Dogen’s Dimensionless Points as ‘Moments of Awareness’ in a Non-Durational Time Axis: Existence as Supra-Causal Enlightenment of the Un-Born

Philadelphia Museum of Art Collections Object Shiva Carrying the Dead Sati

Lord Shiva Carrying Sati circa Bengal Patachitra, 19th Century, Philadelphia Museum of Art Collection

“The Final Chakra is Niralambasthana which consists of an infinite series of lobes, colours, matrikas, devas, worlds, it’s considered as the Highest seat of the Gurudeva”. ..Beyond this series there is a set of 20 voids and the Final Liberation takes place in the Great Void”. -(Pandit Gopinath Kaviraj)

 

Kalida in between the Lights

YOGISHWAR, Sri Kalipada Guharoy

Void(n)……Chidakasha (Super-Implicate)—–Chittakasha (Implicate)—–Maha-Kasha (Explicate, Space-Time Geometry)

Babaji Maharaj pic

Maha-Avatar Babaji Maharaj

OLYMPUS DIGITAL CAMERA

Lord Krishna on a White Lotus ZEN DOCTRINE OF NO-MIND called the MIND/Buddha Mind/Zen Mind/the ‘Self’/the Void

WHAT IS THE SUBSTANCE OF THIS BUDDHA OR DHARMA NATURE?

ANSWER: ‘KU’ OR ‘SUNYATA’ -THIS IS NOT MERE EMPTINESS BUT THAT WHICH IS LIVING, DYNAMIC, DEVOID OF MASS, UNFIXED, BEYOND INDIVIDUALITY OR PERSONALITY- THE MATRIX OF ALL PHENOMENA

‘AT THE TIME I CLIMBED THE MOUNTAIN AND CROSSED THE RIVER, DID I NOT EXPERIENCE THE TIME I AM IN THIS BUILDING?’ -DOGEN (EXTRACT FROM SHOBOGENZO)

‘MOST THOUGHT-PROVOKING THING IN OUR THOUGHT-PROVOKING TIME IS THAT WE ARE STILL NOT THINKING”. – MARTIN HEIDEGGER

*INFORMATION GROWS ALONG WITH DISORDER. IF BLACK HOLES OBEY THE SECOND LAW OF THERMODYNAMICS, THEY CANNOT WIPE OUT INFORMATION.

*3 DIFFERENT KINDS OF SPACES DISCUSSED IN THE UPANISHADS:

1. MAHAKASHA: GROSS SPACE THAT CONTAINS GROSS OBJECTS

2. CHITTAKASHA: MENTAL SPACE /THOUGHT-SPACE

3. CHIDAKASHA: SPACE OF PURE INTELLIGENCE /SUPREME SPACE/BRAHMAN

The New Year isn’t anything new

Vaishnodevi Navratri Festival

Sri Vaishnodevi during Navratri Festival

Time doesn’t move

Lord Vishnu on Garuda

Lord Vishnu on Garuda

It only stops at dimensionless points

Giving rise to awareness of a timeless plane of existence

Every moment there exists this Shiva-wall time

Talk time, walk time, running time, rowing time, golf time and zillion other moments of awareness

They enact the drama of the world unfolding the flow of its empty source

He stood as if there was a life-time of being in the stillness of gyrations

Static dynamic ensemble of the clothed desires of life, reveal the nakedness of being

He tears the ravaged body flashing light unto flesh and bones

Death is the sonorous mystery singing the joy of breath (prana) through the interface of mind and matter

Who stood there silent and strong?

sri caitanya maha-prabhu

Sri Caitanya Maha-Prabhu

Fearlessly quiet like a shadow in a dream

Rising to meet the vision of one’s plenitude

Darkness the abode of the blessed light

Blinded by the passion of its intelligence forgets the empty nature of things

Who is there standing alone?

Carrying the weight of a heavy heart

Broken by the cry and scream of the spirits alive or dead

Who is there living alone, carrying the mangled body of his lover?

Who is and not?

Lithograph Advertisement of Kali Cigarette, Calcutta Art Studio, C1885-1895

Maha-Kali

Lightning flash

The Hindustan Times Coverage of Sri Aurobindo

Sri Aurobindo report in the Hindustan Times 6th December 1950

And thunder roaring with gusty winds

That takes away the hollow from every reservoir

With every drop there is replenishment of the soul

The bird is flying

Silent crawls deep into the abysmal depths

The fish gleans across the golden horizon

A moment that awakes to another moment is forever new…

Garva Khetre taranger janma budhoday hate

Budhoday hate utsho koti nakhatrer karon deho (causal-body)

Maha-karon deho maha-moner lalat shikha

Adi ananter ek divyya rajani sahashra koti atmar ek milan sthal

Hari Om Tat Sat

Jay Om Maa

-J

 

