The Music in ‘Arms and The Man’ is the Cross-Syllogistic Pattern of High-Phonetic Peace in the Radar of Einstein

Consciousness-Analogue

The quadraphonic sound-mystery in the coherent quadrupole-octupole motion is the binneal catalyst of life and beyond; what’s beyond the surreal mirror of Salvador Dali is a hexatet function of time in the stars; god does not play dice in the loaded fulcrum of the mind’s thesis, the music is the profound analogue of the vast earings of the sun caught by the camera width-length of the moon’s analogical grammar after Sunday breakfasts and in rainy afternoons; we have passed our silent speech and judgement in the winter terminals of bosons and fermions measuring their angular momentum by the hypodermis of spatial contagion, how sad it is to feel trapped between the logic of our brains, ‘how dull it is to pause, to make an end. To rust unburnished, not to shine in use!’

After the quasicondensation, all that were rolled into the pathways of Alblackica, turned the germ-seed of divine propensity into recognised quanta of light photo-sensitive particles, shimmering like wavicles in the 2-qubit NMR systems that felt charcoal as ashes in the evolution of matter into higher forms of zatter and katter. Time remembers how often we cycle round the spheres as monometers picking up ‘Nuit et Brouillard’ and raising signs of a change with-change to alter what we have defined in the poetry or prose of Dante Alighieri and enact the final commedia in front of the raging bulls and dead-horses of Guernica : history is the sign-language of the signs the Peloponnesian molybdenum isomerizing the hymns to the arabic praises for the ninth-moon octet of the sun; nevasto oktamin alca oktamin Romeo-Juliet couplet…richness of life is measured by the vision you have and the consciousness you remit.

– Joy Roy Choudhury

Ref: ‘Arms and the Man, by GB Shaw; ‘How dull it is to pause, to make an end.
To rust unburnished, not to shine in use!’ – Ulysses, Alfred, Lord Tennyson; ‘Nuit et Brouillard’/’Night and Fog’ (1955)- Documentary Film by Alain Resnais