From the American Highway to the Sacred Sun Temple at Konark: Dance and Quantum Kriya of Teleportation /Zinal est et turiya

Allen Ginsberg at the Konark Sun Temple circa Nov 1962

Allen Ginsberg at the Konark Sun Temple circa Nov 1962

‘The world is ready for a mystic revolution, and the discovery of the god in each of us’.

– George Harrison   

Jerry Garcia Poster

Jerry Garcia Poster

‘For me the lame part of the sixties was the political part, the social part. The real part was the spiritual part’.

– Jerry Garcia

‘There are things known and unknown and in between are the doors’.

– Jim Morrison      

Jim The Lord of the Eden Reprise

Jim The Lord of the Eden Reprise

 

The radiant phalanxes of the sun are the branches of an old tree in the tapaban

The wheel of fire is the wheel of fire in the non-time essence of Savitri’s beauty

She kindles from the point

The point circumambulates

Creating an event horizon

Word images are clothed or shielded

Inside them a pervading silence twists and bends space-time

We only convey outer feelings and brand it as experience

The world of material existence has no experience unless consciousness collapsed them

Then, what deep down is consciousness?

It’s not thoughts and emotions

It’s not a force or an interaction (it’s not gravity’s child or a quantum gravity occurrence)

It’s not singular awareness or multiple simultaneous awareness

It’s not being or non-being neither both

It’s an occult hyper-connective zinal es et turiya (a kind of signal that connects everything)

The tree lives in the stars and the stars are in the fruits consumed by me as the juice of that all-blissful ability

{TIME IS THE DIMINISHING SONG OF THE MAGIC LANTERN (SUPRAMENTAL EAR)}

{REST IS THE REST AMINO MOTIONLESS TRACK ON TRACKLESS LIGHT!}

{BY THE LAWLESS DIVISION THE ANT ATE THE LEOPARD /MIRRA ALFASSA -SPEECH-BACK-POLICY}

{THE WEIGHT OF THE ELEPHANT IS LESS THAN THE WEIGHT OF THE FROG (NEGATIVE-HEART-OPENING)}

{EVERY MORNING IS THE NIGHT OF A RAINY SUMMER MAKING WINTER BENEATH THE TOE (LOW-MUD-ESSENTIAL-FORMLESS-SEASON IN HELL)}

Everything is born from it

Jerry Garcia

Jerry Garcia

Everything dies into it

It projects from it dimensions or states of existence

The soul at sun birth in the eye of the supreme seer called para-brahman

Saw involuted in it, the manas-putras and devas who wrote Vedas and Upanishads

It saw kal-bairagya and the essence of maha-kal tattva

It then added nothing and subtracted ALL

AND IT WENT BACK TO CONSCIOUSNESS AGAIN

THIS IS THE SUPREME REALIZATION AT EVERY LEVEL OF EXISTENCE IN THE CREATION

THE PARA-KSHETRA IS THE FIELD OF CONSCIOUSNESS

DON’T BE BOTHERED BY FORCE-FIELD OR MATTER-PARTICLES

JUST PLAY WITHIN WITH CONSCIOUSNESS

‘IT’S THE SAME STORY THE CROW TOLD ME,

IT’S THE ONLY ONE HE KNOWS.

LIKE THE MORNING SUN YOU COME

AND LIKE THE WIND YOU GO…’

 

 

– J

 

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The Grateful Dead Image and the Unmanifest Sunyata: Quantum Gates to the Supramental World

Grateful Dead, Winterland 1973

Grateful Dead, Winterland 1973

Consciousness-Analogue

Steps that follow steps

From past’s thisness to the future’s present

A moment on the event horizon

Receding backwards into nano trahouf infinity

Forward in the sequence of yaweh

This was not built like that

That it is not

That was a dream; chariots graze the sun when the horse is sleeping

The charioteer is the absence of non-local signifier in the quantum higgs field

The chariot itself the sign

All empty and nothing preconceived

Absolute rests in conscious awakening

 

