Conversations b/w the Creatrix and the Disciple Student Part II: Pure Mathematics Behind the Archetypal Design of Consciousness

Spiral Galaxy : The Dialogue b/w the Creatrix and the Disciple part II

Spiral Galaxy : The Dialogue b/w the Creatrix and the Disciple part II

A Meditative Dialogue for Self-Transformation and How the Creative Mind-Space Works: Pure Mathematics behind the Archetypal Design of Consciousness

Conversations b/w the Creatrix and the Disciple Student Part II

Student: You have been very kind in answering the questions that grapple my mind…don’t know really how this process taking place but I am sure that we on earth are in for some ride…in the sense that times very recently have become very serious…we are kind of squeezed and soon the last drop of water will ooze out. It’s all affecting people’s lives, their families, their businesses and everything I think. Are we having a close-encounter with our various ego-selves and it’s like a collision that puts a lot of chaos in the system? What is it that is happening and how this leads to the next phase, of course, if there is any?

Creatix: You see the character of kindness doesn’t come into immediate effect from the creator to you…it comes as an important value to earth people from Mother Earth…look at the river systems: they provide you with food and water, helps you harvest. Look at the mountains the forests the valleys…Mother Earth has nurtured you all these ages so you have been able to learn the technology of consciousness which revolutionized your civilization…hope you follow my words- this gesture of kindness you owe it to the Mother Earth and get that right first. Also every individual on this planet or elsewhere is a creator in himself. This means that we are continually co-creating for the wellbeing of the creation.

The creatrix is an empty vessel flowing in the xon-co-rupa

It has no time                             

Carl Jung painting from his The Red Book

Carl Jung painting from his The Red Book

Either to manifest

Or to unmanifest

Just watch the specks of its ray

Play amongst the clouds

To magnify this world of creation

Hide in its shadow

The tree clothes poetry’s seminal substance with adolescent flowers

The child shall learn to speak the mother’s tongue

And what language is it?

What vowels and consonants connect with this architecture?

Not in Tibet not in Rome or in Alexandria

The actual language of earth was known

Because it had no language but love                               

Jim Morrison school years

Jim Morrison school years

A violent thirst for the imperishable beauty    

That cannot be defined by the matrix of thought

The storm chased the pagodas the monuments

Cities swept aside

The dead are now living

The living is now dead

And on the banks of the river

The breeze gave birth to a lullaby song

Evening nestling the child of dawn

For the tomorrow that awaits

On the ocean shore…

Mountainside…

Time is warped

Do you follow this my son…do you follow my lines.

The Divine Creatrix, may be, therefore is not so kind after all but your algebra and geometry at least taught you as Descartes could connect and feel or rather intuit that

the Earth didn’t abandon you after all. The earth is a magician – she is a shaman – a shape-shifter – she can be the father of the hunting spears or the nurturer, the mother who purges her body with violent waves or storms bleeding the old with new life forms – earth is a complete superposition of possibilities guided by consciousness life-force to enact the yajna for the whole creation. Did you understand the last rite I mentioned just now? What’s happening at this moment in your planet is also deciding the future of other exo-planets where higher intelligent life exists. Therefore, you must understand the ‘responsibility’ you have and act accordingly and know it for certain that the earth has been kind to you.

And, it’s true as you mentioned, people on earth are in for a ride not a smooth one and on their own accord, I can only say that unprecedented events will follow and historic changes are there on the cards. Those who live with a good heart will survive this adventure. Try to connect with the real earth, try to feel with your heart and you may get to the point where you will find the mathematics of consciousness of this earthly self.

The chaos that you described on earth is created by split-selves which are colliding with each other creating a disturbance even on the Field as you know…as things keep on changing and evolution is the key to the soul so these split personas need to be integrated to find the basic rhythm of oneness running through each system (each individual system) maintaining a kind of difference as well kinship with the higher spiritual order that you call the super-implicate or the xon-co-rupa thixta-plate. The only way out from this chaos is total transformation that would mean changes at the very fundamental level and it’s not going to be an easy thing at the level where you are. The more you experience the time the more closer you will be to the truth and the ‘new thing’ is awaiting my son!

Student: What did you mean by the mathematics of consciousness and how does it relate to the present time on earth?

