From Buddha, Rilke, Rodin…to the Thinker’s Disposition: Google-Our-Own-Greatest-Learning-Experience-MICRO-NULL PULL

From Buddha, Rilke, Rodin…to the Thinker’s Disposition: Google-Our Own–Greatest-Learning-Experience-MICRO-NULL PULL

GOOGLE-OUR-OWN-GREATEST-LEARNING-EXPERIENCE: GOOGLE –MICRO-NULL PULL IN LIZOM-HITAT ABSOLUTE ENGENDERING A FAITH DOMAIN (d1>D/Fat-Domain Space)

The Seventh Seal by Ingmar Bergman circa 1957

The Seventh Seal by Ingmar Bergman circa 1957

 

 

Information is key to the understanding of 11-dimensional multiverse of universes- information that is seemingly vast yet accessible not by ‘trial and error’ method of scientific or spiritual judgement but by direct learning experience through a process of negation and filter as we embrace Consciousness as the key non-local server connected to what is called the Field or the Mind of God.  We, therefore, Google God because it is our own greatest learning experience, from the flower in the boutique to Monalisa in Louvre to the quantum supercomputers – our mind-space horizons are expanding continually with the universe,  and each time we learn a new thing the bio-metrics are stored as information rich in time.  

There the tree rises. Oh pure surpassing!

Oh Orpheus sings! Oh great tree of sound!    

Rilke Photograph

Rilke Photograph

And all is silent, And from this silence arise

New beginnings, intimations, changings.

 

From the stillness animals throng, out of the clear

Snapping forest of lair and nest;

And thus they are stealthy not from cunning

Not from fear

(Sonnets to Orpheus by Rainer Maria Rilke circa 1922)

 

History is what we create and new combinations are tried out every second for the welfare of this creation…

 

In film or music

We traverse space            

Unconfined,

We traverse time                                                            

Bubble Pack Information Over 11-Dimensional Area or Hyperspace

Bubble Pack Information Over 11-Dimensional Area or Hyperspace

Through poetry you go beyond…  

Rhythm only matters

Neither space, nor time

Without words the unmanifest cannot dance

The silence cannot embody

An ocean of multitudes the tongue can only seize

And melodies like river from heaven that flows

A single song

On a ripple is born

The sparrow twits at the sky

Its black veil now the terrible beak of fire

That torments cold plaster of marble engravings

Hands elliptic raised to the stars

Offering sensations that are vast

Redeeming time’s equinoxes in eternity    

Buddha Statue in Rodin's Garden which Rilke Admired

Buddha Statue in Rodin’s Garden which Rilke Admired

Idolizes beauty’s slender trail

A frail dotted line across the Milky Way

Who knows why or when?

This madness began or end…

A knock upon the door

Surprise or banter in skilful ecstasy

The paper unfolds gilded manuscripts

Silently written without a thought’s visitation

Carved on the ocean shore

Is there anything more?

On a flower’s pattern

The seed confessed

To Rilke or Artaud

Or to Gide and Whitman

That the lovely moon

Was once struck from Orpheus’ lyre

As a single note permuting many songs

Gave thought to itself out of a vast swirling enzon-vita-emptiness (Supreme Realization)

Lizom-hitat-absolute engendering a faith-domain (d1>D/Fat-Domain Space) Non-Zero Vector @ t = 0 (t>T) Iswara-Purna-Abirbhava

Trees shed their green on blue seas

Transpose colour

To create a further movement

Granular to digital…to holcago destiny /Future is near when you touch the Stone- Chintamani

Mind-Space-Corporate

Virtual Realization

Then a physical entity

Google-Our-Own-Greatest-Learning-Experience /Micro-Null-Pull/Google  (Learning as Love Experience Enriched!)

Want the world to be an indispensable place.

 

– J 

 

 

 

 

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The Vital Morphogenetic Fields and Circuit Chemistry of Consciousness: Quantum Teleportation from Shelley to Hari-Purusha

The Vital Morphogenetic Fields and Circuit Chemistry of Consciousness: Quantum Teleportation from Shelley to Hari-Purusha 

P B Shelley, Monalisa, 2013

Music, When Soft Voices Die, P B Shelley/Monalisa, 2013

Music, When Soft Voices Die, P B Shelley/Monalisa, 2013

Music, When Soft Voices Die    

Hari Purush, Prabhu Sri Jagat Bandhu Sundar

Hari Purush, Prabhu Sri Jagat Bandhu Sundar

Music, when soft voices die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heap’d for the belovèd’s bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on.