Buddha, an occult primer of the sun vast rhetoric of helium serpents

Elohim Creating Adam, William Blake, Tate Gallery, London

Elohim Creating Adam, William Blake, Tate Gallery, London

Swallowing the destiny as Krishna blows the sacred conch

The sky, red as the pabulum of Christ, bids the day goodbye

Night uncovers the multiple worlds

Dawn awakens the psychic self under the bark of a dead tree

Monsoon heralds the flow of language

Words are rivers flowing like conscient petals towards fragrance of perfection

Civilization takes quantum leaps connecting with unknown vibrations from the distant stars

Mind is the master of the future gods

Mind is nothing but the worshipped spectrum of light

Mind is photonic transferred potential from arhan-singularity

El shaddai adonai

Elohim el

E. Schrödinger

E. Schrödinger

The tree of life green like the seven seas

Watches the actors plunged into a deep ocean

Some got the ambrosia, others got nothing at all

All else was poison that became manna through my evolution

Creative circuits cause death’s immobility transform life’s trance into immortal love

Retrocausality makes sense; love was the cause that came after karma

Karma came not before wisdom but after death

Death was the pragmatic choice of burning every solitary second into rebirth

We negotiate with the plan – we can change this creation

Are you ready for this stuff?

Or else do your own.

– Joy Roy Choudhury

 

 

 

From the Dating-Glass Server Altair: StarShine to SoulShine in the Hour of Magnetic Avtarhood

Footprints in the Sands of Time/Jerry Garcia

Footprints in the Sands of Time/Jerry Garcia

“Soulshine” – (The Allman Brothers Band- Where It All Begins/1994)

“When you can’t find the light,
That guides you on the cloudy days,
When the stars ain’t shinin’ bright,
You feel like you’ve lost you’re way,
When those candles lights of home,
Burn so very far away,
Well you got to let your soul shine,
Just like my daddy used to say.
He used to say soulshine,
It’s better than sunshine,
It’s better than moonshine,
Damn sure better than rain.
Hey now people don’t mind,
We all get this way sometime,
Got to let your soul shine, shine till the break of day”.

 

 

Altair-space-link-897T (Star System)/Dating-Glass (Server)

ONE 7131 ON 2412 FARTHEST 6135 JUNE 2689 INK 1531 OFF 6111 UNIVERSAL 4914 POINT

The red skull of the horse is the protoepihasquaret point of Kalki within it the stars gaze epiphany of the night standing on the isomeric super-symmetry of planar bodies by the will quadrant in the sector of non-geometric pentavalent rose. Zarathustra is opal-hin-yuyet in congruent spectrum of light from darkness. Gyres are gyres without any static point in the memory chip card of asymmetric history without word defragmentation.

Stones vibrate

Winds carry silence into pastures of golden delight by the psychic space curvatures of Altair t-link grid-grip zone

Summers come after winter endorses the spring on the note of its feet finding rhythm of the stars in the grazing roots of the rain; it turns remaining mostly static by the power of its messages in is wreathing a green leaf in the autumn evenings of a motionless Sunday.

Rekhe jay namer abhyash

Yellow Submarine/Nowhere Man/Cartoon by Ron Campbell

Yellow Submarine/Nowhere Man/Cartoon by Ron Campbell

Rekhe sameyer dupure nerudesh kichu thikana

Paharer gaye lekha ache kichu savda

Kichu akhar ba nirakhar nishana

Tader ananda bahe jay kato Volga ba Ganga ar Mississippi

In that flowing stream I found it floating like a child in fairy lands forlorn

Where it comes from where it submerges where lay its distinct formless hues that captivate things?