Creatrix: Mathematics of consciousness is very simple- mathematics is a unitary branch of knowledge acquisition which tries to discover certain relations with the field – the Xon-Co-Rupa Thixta Plate which has innumerable symbols transcendental and supra-transcendental and supra-trei-transcendental – it’s more like a bridge that you introspect between the relative world where you live in and the field which is already the supra-unmanifest. It’s the flipping of the coin from manifest to unmanifest that you approximate by using mathematics that’s why it’s becoming more and more abstract until you reach the realm of pure abstraction only. Between finite and the infinite comes the zero bustling with all possibilities – can you simply draw an equation that connects this? Where does this singularity come from? What was before this can you pre-empt that? What’s before the 1st three minutes?

It will need super-reason to get there…can you undress you mind completely loose the reason to get a higher reason, a higher logic then again rebuild your system from the Zebrohim – a kind of cherubic ecstatic memory synaesthesia which is predominantly randomized orchestration of non-random integrity via differential poetry to zul-constant unmanifest zero orbital velocity

You need to go beyond yin-yang…beyond purusha and prakriti…but you are still toddling around the rim of consciousness and that still after da vinci, Beethoven Yajnavalka, Surdas, Einstein, Aurobindo etc. etc.

The basic thing is to undress your reason and unlearn again re-learn become the zero again, the struggle to connect to the Absolute Potential and in the process your heart may open up and flower and disseminate the fragrance back to the field – the field will gain from it – will get enriched by the process of your trying, the Gita will be re-written again and again and your enlightenment will be adding new life to the creation. But that’s not an easy undertaking my son!

Symmetry breaks into asymmetry

There is no pattern you can simulate

Geometric fibres of hyperspace will not give you the answer

You heart beats         

Carl Jung Painting of the Dragon From His Red Book

Carl Jung Painting of the Dragon From His Red Book

Feel

Life is long…

Come along…

Sing to the prairies

-to the rivers

-to the stone

Ostrich feathers

Go home…         

And try to find a place to sleep

In the deep

Come into my fold

Dreams waking into night

Night into day

Passing the dawn like a highway

There is a moon for your rose sermon

A sun for your lotus prayer

And the rays can dance

Between you and me

Forgive the time

Eternity a closed thing

A circle enclosed

You flutter like a bird around the axis

Now, then…

You are gone…

Another creation will tell you

Another day…

 

Student: Earth will have a new day and I am glad to re-connect with you again.

Creatrix: Your admirable strength will carry you forward – your promise is an unbroken prayer that you will not have to remember the words I just have said but the words will follow you and reconnect with you eternally. Eta-eta-Field<you>1>2/3/5<0 = 0.0.0.0.0

 

-J

 

 

 

 

 

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Showing the Path the Lord Hath Walked: The Non-Dual Observer and Paths to the Waking Self /Sri Sarada Ma and Sri Anandamayi Ma

Sri Anandamayi Ma Dressed as Lord Krishna

Sri Anandamayi Ma Dressed as Lord Krishna

 

“We have not understood yet that the discovery of the unconscious means an enormous spiritual task, which must be accomplished if we wish to preserve our civilization.”  –C.G. Jung

“The Kshara is the Sankhya’s Purusha when it reflects the varied workings of the gunas of Nature, and it knows itself as the Saguna, the Personal; the Akshara is the Sankhya’s Purusha when these gunas have fallen into a state of equilibrium, and it knows itself as the Nirguna,the Impersonal. Therefore, the Kshara, associating itself with the work of Prakriti, seems to be the doer of works, karta, the Akshara dissociated from all the workings of the gunas is the inactive non-doer, akarta, and witness.” – Essays on Gita, Beyond the Modes of Nature- Sri Aurobindo

 

Poetry’s occult charm manifest thy name    

Sarada Ma and Sister Nivedita circa 1900

Sarada Ma and Sister Nivedita circa 1900

Invisibly tying us with the cosmic game

Gardening stars that grow faster winged-thoughts

Feeling vibration of infinitesimal dots

We gathered for Him around the mandala

Hari Om Tat Sat

Thy inner breath recollecting music

Through every atom entangled with

Pure as the fire vibrating bright

Mid-way the ocean crossed the ether of light

And lands purged by rivers phantasmal

Patiently absorbing thy energies

Found the sun in the void of the unmanifest cavern

Lettered in gold as an act of surrender

To the blessed morning waiting on the shore

Or on the summit of mountain where snowflakes glow

As a sequence to my anointed dream

Reflected bird-rays of the mirror of being

A body wrapped in thought and feelings

Engendered the observer’s non-local sensing

Showing the path the Lord hath walked

Eons before the syllable was barked

And now following His lonesome flute-calls

That led to His eternal destiny xx.yy.zz –  Kaivalya-Dham. (Nouvak-iti-tu- tau-ixvrajazen. ligma class alpha 1.14 sigma 7)

 

– J

 

 

 