– Percy Bysshe Shelley, 1821

 Consciousness-Analogue

The dance of circularity is the maha-nam angan braja-lila of the primeval existence (creation of meta-pollinating vessel on the exo-creation of self determinism)

Through you I am him in the tree of life as the fruit that seeds the flower of love

Sri Radhika is the rhythm language of the operational matrix to promote love as friendship on the geometric canvas of super differentials in a Higgs Field

There is a light in the self-reference of light itself invoking the cosmic paradigm shift

Consciousness is anti-gravity matter of bliss on subatomic particles in a quantum jump

Without the Shepherd, the sheep cannot find direction of the mother eternals (primitive mother-ships from Crohetad Server)

Their lord is Hari – chanting to create the cause of the final descent

Their effects overruled Pauli’s exclusion principle

The moon was the arc-bow of the sun in the Adi Adi Yugas  

Alba Madonna, Mary, Jesus and John, Raphael, 1521 (Renaissance Art)

Alba Madonna, Mary, Jesus and John, Raphael, 1521 (Renaissance Art)

The mind over matter (the Supramental wing-head Alblackica) is the converging point of the Lila-Khetra/field

Braja-Dham, Maha-Nam, Anu-Anga Lila

Three fold times (trikal) is eternity immobile on the holy sacred supreme moint – Maha-Kumbh

Eyes watching the silent replica of man in the honey gatherer’s pot

Sweet was that music that came as Mozart and flew as Stravinsky

In the rite, the grapes mouthed the solar-wine for the journey’s lunar destination (Chandra-pat)

And as boundaries collapsed, the walls brought down- man tasted the nectar of love

In the trance across the ocean of wilderness he stood there in front of gates of immortality.

– Joy Roy Choudhury

 

The Symbol of Unified Field Theory and the Universal Man: The Shambhala Para-Prakiti Magnet

The Symbol of Unified Field Theory: Universal Man, Monalisa, 2012

Integration of Race-Subsystems and Gender Localisation with the Universal Frame/Symbol of Unified Field Theory: Universal Man, Monalisa 2012

Integration of Race-Subsystems and Gender Localisation with the Universal Frame/Symbol of Unified Field Theory: Universal Man, Monalisa 2012

Its mystic origin in Shambhala was the cult left for a higher evolving race

Memory structures beams of light in the fountain of the dark star

The hexagram of animated motions are constructed by the valipa turn of the Yung-drung

From the yin to the yang in the ivory fire of waters’ symmetric verse

It wrote the syllabic feet of scriptures that transliterate creation from other micro-creations

From the savage prehistory of sacred letters, the fish swam across the river and became the tree

It saw the early light of the dawn at varying lengths falling on the ancient crucible

It had the bondage of silence so it couldn’t utter the aloa-aloa-vivi-afa

Darkness nestled the springs in the backyard of the great mountains

The birds flew migrating from one land to the other

Like the psychic wish of Hibiscus in the nomadic herd of the exothermic race

They wandered from valleys and deserts to gardens and meteorite caves

Another soliloquy of the artist with the plenary beings

Sculpted the face of Monalisa on the symbols of divine destiny

Here to meet in the Happy Isles or in the Tazig-Tazig kingdom

The Altai disappeared in the storm, the Urals appeared missing again

Tibet was dancing like the cormorant from Xinjiang

Images from the pages of the diary come and go like the stagecoach

They may never know what they mean but truly know where the light is taking it.

– Joy Roy Choudhury

Quest for True Knowledge is the Freedom of the Immutable Self : Another Brick in the Walls II and the Dickensian Humor in Oliver Twist

Charles Dickens, Monalisa 2012

Charles Dickens, Monalisa, 2012

Charles Dickens, Monalisa, 2012

“IF YOU DON’T EAT YOUR MEAT YOU CAN’T HAVE ANY PUDDING”?

(Another Brick in the Wall Part II/Pink Floyd/Roger Waters/1979)

Another Brick in the Wall Part II: The Psychoanalytic Domain of Man

Another Brick in the Wall Part II: The Psychoanalytic Domain of Man

CONSCIOUSNESS-ANALOGUE

“Please sir, I want some more”.

Lines reverberate with the passion of the inner flame of intuitive imagination

But man is too distant from another man

He cannot hear the call nor can he know the wisdom immaculate

He is a prisoner in his own mind fighting at odds end the life

Strings are dancing like time talking to the self

Lost innocence of the humming bees churn the ocean from its vault

Magnificent paradise are lit with the inner glow of the child

He is the thinking man’s rationale of truth

A ray of the sun on the vertebrae of matter

The spirit must come forth and hold its destiny

Or there is no need to repeat the mantric lines

You are, therefore, forever like a bud of the inviolate rhythm of the flower

Watching from a point outside this creation

Falsehood falls when light pierces the strange doctrine of equality in things

Neither I want nor I will, but bless you all so you may find the peace.

