Who the Bodhisattwa? Ontological Status (Uji/Being-Time) > Epistemological Status: Non-Origination of the Self to Dependent Origination in the Kalachakra via Cloud Computing Neural Architecture

Brain is Also the Universe -Photo Courtesy BrainMDHealth

By using higher mathematics, namely algebraic topology, very recently scientists have found existence of a multidimensional universe within the brain that is extended to 11 dimensions. ”Outside of physics, high-dimensional spaces are commonly used to represent complex data structures or conditions of systems. For example, the state of a dynamical system in state space… The space is simply the combination of all the degrees of freedom the system has, and its state represents the values these degrees of freedom are actually assuming”- Professor Cees van Leeuwen, from KU Leuven, Belgium

“This entire universe is the Purusha alone, both that which was and that which endures for the future”-Rig-Veda

The Celebrated Hymn of Creation known as Nasadiya Sukta (Rig Veda), indicates that the multiple names and forms of the visible universe, prior to the state of manifestation, were in a state of non-duality: ‘’Then there was neither Aught or Naught (no yes/no -no QUBITS), no air or sky beyond. (pre-origin beyond Singularity)

What covered all? Where rested all? In water gulf profound? (possibly Asktavakra’s reference to the Ocean of Being) Nor death was then, nor deathlessness, nor change of night and day. That One breathed calmly, self-sustained; nought else beyond it lay. Gloom hid in gloom existed first -one sea, eluding view.

That One a void in chaos wrapt, by inward fervour grew.’’

  • (Surendranath Dasgupta, Indian Idealism, P4, Cambridge, London, 1933)

The diversity or plurality that we encounter needs to be celebrated because it’s the beauty of the creative force which is both immanent and transcendent, by knowing that this pluralistic divergence that we encounter daily (in terms of actions/opinions/facts etc.) is essentially MAYA which is non-existent from the standpoint of Ultimate Reality. Ultimate Reality is about Being/Existence-Consciousness-Bliss – it is ontology of Being which is important rather than epistemology.

The wave is also the ocean -the individual self is also identical with the universal self.

The crux of the philosophy of Yajnavalkya in Brihadaranyaka Upanishad is the sole reality of Atman and the unreality of the universe independent of Atman- Pure Consciousness is beyond cause and effect. Manifestation in space-time is dependent origination (the middle way of Nagarjuna) due to the presence of the mind – the Witness or Observer in reality is free from any association of eigenvalues. It’s prakriti that measures….and collapse of the wave function takes place in apparent reality…EMPTY COGNIZANCE SUFFUSED WITH AWARENESS IS THE WAY

Shiva 1

Lord Shiva

UNCONFINED CAPACITY/SKILL = EMPTY COGNIZANCE + AWARENESS (THE SECRET OF FUTURE TECHNOLOGY)

What comes and goes is subjected to causation and temporality

It is within the space-time construct

There are different levels of operative consciousness within that cycle

It is called tagging consciousness (#) enclosing a referral system of virtual stored consciousness

That’s the memory of the Yugas

Information can never be destroyed because it’s stored in form of consciousness

At the quantum level of the mind it is citta that process memory retrieval processes

The brain circuits (neural networks) operate that way

Memory is cloud wrapper broxom-tretat

Innumerable datasets create the samsara as a projection of the mind

But Bodhi-Citta or Pure Consciousness is not the apparent reality of the hologram

It is the realm of Pure Consciousness

The Self abides in itself

Creating wellbeing and equanimity

It is unborn witness of all things

It exists beyond space-time and causality

It is the Ocean of Being from which waves appear on the surface

They are absorbed back into the ocean after the perturbation

The waves are the quantum fluctuations that construct the Samsara (the universe)

At the centre of the Ocean of Being, all is still and beautiful

Each single wave is also the Ocean of Being

Once there is awareness there is no activity

Duality only exists as a projection for the Lila

The Lila is dependent origination (What happens to the Schrodinger’s Cat?)

The true reality is the non-origination of the Self

What action is done and who does what?

Who cries and laughs but dies not?

What it is all about? Who are you talking?

