantum-A-Quantum Observables while Detecting Multipartite Entanglement in Many Body Systems in the Speechless Preamble of the Alblackica Mind

Quantum Entanglement, Pi-Day Art, Samij Datta, 2012 (Digital Media)

The Questions as Asked by the Brahman Observer to the Relative Quantum-A-Quantum Observables  while Detecting Multipartite Entanglement in Many Body Systems in the Speechless Preamble of the Alblackica Mind

Consciousness-Analogue

Yes, Pythagoras planned it. Why did people stare at blank faces on the wall, their empty harmony shedding snake-skins for the final metamorphosis at the hour of the naked light when gods in their embryo were dreaming of skies in the pentagonal mirror of mirrors, thin-laced and multifoliate, with electromagnetic Casimir energy of the passing clouds’ Bose-Einstein condensate? Are you still dreaming on the fantasy world of Warhol’s pragmatic energy, spinless and absolute, on the binary, tetra-binary defragmentation of particles in the helio-static motionless pyramidal space having Yukawa potential with arbitary angular momenta? Those are the questions you didn’t answer nor did Demosthenes in the ancient Greece; entangled forever within the mother-centric proverbial Keaton, the host is the ancient functional trapezoid of the morning moons, levitating and gyrating in the cosmic parable of Yeats.

To them, the light was the undifferentiated union of Alblackica rivers: Mississippi and Ganges, Yamuna and Volga, and Cauvery and Vistula and Congo flowing as they accelerate within the time-defined containers of Mazuvont and Baquytra, they belong to the tribes and the herdsmen whose lost forgotten fruits were once the source of the Sun-in-Savitri in the Valeloluva hymn of the Alps and the Himalayas. The Meru in Meru is the meditating mind of the empty self of 0, 1 and time- speechless coordinates pull silence to its bark as the tree gives shelter and life after aeonic years of mind- split in Mesozoic pro-Keratin tablets of word- rhythms that try to find their source in the ocean-accelerator of multipartite entanglement in many body systems finding their own freedom in the san-zan-van-worship of infinite- liberty.

- Joy Roy Choudhury

Ref: Opening line “Pythagoras planned it. Why did the people stare?” – excerpt from W. B. Yeats’ poem The Statues

The Flash Disk Apostrophe of the Bhimbhetka Stars in the Day-Rhyme of Alblackica Illumination

Day-Rhyme, Alblackica-Clock, Samij Datta, 2012

The Flash Disk Apostrophe of the Bhimbhetka Stars in the Day-Rhyme of Alblackica Illumination

 Consciousness-Analogue

The flash disk apostrophe of the Bhimbetka stars saw the yahotri yigadohum….yanimbha kaal..entering the creation-physical-proper; in the eye of the superimposition the day-rhyme of the parasol gives shelter from the sun, time holds the Mesolithic key to the naked destiny of the future as on its lap the ear of the Shambhala heard Beethoven compose the ceremony of the first symphony in C with an grand eloquent performance on 02.04.1800 measured by 0081.40.20 points to cover the French armies’ advancement into Cairo; the river is not a hot metal plate of the Heliopolis but a scriptural design, some call it the water-bed of the vineyards of Provence, some call it the hand- book of the navigators of justice but it’s a quasi-fluid in the hanging drama of time-self multiplexes, the alblackica working in the alblackica to change substance and form, to evolve mankind towards a greater destiny, and with supramentalisation of matter, the spirit is the hanging cross of the breathing years of laughing cows in the pre-Buddha-Buddha of ajax informational-functions;

 

When the child was the Hari-takyat moon of the seven seas then the camera was watching the differences in the solar unity of the one, in the zero-muscular reticular analogues it felt the Rolls Royce Silver-Ghost in the habber-brahman looking for itself in the neo-platonic rosariums of Plotinus, Porphyry and al-Farabi; in the beauty was the knowledge the drifting waters of the Ganges before the sun-task of resurrection was an alblackica rhythm, but, now in the hollow isolation of the I-pipes, the thunder is a bed on which the horse unplugged its vision to create the Nomura, Numero Uno of the distant stars;

Time is coming like the rider on south seas’ eternal leopard, swift sensations are denominations of the cupboard chess playing the game with the bicycle of Jonathan Livingstone Seagull; the ra-ru-re dream of the child-in-play in the cloud’s epiphany of the Stephen artist is the primal void from which everything is run; let the sun eat the tomorrow in the arrow of the stars and we can dance another time in the Alblackica day.