– Joy Roy Choudhury

Ref: Oliver Twist, Charles Dickens

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

 

Leonardo da Vinci, Self Portrait in Red Chalk (1512-15), Royal Library of Turin. 

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

Consciousness-Analogue

Poetry evokes consciousness that solidify plasma states of matter as the neo-platonic Arhat fire in the rectangle

Words I said are not vain tresses of the charcoal portrait of a lady in front of the mirror of duality and imperfection

They are kind aphorisms of the master’s key; I saw in man the heavy-built structure

Anatomizing the industrial scope to demonstrate the technique of tools

Shadows are compensated by the lines of force drawing man back from the infinity

The point is further from the eagle-point gyrating consciousness in an equilateral triangle

Therefore, you may travel as a freemason by the boat-proton leap in outer space

Searching for the diamond fixity in the Higgs mountain growth of curvatures

Channelizing power as wisdom in the salt-plates of alblackica

Helium was manufactured by the Heliosyncretic process of the artists’ occult eye

The coming of the metaphorical ship illumined the islands

The inhabitants rejoiced: “reva-reva-vrahum-reva-adi-sanatan param-bramha”

Nocturnal stars drank like Bacchus from the nefa-vessel of the Apollonian sibyl

Dattatreya adi da Vinci in the pure mercury of Hydrargyrum floating

Hegel astonished by the law of multiples

Called him the father of rural lapis in becta-izax realism?

– Joy Roy Choudhury

 

 

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

Snow Leopard Cradle, Joy Roy Choudhury

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

“Time present and time past 

Are both perhaps present in time future

And time future contained in time past” – T. S. Eliot

Consciousness-Analogue

The Vitruvian Man (1485) is a kind of time-link fiber carrying the essentials of divinity in man; it hatches the corporal sensuality of ‘beauty in mysticism’ in the artist’s mind, and, that has led a da Vinci to discover ‘Monalisa’ (1503-05/07) as an unequivocal affirmation of the ‘para-prakiti’ consciousness magnet with the power to transform lives. Both these two paintings are a route to rediscover The Last Supper (1498) which is not a historical setting put into canvas, but, a social template of the Lord in him and in the populace, and he in the Lord by the act electromagnetic attraction. The wisdom of the 12 apostles is the process carried forward by the 12 particles -the 6 quarks and the 6 leptons by the action-inaction of the tetra-forces (strong, weak, electromagnetic, gravitational) of cosmic interactivity. Contemporary music like that of Johannnes Ockenghem (ca. 1420-1495) who composed French chansons and delved into polyphonic music  was able to extract the singularity of ‘purity in sincerity’ to demonstrate the early ‘awareness of being’ in the causal process of time-elongation. The elasticity of the mental/psychic being while pursuing the creative Skills-Limit  α threshold ( a condition of yogic-meta perfection of qualitative quantity in work) was also observed in Guillaume Dufay (1397-1474) and in the music of Josquin Desprez (1440-1521) and Leonardo Praetorius (1571-1621). Music was following what modern day quantum physicists say ‘signal nonlocality’ allowing time-consciousness to emerge as a retrocausal balance to preserve the ethical kinship it had with the ‘origin of the origins’ beyond big bang and black holes. The symbol of ‘artistic intrusion’ into the dark matter of existence to perhaps comprehend the massive grace-conscious matter of this creation was first put in as an example of the ‘examination of the self’ in man and in nature of ‘binary and multiple existence’ (all perceived in twos or threes than in ones) by the paintings of da Vinci’s The Vitruvian Man , Monalisa and The Last Supper. They convey the idea of a plastic super-intutive future for man in the polymerization of collective-conscious will-aggregators (the sat-guru blessing!) for the liberation of matter from the bondage of gravity. The Last Supper is the ‘perennial hope’ in man to resolve the equation of his destiny by a ‘future choice that can affect the past measurement’s outcome (Yakir Aharonov’s retro-future) by the inner-self reflection of the Grail Light of the Sun. There, Horus is the Surya-Savitri of the Supramental Supramental state in the Extrohan Cause to perfectly annihilate itself in the Large Hadron Collider to remake in man the vision he shared in the dark beginning of no-ends. The non-duality of a monochrome in a super-fluid vastness is the sweet bud of a labyrinth rose that sheds tears as smiles; it’s a form that impregnates other forms making time work as a carrier-particle in the evolution  of ‘occult Madonna as Monalisa’ in the painting of da Vinci. The painting finally culminates to a point of stillness in the eyes of Monalisa talking to its audience in a manner seldom understood in contemporary art.