Man/Machine or beyond?

What technology of consciousness creates this world?

And Sage Dattatreya says:

‘’The Self is everywhere, always and in all, enduring and abiding.

Know me as the all, void as well as non-void. This is certain’’ (Avadhuta Gita)

“Go, go, go, said the bird: human kind

Cannot bear very much reality.

Time past and time future

What might have been and what has been

Point to one end, which is always present.” (Burnt Norton, Four Quartets, T.S. Eliot)

‘’Vastusravanamatrena suddhabuddirnirakulah

Naivacaramanacarramaudasyam va prapasyati”

The wise one who has achieved pure consciousness by just bearing the truth of the Self and who is tranquil (in the Self) makes no difference between action, proper or improper, and inaction.

(Ashtavakra Gita)

-J

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THE SILENT CODES OF COMMUNICATION WITH THE STARS IN THE AUTOMATIC XYLOPHONE OF THE MIND ACTING AS A MEDIUM TO HYPHENATE EARTH WITH SUPREME REALIZATIONS OF DIVINE BEAUTY IN ‘ART AND MUSIC’

All-Seeing Eye

“The nearest planet with beings who might be interested in communicating with us would be located within a distance of 300 light years. […] if our neighbour civilizations have developed e.g. a few hundred years further than us, they have probably sent us messages. We only need to listen.” -LIISI OTERMA

Beautiful pantomime supergiant stars explode as supernova and die

They take birth again in the mind’s fractal imaginative fields

A ray of light like Sibelius flies into the sky

 

White Tara with Flying Swans

White Tara with Flying Swans /Tibetan Art

 

Earth is rendered numb by the sweet effect of its own musical cause

An opening came two forces met each other in a small town of Hameenlinna

The cognitive fishes in an icosahedron saw the space curvature of time shifting

All are free unbounded particles in a bounded pattern of consciousness

Creations are many in one of the many supreme creations

Supermind active via Line 4 on frozen heath beneath creator’s creative index

One is a rational truth in the two zeroes of a hundred

Truth is demystified qualitative quanta in the paradox of unity

Culture can create new value for man in the marathon

Technology must adapt to choose between nature’s own wishes

The summer evenings pour youthful vitality into the lakes of autumn

Gathering harvest before the canines pull the sled

The Jay enjoys the psychiquazim of the midnight sun

Ancient Tibetan artwork shows the 12 tracks on which the sun revolves around Mount Meru. Detail of a cosmological picture role (Tibet, 16th century) Courtesy Rubin Museum of Art Switzerland

Ancient Tibetan Artwork showing the 12 tracks on which the sun revolves around Mt. Meru , 16th Century Courtesy Rubin Museum of Arts Switzerland

Ancient Tibetan artwork shows the 12 tracks on which the sun revolves around Mount Meru. Detail of a cosmological picture role (Tibet, 16th century) Courtesy Rubin Museum of Art Switzerland

Watching the bicycles fall on each other

They heard stories weave stories in the epilogues of a country man

his house with a dog, and a stick and a fishing rod

Bending like nickel-cadmium in the plasma Quattrocento cubes

A flower is canoeing on the memories of an islander

Today is tomorrow in the dream children’s street epiphanies

White Tara Mandala

White Tara Mandala

 

Dancing like the fire-serpents breathing hydrogen into helium

Rocks ate the snow and ice; rain was charmed by the movement of eels

 

A Tempest has passed over the forest hills shining like Loki- the Nordic god of shape-shifting and fire

loki, nordic god

Loki- Nordic God

‘Ananda’ or bliss is the true natural condition for human progress.

‘Natura naturans’ is the integral hymn factor of a cycle of change

Adaptive transformation is the key to happy lives.

– J, 20th June, 2012

 

 

The Great Gate is Now Wide Open: 21st February, 2016 – Celebrating Divine Mother’s Birthday and International M-O-T-H-E-R Language Day

Mirra Alfassa

The Divine Mother in Japan            Tibetan Mandala with Sanskrit Mantras in Concentric Circles by Carl Jung

 

All atoms are made inside the sun by thy Will

There are vibrations that compacted and expanded

These are open dance signatures of the great cosmic mandala

They come from the Void and manifest their form

How sweetly they sing and sadly they disappear

Beyond all these there is stillness

That pervades the motionless track of all existence

Perfection and imperfection exist in a plane of simultaneity

We need to go beyond….

