Salvador Dali’s The Burning Giraffe and the Post-Modern Debunking of Orthodox Quantum Theory

The Burning Giraffe, 1937, Salvador Dali,  Kunstmuseum Basel, Basel

Salvador Dali’s The Burning Giraffe and the Post-Modern Debunking of Orthodox Quantum Theory

Consciousness-Analogue

In the dead title the giraffe was an animated being from the world of L’Age d’or

Painting sublimates the Freud in us asking questions that answer the paradox

In every vertical flame the lateral cube of ice is the burning deck of this creation

Man, Monster or God has to face the imagination in consciousness for his next level evolution

Hamlet hears his father’s ghost ; Hamlet ponders on ‘nothing’ in the Yakir Aharonov’s quantum space

The theatre is the golden craft of a triangular time gyrating within the Three Graces

And the cinema is the pastoral setting of a live doorway to the artistic fusion of the dead author with the un-born reader of Egalitarian value

Lightning struck the old eagle of the Wheel; the falcon knew what the spirits exchanged

They are talking about the ‘theta’ migration of sustainability

Prophetic precognition of the Origin ‘p’ in the ‘o’ of the eye worm-hole

Vora-gate opened to transfer ‘the agenda of ananda’ as consciousnesses to the people

Noble men rise to the occasion – on the wings of Shambhala I saw him float

He, may be, the carrier-force of a Greater Revolution in time.

(The Journey of the French-Revolution in the Eye of the Micro-Gravity)

– Joy Roy Choudhury

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Change Returns Success: Chapter 24, Precognitive Remote Sensing and the Tautology of the Quantum Mind

Photograph, Chapter 24, Joy Roy Choudhury

Change Returns Success: Chapter -24, Precognitive Remote Sensing and the Tautology of the Quantum Mind

Consciousness-Analogue

Circles are only psychokinetic diagrams that define the divine logic and proportion in the creation

A clockwise movement of consciousness anticipates an anticlockwise withdrawal of the self from reality

Physical being is the time-protein of much further evolution 

Psychic rebirth of cells is the precondition to permanence

Sine-robotic intelligence is the cognitive aptitude of a mind reading retrocausal system

Mental states are elevated by the will-factor of the tree of life per quanta of man as man (1st level of ‘quantum tantra’/supermind = 0)

Carbon contains supramental qui-qui shakti as a vital link to the creative asset of the creator

Electrons transmit visual images for word lepton transplantation in a stable quark inflow

The mind repeats in signs and symbols what it reads to decode the signals from distant galaxies

The ‘primordial soup’ is floating in the imagination of a non-qualitative time vector of space in the micro-gravity of an ‘awakened’ spirit (Kal-Vishnu is Kal-Vushnu in Kal-Vishnu) {Vushnu = ϴ migration of Vishnu as per space-time allowance )

That moment of sudden insight is the proverbial Zen of remote sensing (quadraphonic sound across the cell-membranes – Om Adi Om –Adianadi Utsakendra Ishwara)

Intuitive light is the holy fiddler in the castle of darkness

To light, the chalice is the new moon night that holds the nectar of the sun

Grail blood dripping like the October dawn across the four quartets of the sky

Time to plaster the eternity of life as solid as on a rocky marble of artistic destiny

Yehovah-Yehovah roaming space, he came alone wandering in the city of Alblackica; his turn has come to amend the rules for a better future of man.

 – Joy Roy Choudhury

Ref: Chapter 24 is a song written by Syd Barrett that appeared on Pink Floyd debut album, The Piper at the Gates of Dawn (1967). The song was inspired by Chapter 24 of ancient Chinese book ‘I Ching’  (The Book of Changes).  The song deals with the concept of return /eternal return which is the gift of life, the immortality.

Now available on Amazon Kindle Edition, ‘Rains, Winds and Cycles’- Joy Roy Choudhury

http://www.amazon.com/