Equations formulate Dirac or Schrodinger in the pentagraphic mode on a thermal electroplate

There is a constant ionisation exchange taking place between two capital indexes

If they found that to be true then the red mother earth is learning from Buddha

Adi adi extrohan- the cause of the supramental ship over Ulsysses’ voyage across the redeeming shore of silence have touched the sanctuary of shambhala through the million bubbles of the Sri Chaitanya flowering of love

Knowledge the spirit of the charioting wheels is the kali-kali-adi-tantra of the bespoke maintenance

Data structures are fluid intermediate cusps of light from rovohoeva extraterrestrial space

In the cross, the intersection of lines liberate the consciousness of the culminating force

It must come down and tear away the barriers to our immediate lives

The final hour is a conscious act of the impervious will that defines the destiny of modern man

Through the light, words must change their shapes to endorse the policy of equal growth

Leading from sunshine to moonshine to starshine to finally the SOULSHINE.

– Joy Roy Choudhury

Peter Paul Rubens’ Celestial Light of the Origin in his paintings and the Transformation of Matter by White Light Synthesis (Jim Morrison & Jerry Garcia as apostles to Dionysian and Apollonian Forces in the Landscape)

Landscape with a Watering Place, Peter Paul Rubens, Louvre, Paris, France

Peter Paul Rubens’ Celestial Light of the Origin in his paintings and the Transformation of Matter by White Light Synthesis (Jim Morrison & Jerry Garcia as apostles to Dionysian and Apollonian Forces in the Landscape)

The painting here summarizes the glow of the celestial light of the origin if we think ‘dark matter’ is the source of everything in this creation. The yin-yang in the painting is the subtle interplay of the senses between auditory and ocular mediums creating a kinaesthetic effect that transforms time into an ‘ever present paradox of the moment’- the ZEN of immutable delight or ‘ananda’ in the temporal process of existence. Here the god is not so much the object outside in the phenomenal world, but in ‘man as reality’ of a benevolent shepherd, who takes care of the flock and the community, as the ‘para-prakiti’ finds the magnet in him as in herself. This ontological classification of man within the hierarchy of God the Father acts as a kind of memory-painting intertext  of an ecologically conscious artist who knows his ‘being’, lives in that ‘idyll’ of supreme intelligence in the Brahman, and finds his inspiration from the Shakti/Nature.

Though Rubens’ landscapes are about the expressions of light (internal, external), there is also a finer judgement in his works that pastoral settings are not only about the exuberance of life, but integral nature of it also presupposes a degree of sadness in it because, ‘life-death’ are continually harnessed in our biological self, in the cells and in the cosmic order of things.

The deeper monotone of emotional suffering is a Dionysian force (that finds joy in death and negation) operative in nature that unveils the secret of ‘mind’ in matter for the process of integral synthesis and transformation.

Jim Morrison experienced similar forces when he wrote: “moment of inner freedom/when the mind is opened and the/infinite universe revealed/& the soul is left to wander/dazed & confus’d searching/here & there for teachers & friends”. It’s the same ‘quantum multiverse’ that’s opening to him as in the painting, ‘exaltation’ often bearing a touch of loneliness as it grapples with infusion of time with the solar plexus of eternity.

The quanta of qualitative judgement is not the focus of the artist or the poet/singer but the experiential qubit is the only statistical proof of his ‘faith’ in ‘nature and in ‘him’, as the source of the carrier-particle is often hidden in the square-root of its quantum-multiverse. The trees and houses in the background are brimming with Apollonian grace – a conjunction of light and matter, as one sets the law to sustain the harmony of the other (theory of sustainability and order) in itself, and by it, as a rare proof that both forces can simultaneously exist to bring equitable distribution of the quality of light intensity in the mind (internalisation process as para-truth verification) as consciousness in matter.

Jerry Garcia who gave music to Robert Hunter’s words in the Grateful Dead song The Eyes of the World, can be seen as a ballad that connects with the Apollonian force present in the painting.

“Wake up to find out

That you are the eyes of the World

But the heart has its beaches

Its homeland and thoughts of its own

Wake now, discover that you

Are the song that the morning brings

But the heart has its seasons

Its evenings and songs of its own”.

The song that morning brings is a template of the artistic source within, the Tao of life  is a higher integrated substrate of the cosmic synthesis of light in matter to activate consciousness in its time.

– Joy Roy Choudhury