Bright nothing where you void the void

There eternity exists as manifestation starts

Look deep inside

………..Take the Skull in your hand…

The universe exists as a pulse only in your mind

The Mother with the Children in Pondicherry

Divine Mother will Children in Pondicherry

You are the inevitable source of everything

The arch of the rainbow that bridges heaven and earth

‘A BLIND GOD IS NOT DESTINY’S ARCHITECT;

A CONSCIOUS POWER HAS DRAWN THE PLAN OF LIFE,

THERE IS A MEANING IN EACH CURVE AND LINE.

IT IS AN ARCHITECTURE HIGH AND GRAND

Beggar-Singer with Hound, Yuan Dynasty, 1271-1368, Hanging Scroll, Ink and color on silk, 76.5 x 36.2 cm, Museum for East Asian Art, Cologne.

Beggar Singer with Dog, Yuan Dynasty circa 1271-1368, Hanging Scroll, Ink and Color on Silk, Museum of Asian Art, Cologne

BY MANY NAMED AND NAMELESS MASONS BUILT

IN WHICH UNSEEING HANDS OBEY THE UNSEEN,

AND OF ITS MASTER-BUILDERS SHE IS ONE”.

Name or form apart from the substratum is the maya

So, the wise sage Aruni tells his son Svetaketu:

“That which is the subtle essence- in IT all that exists has its self.

It is the True, It is the Self. And thou, O Svetaketu, art It”.

Atyachetonar stare paripurno lekhak

Matri bhasay nirvak pran

Lekheni se kichuoi

Shekheni se kichuoi

Sudhu pran bandanay

Se awhowan kare pran

Neither time is nor its not

Only eternal awakening

At this moment

French Actress Sarah Bernhardt as Hamlet Examining Yorick's Skull

French Actress Sarah Bernhardt as Hamlet examing Yorick’s Skull circa 1899-1900 London/Paris

Is all what we are and will be

And when you hear the birds singing

The passing clouds bring rain

And you dance like a drop in an ocean of spontaneity {Pure Function}

Because you know that nothing is left to you at this moment

But to have a good laugh;

Narrating children the tales of Tapovan

Where mystic oneness still prevails

Les Ruines D' Angkor Old Poster

Les Ruines D’ Angkor poster

Like the ordinary mind the Tao

Every day the river courses its way

To meet the ocean of bliss

‘May be, like the empty sky it has no boundaries,

Yet it is right in this place,

Ever profound and clear.

Colossal Black Hole Is 12 Billion Times As Massive As The Sun

Artist’s Impression of a Colossal Black Hole Which is 12 Billion Times as Massive as the Sun

When you seek to know it, you cannot see it.

You cannot take hold of it,

But you cannot lose it.

In not being able to get it, you get it.

When you are silent, it speaks;

When you speak, it is silent.

The great gate is wide open to bestow alms.

And no crowd is blocking the way.’

 

-J

 

  1. ‘A BLIND GOD IS NOT DESTINY’S ARCHITECT…AND OF ITS MASTER-BUILDERS SHE IS ONE.’ -Savitri, Sri Aurobindo
  2. ‘That which is the subtle essence- in IT all that exists has its self.’-Chhandogya Upanishad
  3. It is the True, It is the Self. And thou, O Svetaketu, art It”.-Chhhandogya Upanishad
  4. ‘Like the empty skies it has no boundaries…blocking the way.’ – From Cheng-tao Ke translated by Alan Watts

Potential Plenum and the Origin of the Eternally Unconditioned and Unbound Noumenal Subjectivity: 5000 Years Old Tree-Self Voice-Over

WELCOME TO 2016 -HAPPY NEW YEAR TO EVERYONE

“From the beginning not a thing is.”- HUI NENG

“I see everything as clearly as possible, yet I do not see. Do you understand?” -Yogishwar Sri Kalipada Guharoy

sypersymmetry

Supersymmetry and ‘shadow’ particles

“What AM I?