- Joy Roy Choudhury

Ref: Archival Photograph, Bhimbhetka Cave Paintings, India

Rolls-Royce ’52 Advertisement (From Ad archives)

Within Alblackica Frame the Divine Day (21st Feb): In the Whole Creation, Even a Single Point of Entity is the Unified Substance of My Being/Mirra

ZENON-AXIS TIME, ALBLACKICA CLOCK SERIES, Samij Datta, 2012

On the eve of Divine Mother’s Birthday, 21st Feb, 2012

Video link: http://youtu.be/rcAMLNFtJtk

Consciousness-Analogue

The invertebrate calls to the vertebrate by a name called the azer, the diamonds are flaking in the sky and the sunshine of her eyes is the ever present sweetness of the lateral shift from darkness of the horns to the sublime essence of the zeta-fluids in the ether vibrating medium of the zatter; the bosons and the fermions are having identical operative indexes of the quanta their relative distribution over a defined localized space might well acknowledge the shaping clouds freedom in the zenon-axis time; brick on brick is brick-hard substance-time that has no shape of iropia and, therefore, cannot tell the summer months by the bees fluctuating hummings in the fourth quadrant of a space dome. I was once a painter of gardens composing the organ music of life in the seas of verisimilitude by the connecting mediums’ roaming signals with the star satellites of outer space…many multiverses are named after me, I stopped for a while, looking at the design matrices at Vega, changing substance into hyper-forms of Deneb and Altair…

I realized have left my anti-I back on earth in a envelope of grasses floating in the ribbon like waters of Ganges far across Yamuna and Cauvery into the Arabian sea  and the oceans. There are the Savitri letters of the conevaxness of the consciousness in the Rohaman of the Johaman of the Brahman; anti-I of Mirra is the mirror of the sun reflecting the death of life-cycles of past existence , over the Savitri all is Savitri in the dawn of the chalice of the Alblackica treading on the golden colors of the night to reopen the vastness of the heart in the rainbow glaze- bliss on earth is the supreme per extatet trath-truth-treth of the creational tree bearing the fruit of the consciousness in the extreme borders of the eternal time. The ra-ru-re dream is the domain made in heaven for earth on earth to earth from big bang towards Sri-Krishna’s hour of magnetic journey. Wide open spaces are becoming the river of the non-time matter we flow into the subtleties of its existence as consciousness takes the gratiyu grip into the far revolving light of the heliospheres.

- Joy Roy Choudhury

Ref: Divine Mother’s (Mirra Alfassa) Photograph From Archives.

Sgt. Pepper’s Lonely Hearts Club Band (’67) and the Grape-Moun Law of Maha Avatar Babaji

Sgt. Pepper’s Lonely Hearts Club Band and the Grape-Moun Law of Maha Avatar Babaji 

Consciousness-Analogue

What art thou manifest to unite the inner being with the body

And the body with the earth sky ether water and the fire

Music in the ears is the halo of Maha-avatar Babaji

As if the sun and its elements have their roots in the alblackica

They resonate like the harp of the millennial chaos transformed into beauty

Thy art so pure and thy music so strong

A uniform lattice holds the curvature of time 

67 in the Sgt. Pepper’s Lonely Hearts Club Band

76 in the river of madness and rain

Christ was a friend of George Bernard Shaw, what arms thou amassed to fight the eternal war? What fortune lies in the deep abyss of mankind, my Lord?

The shepherd of the paradise have gone back to his holy land

His virgin flower is an al-ferabi vacuum, petals are burning like the black rose of the sun

In the Nile of the Ganges the sunken heart is an apocryphal horse   

Bramhaputra was Noah’s olfactory lobes

The night was the essence of every dawn of unity

In the grape-moun law of the fraternity

Hindu Kush silent in the yaya-chakra of the haz-time-haz

Eisenstein in the chamber music of the soul

Paris in those days of the future was not what it is now

Though Baudelaire walked as an auteur of historical images

Down past the Louvre into the trapezium of the sound

Andromache the swan was resting in time.

