The Photographic Images in the Slice of Space-Time is the Well Defined Moment Restored to Perceive the Eternal ‘Jyoti’: From Light Bending to Become Light in the Yuwaziha

The Photographic Images in the Slice of Space-Time is the Well Defined Moment Restored to Perceive the Eternal ‘Jyoti’: From Light Bending to Become Light in the Yuwaziha

Billiard Table

                                                                                            Yerexa reta al hou razib pelam

Maha-Avatar Sri Babaji Maharaj

Maha-Avatar Sri Babaji Maharaj

Time flies awaiting the cosmic turn of things

The pale star is now the quantum sun of eventuality

Michelangelo's Night

Michelangelo’s Night

Within the diameter red-shift dilation points the arrow into the hole

The pool table is full of possibilities – phase-link up the past with the present

Momentary wings eternize point-like gravity waves of the ancient ape

Particle size dimension is crystallized in the memory of the hyperspace

Self-reflecting a point like an idea criss-crossing on a plane

The painter subjects the external word to find the inner-symmetry of randomness in nature through the cosmic lens

So the light is often the lunar synthesis of  Michelangelo’s Night – anti-gravity of matter

Mirra Alfassa/Divine Mother, Monalisa 2013

Mirra Alfassa/Divine Mother, Monalisa 2013

Lifts itself from the grassy banks of the ever flowing Tiber

Like a song without a trace, or a note without an echo it disappeared from the scenic moment of the frieze

Far away into nexorom vita space-time tunnel of the new creation

Perhaps word-sounds are travelling too like Rousseau, Fellini and Heisenberg

Without a jerk through Alxovin gate faster than the rays of the sun.

– Joy Roy Choudhury

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1 Comment

  1. Nilanjan Chatterjee

     /  March 22, 2013

    Nice blend of Physics and Poetry.
    But Michael Angelo’s *Night* , methinks would
    point *gravity of Matter* – downward pull.
    Anti-Gravity would be represented by uprising
    phallus — I think Lacan saw it in that way…..

    Reply

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