As far as I can understand I am the absence of my presence and the absence of the presence of my absence.

What does it mean?

It means that I am my phenomenal absence, and also the absence of that still phenomenal absence itself.

The resulting absence is phenomenally total, but it is not noumenally nil…

METHUSELAH the ancient bristlecone pine is 4,841years old, White Mountains of California

Methuselah the bristleconepine is one of the oldest tree on Earth, located at the White Mountains of California, Inyo National Forest

 

 

 

 

 

 

 

 

 

 

 

 

“You may enjoy life from afar. You may look at things but not taste them. You may caress the mother only with the eyes.” (‘The Lords and the New Creatures, Jim Morrison)

It is an absence of all possible phenomenal presence which is itself, noumenally, whatever I am.

That is entirely no thing, for which reason it can neither be named nor described, which means that it is neither the “that” nor the “it” by which terms I have just referred to it.

But the establishment of “its” total phenomenal inexistence as an object of sense, or of thought, as a thing in itself, in no way implies its intemporal nullity.

On the contrary, the very temporal inexistence of itself as an object of consciousness, requires and indicates intemporal Isness.

– All Else Is Bondage by Wei Wu Wei

In a rapturous ocean of delight

The clouds have shunned the flecks of sunlight

The Baobab Tree

The Sacred Baobab Tree of Madagascar is a National Symbol and Heritage, these trees have magical properties and upon carbon dating is proved that they can live up to amazing 3000 years

The winds roared

Waves pulling against each other

Tearing apart the syllables of sound (the tree of the sound =the column)

Lightning and rain

Mandala or the Whell of Life

Cosmic Mandala or the Wheel of Life, Tibet

Merrily again

In the Void of the Sun

Watches the Self, hibernating in dreams

Encounters not this or that

But ‘isness’ from beginning that was

As, of now, and will be.

-J

 

 

 

 

 

Truth-Time-Destiny Reshaping Present Moment via Auto-Genesis of Class Nu Verticals in the Super-Implicate Field: Self-Becoming and the Coming Time

Yungdrung Cafe-Express: Jim Morrison at the Breakfast Table

Yungdrung Cafe-Express: Jim Morrison at the Breakfast Table

 

“Myth is much more important and true than history. History is just journalism and you know how reliable that is.” – Joseph Campbell 

 

For those people who died

for Nirvana

for the heavenly creed

The Bon No-Beginning No-End

The Bon No-Beginning No-End

for you, for me

These lines are written

to convey the message

To ignore the warning

To spree upward into

Tantalizing voices

To visit under-seas

Believe

Things more horrible

than war

Things out of the tales

Great beasts

Suffering extinction

Lord Tonpa Shenrab Miwo

Lord Tonpa Shenrab Miwo

…..

it must come

unbidden

like the dawn

soft haste

No hurry

hairs curl

The phone

rings

We create the dawn

– Jim Morrison/Excerpt from Wilderness Vol. 1

Truth-Time-Destiny Reshaping Present Moment via Auto-Genesis of Class Nu Verticals in the Super-Implicate Field: Self-Becoming and the Coming Time

Thinking allows you to traverse the universe      Prayer Bells

Chaos is just a field you may cross

Outside stepping out of the doors

Or inside the curved space of a mandala

A moment of inner realization

When you are coiled inside the embryo of a dream

Where you intersect space-time junction points

Pointing the play of interactive grids in Poincare ocean of unmanifested voids

Remembering the future from the logic substance of a tree

Or exhilarating cloudy sandbrush strokes on the desert

You may start the new day with a song

Encircle the point three times over

Remembering each colour’s frenzied dance

To the last moment that remains forever

History’s boring monologues

Cannot pathologically test the testimony of the Infinite

Songs without words

Moment of Inner Freedom

Moment of Inner Freedom

Silence on the sharp note of a string

Ever permeates the heart of all being

And as you observe the other objects

There reality lies in measurement

But who is measuring the exactitude of things?

