THE DYING SWAN MOVEMENTS OF THE CLOCK AND THE CLASSICAL EPIPHANY OF ALBERT EINSTEIN’S TIME DILATION: THERE IS NO MORE FIRMAMENT

 

THE DYING SWAN MOVEMENTS OF THE CLOCK AND THE CLASSICAL EPIPHANY OF ALBERT EINSTEIN’S TIME DILATION: THERE IS NO MORE FIRMAMENT 

The Dying Swan, ballet performed by Anna Pavlova circa 1910

The Dying Swan, ballet performed by Anna Pavlova circa 1910

 

Consciousness-Analogue

Colours are splashed by the sun’s primal meridian

Evoking the silence of silvery nights

Dim light’s ambrosiac reminiscer of the seas

Over a book of Hamlet, recollecting

Ancient coins, stamps, murals and seals

Time’s prolific mistress Ophelia is drowning

Drowning in the indistinguishable ether of memory

At the bottom of the floor the mosaic patterns mirror oblivion

Unoccupied by the birth of a star or a stream that flows by in

Words are radioactive decay of atoms causing collapse

Silence is the superposition

Thinking allows us to master the universe

In the holy Ajna, the sacred fire is the peacock’s wish to dance like the rain

Darker the clouds lighter the burden of the sinuous hills

And as the peaks coiled like serpent’s tail He Fathered the deep symmetry of the race

 

 

Events that become the ground reality of things self-collapsed into one possible nothingness frame

Rest all are mathematical projections of the hyperspace functions

Divine Mother, Mirra Alfassa

Divine Mother, Mirra Alfassa

The candle doesn’t mark the end of time but eternity

As long as we live as ‘one in many’, in the many fields of the Symbolist Movement

Crossing the frontier with Mallarme and Laforgue

Into the dead analogous world of parallel uncertainties

Paris transfigures

As Rome as Venice

The flowers in the garden

Bringing Her glory of the spring

Nestled in the relative harmonics of simultaneity

Sharp like the knife’s edge in the chill delirium

Voices ringing in the far-off shores

Felt the constant stillness of the soul.

The actor suffers to deliverance

The mob cracks; the walls, the fire

‘THERE IS NO MORE FIRMAMENT’

Far and beyond as near to nearness compelling thy light

To manifest itself in the synecdoche of universal bliss.

 

-Joy Roy Choudhury

Ref: ‘There is no more firmament’, one-act surrealist play by French playright Antonin Artaud, 1920s

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The Vora-Gate Symbols and the Hymns of the Quark that Save Earth

Save Earth, Samij Datta, 2012

The Vora-Gate Symbols and the Hymns that Save Earth

Consciousness-Analogue

The Vora-gate of the earth is in the centre of this symbol

A p d l are letters to its consciousness

A flower transformed metal pure position prime (reverse exegesis in hyperactive space working!)

Poetry is a straight line woven from the Supermind

Art gives into time its eternity of colours

And eternity is a sweet revelation in the heart of its speech

Voice trance vocation transcends the mind-logic case

Silence an amour propre of the golden nights

Love is a tree whose apples are red in the dawn of Alblackica

Macrospace embedded the E8 in the Menda Brown Line wine-hole

Grapes are the non-local signifiers carrying Bosons (passion at a distance!)

Earth is a sweet sounding melody of Venus

Matter is bliss and consciousness is existence

Trees on its leaves

Made flowers in fruits

The bark became the iron in a time (wime)

Quang (Q)

Umin (U)

Anon (A)

Reng (R)

Kriya (K)

Shantih Shantih Shantih

 

(Wime: A Special META-TRAGETH TIME- Non-Existential Existential)

Ref: Tribal Art, Bengal, 2012

Hyper-Space Realism Allotment of Consciousness in Matter-Mind Unified Field

Lie Sphere, Samij Datta, 2012

Hyper-Space Realism Allotment of Consciousness in Matter-Mind Unified Field

Consciousness-Analogue

Matter-Mind Realism in the hyperspace is not only about the geometrical dimensions and their projections and curvatures but it’s about the understanding of the basic unity that lies within dualistic modes in any platonic idea. Consciousness in the hyper-space realism is the true verification of what matter stands for at any given level or plane of existence. Though matter and mind are different, the psychic terminal through which one end of reality is connected with another end, may be, with the dream-end, is the conscious awakening of ‘each in the other’- matter in the mind and mind in the matter in the hyper-space matrices.  The green polytopes carry their consciousness in the unified symmetric  hyperworlds, they are the true non-Euclidean tools of higher dimensional kinesis that throw some light on the roots of consciousness.

 

Man thinks he sees the arrow in the 100 mirrors of the sun

From his eye the mirror sees the sun in the arrow of the eye

Space-time warped as consciousness flows

The matter mind terminal is hyphenated by san-zan-van infinity

Worship Time A-D-E strings and knots, bells and caps.

– Joy Roy Choudhury