 

 

 

 

Spin in the Torus and the Higher Aesthetic Value of Art in Spiritual Development of the Human Race: 11th Century Dancing Ganesha Idol from North Bengal, Asian Art Museum, Berlin

Dancing Ganesha sculpture from North Bengal, 11th century AD, Asian Art Museum of Berlin (Dahlem)

Dancing Ganesha sculpture from North Bengal, 11th century AD, Asian Art Museum of Berlin (Dahlem)

Doors Handbill for June 15th 1968 Concert at Sacramento Memorial Auditorium

The Doors Handbill for June 15th 1968 Concert at Sacramento Memorial Auditorium

“The flowers depart when we hate to lose them;

The weeds arrive while we hate to watch them grow”– Dogen 

“But beyond and above this intellectual utility of Art, there is a higher use, the noblest of all, its service to the growth of spirituality in the race….Spirituality is a wider thing than formal religion and it is in the service of spirituality that Art reaches its highest self-expression. Spirituality is a single word expressive of three lines of human aspiration towards divine knowledge, divine love and joy, divine strength, and that will be the highest and most perfect Art which, while satisfying the physical requirements of the aesthetic sense, the laws of formal beauty, the emotional demand of humanity, the portrayal of life and outward reality, as the best European Art satisfies these requirements, reaches beyond them and expresses inner spiritual truth, the deeper not obvious reality of things, the joy of God in the world and its beauty and desirableness and the manifestation of divine force and energy in phenomenal creation….Therefore Art has flowed in two separate streams in Europe and Asia, so diverse that it is only now that the European aesthetic sense has so far trained itself as to begin to appreciate the artistic conventions, aims, and traditions of Asia. Asia’s future development will unite these two streams in one deep and grandiose flood of artistic self-expression perfecting the aesthetic evolution of humanity….Art can express eternal truth, it is not limited to the expression of form and appearance…All human activity reaches its highest and noblest when it succeeds in bringing body, heart, and the mind into touch with spirit…What Nature is, what God is, what man is can be triumphantly revealed in stone or on canvas.” – ‘The National Value of Art’, Sri Aurobindo

Why are there beings at all, instead of Nothing?”
― Martin Heidegger, Introduction to Metaphysics      

Heidegger

                                Heidegger

Stillness mirrors ecstasy

The gamma ray pulsars spinning prodigiously

Sending signals back in a loop

Sculpting in time

Out of wood and stone

Images or forms that vibrate with celestial beauty

Through an interlocutory medium

Plastic and sensory

Intuitively mobile

Movements of the discreetness of matter

That are felt by thoughts

And hearts connecting to stillness in nature

Yogishwar Sri Kalipada Guharoy in b/w the Lights

                   Yogishwar Sri Kalipada Guharoy in b/w the Lights

Originating the playful dance of Ganesha

Over nano fibers in the torus stretching to the origin in the omniverse

Intelligent circuits coded in sound

Giving rise to Skills – Spatio-Kinetic-Integrated-Language-Levels (both Verbal/Non-Verbal communicative techniques)

That present humanity must develop

As the tendency of the highest mind to break optical illusions

And become only the photon to be sensed by the Void

Swallowed by the gravity in the black hole pool

To be on the other side (Imaginative Hyper-connective Vessels – Frinctuon of Adi Chinatamani Stone)

Leaving Hawkings’ super-translations as a trace on the event horizon

Though with low resolution

For the phenomenal world to read

And ponder upon…

-J

THE YUNGDRUNG REPTILE WROTE HER FIRST LETTER TO THE IMPERSONAL TERMINAL ETERNALLY GYRATING AT TREMENDOUS SPEED WITHIN THE BLACK VIGEFOX-PREDESTINY OF THE SACRED REALM (HOLY WORLD CONNECTED TO THE LAND OF HYRULE)

 

Chapter 24

Chapter 24

 

The Treasure of the World-Chintamani, Nicholas Roerich

The Treasure of the World-Chintamani, Nicholas Roerich

THE YUNGDRUNG REPTILE WROTE HER FIRST LETTER TO THE IMPERSONAL TERMINAL ETERNALLY GYRATING AT TREMENDOUS SPEED WITHIN THE BLACK VIGEFOX-PREDESTINY OF THE SACRED REALM (HOLY WORLD CONNECTED TO THE LAND OF HYRULE)

Consciousness-Analogue

The land of the imperial lights

Twilight kingdom with hidden doors

Sacred realm of mirrors connected to Hyrule

Dolma movren gesu nei tra oceanic rest mass meon of the triforces

 

Language orientation of the sound purifies the heart

To speak with the quantum self, deconstruct the world (The Logos)