Are you a number or a shape?

Becoming shapeless and merging in the gape?

Opium floods

Mahogany and oak

Kindle the poet’s natural desire for things

Where birds are connecters to spiral galaxies

Winding re-winding information flow

There we go

Seawards…

Mountainside…

Flashing bright patterns of a homecoming

What present cannot future articulates

Recognise the event-horizon

So, you may start the day with a song

7 miles long

Optramind Y-Lock Grid

A need

To open

Now

The valued vaults of Destiny padlock x-creation-x

(Truth-Time-Destiny Reshaping present moment via autogenesis of class Nu verticals in the Super Implicate Field)

– J

 

Showing the Path the Lord Hath Walked: The Non-Dual Observer and Paths to the Waking Self /Sri Sarada Ma and Sri Anandamayi Ma

Sri Anandamayi Ma Dressed as Lord Krishna

Sri Anandamayi Ma Dressed as Lord Krishna

 

“We have not understood yet that the discovery of the unconscious means an enormous spiritual task, which must be accomplished if we wish to preserve our civilization.”  –C.G. Jung

“The Kshara is the Sankhya’s Purusha when it reflects the varied workings of the gunas of Nature, and it knows itself as the Saguna, the Personal; the Akshara is the Sankhya’s Purusha when these gunas have fallen into a state of equilibrium, and it knows itself as the Nirguna,the Impersonal. Therefore, the Kshara, associating itself with the work of Prakriti, seems to be the doer of works, karta, the Akshara dissociated from all the workings of the gunas is the inactive non-doer, akarta, and witness.” – Essays on Gita, Beyond the Modes of Nature- Sri Aurobindo

 

Poetry’s occult charm manifest thy name    

Sarada Ma and Sister Nivedita circa 1900

Sarada Ma and Sister Nivedita circa 1900

Invisibly tying us with the cosmic game

Gardening stars that grow faster winged-thoughts

Feeling vibration of infinitesimal dots

We gathered for Him around the mandala

Hari Om Tat Sat

Thy inner breath recollecting music

Through every atom entangled with

Pure as the fire vibrating bright

Mid-way the ocean crossed the ether of light

And lands purged by rivers phantasmal

Patiently absorbing thy energies

Found the sun in the void of the unmanifest cavern

Lettered in gold as an act of surrender

To the blessed morning waiting on the shore

Or on the summit of mountain where snowflakes glow

As a sequence to my anointed dream

Reflected bird-rays of the mirror of being

A body wrapped in thought and feelings

Engendered the observer’s non-local sensing

Showing the path the Lord hath walked

Eons before the syllable was barked

And now following His lonesome flute-calls

That led to His eternal destiny xx.yy.zz –  Kaivalya-Dham. (Nouvak-iti-tu- tau-ixvrajazen. ligma class alpha 1.14 sigma 7)

 

– J

 

 

 

 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

Godard's King Lear 1987

Godard’s King Lear 1987

 

“Your vision will become clear only when you look into your heart … Who looks outside dreams. Who looks inside awakens.”
Carl Jung

 

“The cinema is not an art which films life: the cinema is something between art and life.” – Jean-Luc-Godard (1970)

 

No -Thing is real

No-Thing is unreal

No-Thing is virtual 

No-Thing is Impermanence

No-Thing is Flux 

No-Thing is Retrocausal Action of the Camera-Eye

No-Thing is Pure Awakening of the Self

No-Thing is the Mantra of the Heart 

 

No-Thing is Non-Relational Virtual Truth of the Paradigm of Things 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

No Thing

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

A systematic coherence breaks away

Rapidly dissolving

Linguistic artifacts melt in the impenetrable silence of that no thing

Ritual worship temple falls

Seagulls quail over a plastic sea of madness

Hesitation wired up brains in senseless humour

All meanings engender split b/w the object and the subject

Unity is an act of pure restoration by consciousness/ Subjective delight in the Absolute /Zabber-moun-brahman