- Joy Roy Choudhury

CELEBRATING DILIP KUMAR ROY’S BIRTHDAY: 22nd JANUARY, 2012: THE RIVER THAT BROUGHT US ALL TOGETHER

CELEBRATING DILIP KUMAR ROY’S BIRTHDAY: 22nd JANUARY, 2012

THE MOMENTS OF FRAGRANCE And THE RIVER THAT BROUGHT US ALL TOGETHER

A soulful-singer, a musician, a poet, a lyricist, a man of letters and friendship, a true yogi- Dilip Kumar Roy once said: ‘I do not intend, as did John Milton,”to justify the ways of God to men”.  For as God is a real, throbbing Omnipresent Entity. His multiform divinity needs no ultramodern vindication, least of all when He is perceived solely through the devotee’s love. One who has love for Him does, in effect, say, a la Descartes: “I have glimpsed God with my Eye of Light, therefore I know what God is”. Similarly, one who has truly come to love Mother Ganga may well claim, mutatis mutandis: “Since  I feel in her the touch of the Divine I have no qualms about equating her with a goddess”. This is not an academic defense, but the acknowledgement of an experiential fact, to wit, that one whose heart has responded to the divine call of Mother Ganga can and does dispense once and for all with the services of an intellectual advocate. For he knows that what seems irrational to the mind may, in the last analysis, be suprarational and thus resoluble in the light of our intution. Indeed, are not all paradoxes resolved in the harmony of the Divine? To quote once again from Savitri (V, III):

The world is God fulfilled in outwardness.

The blue sea’s chant, the rivulet’s wandering voice

Are murmurs falling from the Eternal’s harp. – Sri Aurobindo

Years later I sang this song at Hardwar, where the blue-scarfed Ganga purls and dances along pauselessly, and my heart was filled with a deep exhaltation, so much so that on her bank I went composing song after song which I sang in ecstasy. …In one of these I wrote:

In my yearning heart, O Ganga, I

Sing but to appeal to thee:

Come thou to rend the veil that stands

Between thy Grace and me.

For then I’ll see thy light divine

In all and love all, Mother mine!

And learn to harken even in din

To thy soul’s own melody’.

CONSCIOUSNESS-ANALOGUE: THE RIVER THAT BROUGHT US ALL TOGETHER

Dadaji (Dilip Kumar Roy) and Mother Indira Devi at Haridwar

See the Dwarka threaded in his eyes                                                        

The haridwar the rishikesh in her eyes

Flowing with the swift ebb of tidal tears of the Ganges

Mother bathes the sun with a smile lost forever in nature’s arms

Or is it there where Narmada meets the sacred soul of its song?

The music rings in thy ears chanting like the waves

Carrying passages of dead earth from history’s charcoal years

Penciled at the bottom with a line or a signature

I am here in between the one and the many

Dancing my way to celebrate the nation

A friend is a friend is a friend is a friend

Love’s token are bird like wings seeking a hermitage

A wonderful carnival of primeval joy

A day when the young meets the old in their arms

A day when soldiers harp the flute of the lord

Canonizing the world eternal Hari OM!

A true seeker of love finds in light’s golden robe

The symbol of original bliss

That is the true mystic meaning of the word

Not in monastic meditation of solitude

But in life itself that has the true colours of trombone music

Rembrandt to Rolland to Sri Ramkrishna

Sri Aurobindo, Mother et al.

- Joy Roy Choudhury

BELOW: Sri Dilip Kumar Roy and his college friends in England, 1920. CLOCKWISE from lower left: D.K. Roy, K.P. Chatterji, Subhash Chandra Bose (Netaji), C.C. Desai.  Pictures courtesy Pilgrims of the Stars- Dilip Kumar Roy and Indira Devi/ Excerpt from Pilgrims of the Stars/ Dada ji & Indira Ma picture courtesy Hari Krishna Mandir Archives- website: http://www.harikrishnamandirindiraniloy.com/

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