 

 

Soulful Reality of the Sacred Land & Chaos on the Edge of Eternity: Bubble-Foam Extrohan Realm and the Supreme Realization of the Waking States of Super Consciousness

Sri Ramana Maharshi

Sri Ramana Maharshi

Soulful Reality of the Sacred Land & Chaos on the Edge of Eternity: Bubble-Foam Extrohan Realm and the Supreme Realization of the Waking States of Super Consciousness 

Oljanui olkhakos olmui pamo

Dr. Gopinath Kaviraj and Srimat Anirvan

Dr. Gopinath Kaviraj and Srimat Anirvan

Neihrutjahrehar olfamos

Sagirutma soukheous danzib

Being in the timeless void emanating from

Being out-of-time in time panorama

Switching in and switching off frequency vibrations

Far distant from a galactic point to earth’s axis mundi

There were letters stored in the cuneiform

Reason’s corpus is too small for this ontological plexus

Information is passed on as data structures in geometric concaves

Mind connects with ivi-ova000.0001-supermind

Mind connects with the Supreme Virtual Meta-Linguistic Consciousness Field (The Avahoman Plant – Jung’s Key constant carrier with Wittgenstein Light-Rod Spectral Ray) (Cray-Fish Cosmic Information Circle)

Bubbles of protean self cognizing agents of the Lord says

Being expresses its innate being-ness by self eliminating all its attributes from that primordial origin negating even the transcendental interplay of ying & yang as one solid singularity till it attains feelings that engender white work of the vertebrates against the fabric of unknown dark energy and matter to resolve the crisis of the heart and the meanings that were lost since historically the human brain was designed to receive only certain frequencies and was unresponsive to others by the crude play of chance and fate – there is the Yohingo-Altair space station waiting for you – man is now on his way to become the Creatrix but by the right action which we call the Dharma of all sentient beings in the creation

The way to knowledge is the way to the technology of quantum consciousness

God, indeed, didn’t play dice, nor did Bohr or Einstein, Dirac and Ramanuja

Like little Buddha in the soul enwrapped Heidegger

Summer Triangle: Deneb-Altair-Vega

Summer Triangle: Deneb-Altair-Vega

He is on the way to meet the Super-Soul…

Through the Light in the Light the Light was greater than the Light-Darkness interplay

From mere abstractions the mind constructed the fabric of reality

First he heard the sound emanating as OM: a timeless ripple from the navel flooded the void

Light-cone emerged, the photons interacting with the neutrinos pulsating

Weva-weva-hyuninongo-kal jumping through the stargate Shambhala

In return, the Lord promised the transformation of the world

Dlorerufi1/3 silence end chaos-on-the-edge-of-eternity

-J

 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

Godard's King Lear 1987

Godard’s King Lear 1987

 

“Your vision will become clear only when you look into your heart … Who looks outside dreams. Who looks inside awakens.”
Carl Jung

 

“The cinema is not an art which films life: the cinema is something between art and life.” – Jean-Luc-Godard (1970)

 

No -Thing is real

No-Thing is unreal

No-Thing is virtual 

No-Thing is Impermanence

No-Thing is Flux 

No-Thing is Retrocausal Action of the Camera-Eye

No-Thing is Pure Awakening of the Self

No-Thing is the Mantra of the Heart 

 

No-Thing is Non-Relational Virtual Truth of the Paradigm of Things 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

No Thing

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

A systematic coherence breaks away

Rapidly dissolving

Linguistic artifacts melt in the impenetrable silence of that no thing

Ritual worship temple falls

Seagulls quail over a plastic sea of madness

Hesitation wired up brains in senseless humour

All meanings engender split b/w the object and the subject

Unity is an act of pure restoration by consciousness/ Subjective delight in the Absolute /Zabber-moun-brahman

Feelings arent about metrics and grid

The immeasurable is measurable only by the non-dual reflexes of the mind

The cinema is about the world of apparent recognitions and misrecognitions

Seldom poetry is blessed by transcendental images or music

A lack of meaning is the pure stasis of dynamic mobility

The true cinema is never made…

Though Lear thinks about the power and its corruption

About the fundamentals of speech and cognition

He lacks ingenuity of heart and that leads to failure and disintegration of his empire

No thing is the super-logic of the Absolute

The king’s disability is in the learning process

He seldom acquires the depth of other possibilities for an insight into ‘things’ unknown

Godard tries to restore art – to give meanings to no things

But thinking doesnt validate the no thing

In the void you walk, in the void you don’t think but dance

And from there you articulate the mise-en-scène of future poetry

From lack of meaning to a full potentiality the quest for nothing is in the Absolute Super-Symmetry