Feelings arent about metrics and grid

The immeasurable is measurable only by the non-dual reflexes of the mind

The cinema is about the world of apparent recognitions and misrecognitions

Seldom poetry is blessed by transcendental images or music

A lack of meaning is the pure stasis of dynamic mobility

The true cinema is never made…

Though Lear thinks about the power and its corruption

About the fundamentals of speech and cognition

He lacks ingenuity of heart and that leads to failure and disintegration of his empire

No thing is the super-logic of the Absolute

The king’s disability is in the learning process

He seldom acquires the depth of other possibilities for an insight into ‘things’ unknown

Godard tries to restore art – to give meanings to no things

But thinking doesnt validate the no thing

In the void you walk, in the void you don’t think but dance

And from there you articulate the mise-en-scène of future poetry

From lack of meaning to a full potentiality the quest for nothing is in the Absolute Super-Symmetry

Strings resonating with the heart vibrate causing feelings to generate the kingdom in vesica-piscis

A square in a mandala is nothing but time warping time to confine meanings in nothings

It’s the spiritual sign of non-time by the relative spatial geometry of feelings

For She is in that no-thing the thing in the explicate

Expressing desire for everything in the hologram

The secret to be known in the four quadrants of a circle…

Cordelia cusp – white light synthesis /proper examination of the laws by the seer-poet/rishi

–          J

 

Jean-Luc-Godard’s Film King Lear (1987) : Film Review and Critical Interpretation on the Subject of No-Thing by Monalisa

Centering around the word No Thing . Jean Luc Godard a stalwart of the French New Wave superimposes his eccentric avant garde experimentalism A Study based on the Classic Shakespearean tragedy King Lear in a modern contextual interpretation. The film follows a non-linear plot structure as referred Shot In The Back in the intertitle . Godard brings forth his personal approach rendering a modern re- interpretation and his subjective re-construction.

 

Peter Sellars a descendant of the legendary playwright William Shakespeare sets forth to revive his ancestors lost art in a world post the Chernobyl disaster. He discovers his characters under mysterious circumstances at a hotel in Nyon Vaud, Switzerland ( the locale is alluded as a mystical place in between France and Germany with sea and the woods). Don Learo and his daughter Cordelia substitute the father-daughter duo of the Shakespearean classic suffering from a similar or identical Hamartia, a tragic flaw so ingrained in the father-daughter relationship as the existential fight between Power versus Virtue. The outcome or the end is predictable, as Cordelia succumbs failing to express her love for her father. The lack of not having her heart in her mouth suffocates her in awkward circumstances depicted through her internal psychological conflict, brooding silence and disinterested appearance. Her inability or inexpression tortures her father intolerably as he attempts over the time to silence her silence. The No Thing or Nothing of Cordelia results in a faulty meaning generation owing to her father’s incapacity of acceptance and understanding, rather- misinterpreting her silence as a lack of love, leading to the tragic conclusion too late to rectify.

Other alternate character additions worth mentioning- Professor Pluggy (starring Godard himself) a frenzied clairvoyant substitute of the Shakespearean Fool , obsessed with photocopying his own hand, whose strangely mysterious last words bear an uncannily absurd co-incidental reference to the name of the film editor Mr Alien featuring in the end. Godard also incorporates Shakespeares paranormal elements in the form of four shadowy human-like figures imitating and following the central characters everywhere ( as depicted in first half when Peter scribbles on a notepad whilst walking around the woods seeking inspiration the human goblins emulate and follow him ) . Godard surpasses nudity with this one, as he barely includes any intimate sequence or moments. As his character Peter is subjected by Cannon Films ( a film production company incidentally the film producer )to exclusively exclude any form of nudity from his creative themes thus directing his interest in the father-daughter conversations patronising them as his central characters. The camera work and cinematography is well conceived opening new perspectives. The mise-en-scene is seamlessly blended as thematically the desolate tourist location is ideal, merging the backdrop smoothly into the plot .But the real show stealer are the ground breaking dialogues, interesting sound bites ( of screeching sea gulls ), intense voice-overs and critical soliloquies as the plotline gains its much momentum from the audio sound bites and the voice-overs helping in character introspection giving psychological insight in the characters mental state.