Memories broken ring on the caravan across the cold desert

Ourobouros, Monalisa, 2012

Ourobouros, Monalisa, 2012

I have carried on my back the chaos and awakened consciousness

The supralingual automated typeface of the anointed world

Was my reptilian grammar born from cosmic supergiant star systems

Before the creation in a another realm without the imaginary functions

Indefinite was the cause resting on a virtual point oscillating in many dimensions

That very moment elliptical and sublime

Like the last touch on Michelangelo’s creation

Dawning the begging of mathematical possibilities

Eternal collapsed on the finite surface of zero prefiguring one as the space time inflation

Expanding and contracting, the riddle was the holy spirit of nirvana

On my back I have carried the race and its plaudits

The couriers of kings the golden goddess of the waters

Seven sages, spirits of the holy book and courtesans

My body moved with no beginning no end

Mountains saw rivers, birds the trees

I saw them all collapsing in the material world

Without mind there are no words

My letter is not an empty space filled with unconquered hieroglyphs

Light far travelling became the sound of ‘OM’

Triangularly activating the predestined heart of the occult worship of my signs

I only exist, rest all are drowning or living or dying in me.

– Joy Roy Choudhury

Ant-Algorithm of Human Patterns Explaining the Process of Conscious Evolution Through System Dynamism of The Quantum Floam-Clock (The Codex of the Sun): The Primitive Artistic Ability of Children and Paul Klee’s Bauhaus World

Parnassum, 1932, Paul Klee

Parnassum, 1932, Paul Klee

Ant-Algorithm of Human Patterns Explaining the Process of Conscious Evolution Through System Dynamism of The Quantum Floam-Clock (The Codex of the Sun): The Primitive Artistic Ability of Children and Paul Klee’s Bauhaus World 

 

Consciousness-Analogue

Symmetries bask on the cellular event-horizon

The black body radiation warps the space-time clock

Eventualities are perceived by the cross-headed shadow of the fibrous sun

Negomathal alto sovereign plastic mind of ant-algorithms manage distant logistics

 

Programmes simulated to perform better like art from material to abstraction

The Integrated Star Microprocessor/Monalisa 2013

The Integrated Star Microprocessor/Monalisa 2013

Doors open before the stars hiding in the Milky Way to turn on these things

Each a newly strung possibility with immense freedom

That develops in the self almost unknowingly – we look through the multiple windows, we gaze

Birds, bees and other social insects are doing their nests so fantastically well that you admire the beauty of lying in the quantum foam of endless eternity without any regret

Paul Klee was a master of artistic cognition working to solve discreet mathematical problems

The pyramid is an isolated place of occult knowledge that connects poetry and science

Visual landscapes can transmit messages in a coded simulation-environment

Out there with the master perfecting the art of self-preservation – the goal of humanity

Umfa hrim exotic matter-particle within the Planck length of troton-troton negative radius of that tunnel

Escaping to eternities that quench the thirst of a ripple of space-time

Apple in the void had negative inflation of modern economics transferring opportunities into real signifier-casts

The birds twits; leaves feed caterpillars to make butterflies aware of the spring’s onset

The honeyed drops perpetuate the desire for the light that kindles the soul in us

We are assigned to our task to make this place a living paradise

And our strength attests our greatest achievements – we know as we can to do with ‘it’.

– Joy Roy Choudhury

 

 

 

 

 

 

Supramental Psyche and It’s Dialogue with the Creation: The Socratic Process of Thought-Controlled Micro-Processors and Bright Orbs from Shambhala

Socrates, Monalisa, 2013

Socrates, Monalisa 2013

Supramental Psyche and It’s Dialogue with the Creation: The Socratic Process of Thought-Controlled Micro-Processors and Bright Orbs from Shambhala

Consciousness-Analogue

Dreva dreva trou vraham nocturnal symbol processing system inside the sun

Oval shapes flasks mad hatters chess-games

Intra-textual syllabic diegesis

A point is a mark-up sign for intelligence

Roads pre-design Socratic dialogue before they meet the singular highway

From one end to another vravet end in the cosmic parallax

Only saw light itself in other bodies

Glowing like the orb of myriad small wrohal fragments orbiting the dense interstellar space

The tree has spoken about the means to attain liberty

Enlightened cup black holes memory and quantum logic

Ballet of the fire and ice in nucleostar proto-filamental mindcube

 

 

Ra-Ru-Re-Ra-Ra dream analogues of consciousness as matter

Muses, Raphael (Parnassus/1511)

Muses, Raphael (Parnassus/1511)

The shores lapped the ocean as the moon lapped the sun

There was forever a song that those nine muses sang of

Pleu flea fluf-fluf-wing-do-re do-re-mi-fa-so-la-ti

– Joy Roy Choudhury