Strings resonating with the heart vibrate causing feelings to generate the kingdom in vesica-piscis

A square in a mandala is nothing but time warping time to confine meanings in nothings

It’s the spiritual sign of non-time by the relative spatial geometry of feelings

For She is in that no-thing the thing in the explicate

Expressing desire for everything in the hologram

The secret to be known in the four quadrants of a circle…

Cordelia cusp – white light synthesis /proper examination of the laws by the seer-poet/rishi

–          J

 

Jean-Luc-Godard’s Film King Lear (1987) : Film Review and Critical Interpretation on the Subject of No-Thing by Monalisa

Centering around the word No Thing . Jean Luc Godard a stalwart of the French New Wave superimposes his eccentric avant garde experimentalism A Study based on the Classic Shakespearean tragedy King Lear in a modern contextual interpretation. The film follows a non-linear plot structure as referred Shot In The Back in the intertitle . Godard brings forth his personal approach rendering a modern re- interpretation and his subjective re-construction.

 

Peter Sellars a descendant of the legendary playwright William Shakespeare sets forth to revive his ancestors lost art in a world post the Chernobyl disaster. He discovers his characters under mysterious circumstances at a hotel in Nyon Vaud, Switzerland ( the locale is alluded as a mystical place in between France and Germany with sea and the woods). Don Learo and his daughter Cordelia substitute the father-daughter duo of the Shakespearean classic suffering from a similar or identical Hamartia, a tragic flaw so ingrained in the father-daughter relationship as the existential fight between Power versus Virtue. The outcome or the end is predictable, as Cordelia succumbs failing to express her love for her father. The lack of not having her heart in her mouth suffocates her in awkward circumstances depicted through her internal psychological conflict, brooding silence and disinterested appearance. Her inability or inexpression tortures her father intolerably as he attempts over the time to silence her silence. The No Thing or Nothing of Cordelia results in a faulty meaning generation owing to her father’s incapacity of acceptance and understanding, rather- misinterpreting her silence as a lack of love, leading to the tragic conclusion too late to rectify.

Other alternate character additions worth mentioning- Professor Pluggy (starring Godard himself) a frenzied clairvoyant substitute of the Shakespearean Fool , obsessed with photocopying his own hand, whose strangely mysterious last words bear an uncannily absurd co-incidental reference to the name of the film editor Mr Alien featuring in the end. Godard also incorporates Shakespeares paranormal elements in the form of four shadowy human-like figures imitating and following the central characters everywhere ( as depicted in first half when Peter scribbles on a notepad whilst walking around the woods seeking inspiration the human goblins emulate and follow him ) . Godard surpasses nudity with this one, as he barely includes any intimate sequence or moments. As his character Peter is subjected by Cannon Films ( a film production company incidentally the film producer )to exclusively exclude any form of nudity from his creative themes thus directing his interest in the father-daughter conversations patronising them as his central characters. The camera work and cinematography is well conceived opening new perspectives. The mise-en-scene is seamlessly blended as thematically the desolate tourist location is ideal, merging the backdrop smoothly into the plot .But the real show stealer are the ground breaking dialogues, interesting sound bites ( of screeching sea gulls ), intense voice-overs and critical soliloquies as the plotline gains its much momentum from the audio sound bites and the voice-overs helping in character introspection giving psychological insight in the characters mental state.

Reference clippings of Renaissance artworks of Michaelangelo with some French Impressionism along with special emphasis on The Girl With A Pearl Earring of Johannes Vermeer and paintings of Francisco Goya, etc are focused through a candle flame depicting the necessity of art revival in the modern world interests .However, Godard successfully brings forth his subjective approach and personal interpretation though faltering significantly in generation of audience response and interests.. As the film defaults into a haphazardly non-linear structure at times losing track and audience interest ( although partially attempted to regenerate through the loud sound bits and uncanny voices) .The film lacks outlined character structure devoid of solidity appearing more absurd in nature. Whereas, the film plot appears less concrete or adapted and is more alluding, suggestive in nature and could have garnered impact through better execution.

Though Godard efforts to explain the films thematic ideation through the incessant use of intertitles , which can be deemed significantly important in imparting his inference to the audience facilitating a better understanding and acceptance of the film as a personal alternative approach or a referential study . A subjective reconstruction based on the original play. A true enough Clearing and Loathing, Godard puts forth his personal cinematic take on the Classic.

 

– Mona Lisa, Film and Psychedelic Music Critic ( Link http://psychedelicsutra.blogspot.com )