Reference clippings of Renaissance artworks of Michaelangelo with some French Impressionism along with special emphasis on The Girl With A Pearl Earring of Johannes Vermeer and paintings of Francisco Goya, etc are focused through a candle flame depicting the necessity of art revival in the modern world interests .However, Godard successfully brings forth his subjective approach and personal interpretation though faltering significantly in generation of audience response and interests.. As the film defaults into a haphazardly non-linear structure at times losing track and audience interest ( although partially attempted to regenerate through the loud sound bits and uncanny voices) .The film lacks outlined character structure devoid of solidity appearing more absurd in nature. Whereas, the film plot appears less concrete or adapted and is more alluding, suggestive in nature and could have garnered impact through better execution.

Though Godard efforts to explain the films thematic ideation through the incessant use of intertitles , which can be deemed significantly important in imparting his inference to the audience facilitating a better understanding and acceptance of the film as a personal alternative approach or a referential study . A subjective reconstruction based on the original play. A true enough Clearing and Loathing, Godard puts forth his personal cinematic take on the Classic.

 

– Mona Lisa, Film and Psychedelic Music Critic ( Link http://psychedelicsutra.blogspot.com )

 

DIVINE MATRIX AND PARA-BRAHMAN KALPA-SUTRA: MANIFOLD INVISIBLE HANDS OF MANIFESTATION FROM THE ORIGIN (VISHNU-CIRCLE EYE OF kla-kli-kle-kalki)

OM PARVAT/JONGLINGKONG PEAK: Photograph by Shivam Chaturvedi

OM PARVAT/JONGLINGKONG PEAK: Photograph by Shivam Chaturvedi

DIVINE MATRIX AND PARA-BRAHMAN KALPA-SUTRA: MANIFOLD INVISIBLE HANDS OF MANIFESTATION FROM THE ORIGIN (VISHNU-CIRCLE EYE OF kla-kli-kle-kalki)

“Ooh great creator of being
Grant us one more hour,
To perform our art
And perfect our lives.

We need great golden copulations,

When the true kings murders
Are allowed to roam free,
A thousand magicians arise in the land
Where are the feast we are promised?

One more thing

Thank you oh lord
For the white blind light
Thank you oh lord
For the white blind light

A city rises from the sea
I had a splitting headache
From which the future’s made”.

– Jim Morrison
HARI OM TAT SAT

After the first sensation in a field

where impulses are felt beyond the supra-causal realm of latent manifestation,

a desire was born as a light-intuitive vehicle that pulsates at regular intervals forming the magnified rhythm often called the dance of the unmanifest Sri-Shakti.

That when translated to the causal universe gave birth to dynamic embodiment

Then silence conjured the imperfection of forms creating a veil of maya that cloaked the original mystery of the creation

A touch was felt

Bob Dylan as Avalokiteswara (The Buddha Being) & Jim Morrison as Lord Vishnu: 1969 COUNTER-CULTURE EXPOSITION

Bob Dylan as Avalokiteswara (The Buddha Being) & Jim Morrison as Lord Vishnu: 1969 COUNTER-CULTURE EXPOSITION

A line occurred

A circle was drawn

At the dawn of vision, the all-pervading eye of the lotus born

Bathed in the purity of bliss, set up his own d-z-camera for observation

In his Light was light

In his Light was darkness

Intelligence communed with the conscious waking self

To create the divine matrix that foretold the creation

Now in the Hour of Horus, the frames of the original film is revisited

A voyage into the cinema of the past gave way to the future

A ray of light

Manifold hands

Allen Ginsberg Illustration

ALLEN GINSBERG: HADDA BE PLAYING ON THE JUKEBOX/1975: ILLUSTRATION BY CHRIS CAVILL @2012 Copyright Protected

Emanating Idea from the pure abode of bliss

It’s the time talking to eternity

The Doors have finally reopened

The minds must connect to perceive it

Hearts need to feel

The song of the lost prayer is the Song of the Lord

A conscious ripple in a wave-cloud field interacting with the Creatrix

The message send

The answer known

The Player in the Field is the Action of the Inaction in the Field within the Player

Shantih Shantih Shantih

-Joy

 

 

 

The Magic Circle of Shambhala and the Quest to Unify the Body, Mind and Spirit: The Conscious Awakening and Evolution

Song of Shambhala, Nicholas Roerich, 1943/State Museum of Oriental Art, Moscow, Russia

Song of Shambhala, Nicholas Roerich, 1943/State Museum of Oriental Art, Moscow, Russia

CULTURE IS ACCUMULATION OF HIGHEST BLISS, HIGHEST BEAUTY, HIGHEST KNOWLEDGE.