“Only by the form, the pattern

Can words or music reach

The stillness”.  (Burnt Norton, T.S. Eliot)

“And do not call it fixity

Where past and future are gathered.

Neither movement from nor towards,

Neither ascent nor decline…” (Burnt Norton, T. S. Eliot)

– Joy Roy Choudhury

The Supreme Supra-Quantum Potential of the High Mind of Reason is a Non-Dimensional Irrational Intelligence of Trectom-Neotin in the Slow-Fin-Fish of Imagination

PRIMA MATRA Artwork, Samij Datta 2012

The Supreme Supra-Quantum Potential of the High Mind of Reason is a Non-Dimensional Irrational Intelligence of Trectom-Neotin in the Slow-Fin-Fish of Imagination

Consciousness-Analogue

All life is yoga perfected by the will, by the back-formations and back-reactions in a superquantum field grid with a high-potential; when da Vinci says ‘bird is an instrument working according to mathematical law’ he means the superfluidity of transitional space curve structure projected into the mind by the hypothesis of macrospace of many worlds; within space the coordinates of space also change as the observer finds non-locality in multi partitional-optical Lie sphere geometry as the states of consciousness migrate into higher planes with time diegesis; when matter communicates with energy to bend as with space-curvatures in a 4 dimensional space-time geometry then we know that every face of Monalisa reconstitutes a mathematical vector-bird diagram on a horizontal space with algebraic formulations Time Square = M + N (The Alpha-Sovereign Grey Hound Lines Transformed the Ancient-Cloud Technology into the Time-Square of the Vitruvian Man) M the formal historical drawing, and N its evolving state reached in Time = T; Time is the temple of the vector-bird Monalisa, half-lines show the metamorphosis of the morphology of being on a classic ontological consciousness-platform that starts the Gita of habit by the value add-ons of knowledge via karma line 6 to 7 based on love soluble with a high coefficient at a low temperature; rest/motion per habit in giga-electrospace is bird-bird-bird-flying and freedom; formalisation of painting is a way to escape from dreams and coming back to reality from future black holes of Alblackica; reason is a monomer on a hypotonic solution that solubilises the gecra-imaginative faculty class with symmetric asymmetric non-local intelligence-bond; Eragman in Krishna is the solar-holocaust in Alblackica to maintain others stars balance the super-quantum-aquantum potential for the orbital high density fluids to pass through the macrotubules of the hyper-electro-space; the blue is the crystallization of red in white quartz transposed in helium on argentine atoms; the yellow bird sits in the trees, is waiting for the spring to camouflage it otherwise she will think sun has come down from heaven on the berry leaves and the garden, the sky was her mirror and the moon her silver comb that made her look like a bird that can fly; flying is still an ancient art, the artefacts from the stars are buried in some place, the Argonauts called her the fleece of the golden light; Krishna was Krishna in hyper-solid space as back-reactions of the matter-moun-tree-curve in a relative quantum field.

To me life is a back-reaction of new matter and energy on pi-pi mind-curve

Existence is retro-space dance on bliss

Leaves are semi-solid gunctions capable of holding rain drops

The sun is flat as seen through the pores of the x-chromosomes

Wave-function is active on amorphous nights after diffusion of lights

Darkness is light on Krishna-Kali matter-mind adverbs the Cauvery is flowing into the Ganges of Nile

With every light the darkness disappears into the heart of empty-lions bathing in the sea

Tyger on tyger is tyger-eye in the dark half-moon light climbing the stairs of conscious qualia

Yoga of life is time-square on e-curve prima matra of laser helio-madeb

Quarks: up down bottom top strange and charm

The baryons and mesons of the composites are better on the run

Brahman is bonimxot, crazy lazy-rabbit-fur-infinity!

– Joy Roy Choudhury

Ref: Observations made by my friend, Physicist Nilanjan Chatterjee:

Since David Bohm said Physics is Triangulation of Light, Matter & Meaning, he finds by gematria: MEANINGLIGHT =63 + 56 =119 = SUPERMIND= NEWMATTER = PiPiGHOST!

He observes, Light not only has energy but has ‘Meaning’ too! What is the meaning of ‘Sunlight’?

Possibly and probably the answer lies with Laser-Helio Madeb in Alblackica Space-Ships.