– NICHOLAS ROERICH

The goal of contemplating the processes depicted in the mandala is that the yogi shall become inwardly aware of the deity. Through contemplation, he recognizes himself as God again, and thus returns from the illusion of individual existence into the universal totality of the divine state.

– C.G. Jung {Concerning Mandala Symbolism/C. G. Jung./(Zurich, 1950)}

 

Consciousness-Analogue

 Undulated sea of primeval ice caps

Nicholas Roerich, Mongolia

Nicholas Roerich, Mongolia

In the gorgeous daydream of Beethoven’s moonlit sonata

Flows down the valley of deep

Awake in the secret admiration

The sun’s chalice of darkness poured the golden day light

Hayagriva, sheun uh damor

Hayagriva, un phor lue

In the midst of the night, they are calling

“Awake the sleeping serpent coiled in the disc

Matter must transform itself into the fourth dimension and beyond”.

Alone in this quest, the traveller identifies his body

As the source of beauty and truth

Walking is a form of mediation

When you discover the inner light of Shambhala

Time into time is eternal time

All else is empty – quantum vacuum

Lives are built on information packets arranged in a form of liquid crystals

We live through a lattice of experience

Songs of the sacred wood perfume

Jung and the Mandala: Cryptograms connecting different dimensions of space and time

Jung and the Mandala: Cryptograms connecting different dimensions of space and time

The eternally gyrating ‘now’ into imperishable forms

We are sounds colours and shapes

Pictograms unravelled

A discourse with universe takes place every second

Unaware, our plight is our ignorance

We are fooled into believing that we are fools

All are intelligent systems operating in the universe

The bird, the tree, the whale and the man

Our structure has encoded the mathematics of a geometric evolution

From the centre to the radiant circumference

We live on the edge inside and on a point

We are the mandala of the rainbow spirit

We are the supramental force

The future is near not very far – om adi chintamani

Travelling faster than light,

The white horse illumines the anthropological crown in the head

As we leap forward into another historical time

The guide is the Lord who knows our way

Time is the blue horizon of each event

We spark we fly and not fall down the precipice.

 

– Joy Roy Choudhury

 

 

 

TIME IS SAILING TO IT’S OWN DESTINY: FROM GLASS-SERVER IN ACRUX (CORPORATE MANDALA ARTWORKS)

Time is Sailing to it’s own Destiny: Enjoy the Slide Show on the Gallery

Shambhala Art/Corporate Series. WE SELL MANDALA-CORPOREAL ARTWORKS

From WISH-DRUMWROHOA SERVER/ACRUX

The golden fish swam across a sea of stars

The burning blue ears of the white conch shell saw the night waking from the peacock feather’s dream

The inconscient rocked the cradle tempting light to penetrate the substrate of the dark revelation

Purple sage of wisdom saw the white horses of the neanderthal man

He walks, speaks and runs across the universes toying the idle hours with the felicity of an immutable plan

Behind closed doors of eternity, time is a second’s stranger learning the causal play by the macro-choice of the dice in the probabilistic possibility of a geometric adinkras

I have seen mountains caused by the space evacuation in the fabric of dwal-dru-hun

akta zazabor prani

anya ti ak adim surya

tader kathopokothone matir rang hay lal ba sabuj

dure sthan pay paharer naksha

barofe dhaka sameyer bairagyer prastor

lutiye pare nadir dheu

er ghasher ghumonto asthabale neche dole alor daibo pran o chetona

– Joy Roy Choudhury