The Smart Thing About The Hollcago Destiny: White Lines of Kandinsky and the Music of Benjamin Britten

 

The Smart Thing About The Hollcago Destiny: White Lines of Kandinsky and the Music of Benjamin Britten 

 

White Line, Wassily Kandinsky, 1936

White Line, Wassily Kandinsky, 1936

 

Consciousness-Analogue

Those vibrating strings of space-time bubbles made music easy to the ear of the corn

Dancing in myriad ways through the streets of Paris or Budapest

Walking like a shadow from the past receding towards the sunlight of the near future dawn

He scribbled the pages with anecdotes from the Hollcago Destiny

In the boat or ship travelling afar with ‘wrawenzong woktrian’

Pages curl for the ants to dance round that undiminished point of everything

They called it trahim aho trahin avro vei nou strat

Invisible suns melting within the line of origination that touches the event-horizon

Dogs disappear in the chariot of strings pulled by the formidable trunk of the white line of indifference

Elephants laugh at the pigeon’s sky alternating between multiple invariable points of existence

He gropes like the ants labouring the tit bits through the passage of dark anti-matter resonance of time

Space was a wilful curved silence of the mind in its 11th dimensional inflation glory

 

The bubble bursts; velocity negates the original quest; rest is one dimensional mass vacuum in protoplasmic time inequalities

The Shepherd sees a sign; he follows the music of the rustic stone snowballing on perilous slopes

Bacchus, Monalisa 2013

Bacchus, Monalisa 2013

He fastens time to the bell of the sheep because it nods to make the sweet particle dance

That was music: IT WAS BORN FROM THE HOLOCAUST IN EVERY MATTER OR ENERGY OF THE SPACE-TIME CONTINUUM

IMAGE RANDOMISATION GAVE WORDS THEIR THREE DIMENSIONAL GRAVITY OF SCREENING NEW IDEAS

FROM PHOTOGRAPHY TO FILM IT WAS THEREFORE THE JOURNEY TO REPRESENT THE ORTHOGONAL STRUCTURES OF THE UNMANIFEST KINGDOM BY USING MIND-NON-LOCAL WARP DRIVES

THE NEGATIVE MIGRATORY BIRDS OF SUPER-STRING INFANCY MERGES BEYOND THE ORTHO-MERO-PRONG RADIUS OF THE MANIFEST

ART WAS ANTI-GRAVITY OF MATTER TO THE BONA FIDE PASSENGERS OF NON-DUAL TIME.

– Joy Roy Choudhury

 

 

 

 

 

 

 

 

Music of Benjamin Britten: Spring Symphony

 

 

 

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The Flaming Romantic Hero of the Cosmic Genesis: Extrohan-Eragman-Sun-Years of Ionic Supramental Sadhana

         Aleksandr Pushkin, Monalisa, 2012

Aleksandr Pushkin, Monalisa, 2012

Aleksandr Pushkin, Monalisa, 2012

“I’d come back to walk your fields through;

I’d come under the vaults of lime-trees,

On a slope of Trigorskoe’s hill,

A worshiper of freedom ours,

Of Graces, joy and high mind, still.” – ‘Fairwell, O, Faithful Leafy Groves!…’, Aleksandr Pushkin

“Let God help you, my dear friends,

In storms and everyday distress,

In dark abysses of the earth,

In desert seas and alien lands!” – ‘Let God Help You…’ , Aleksandr Pushkin

                                 

Consciousness-Analogue

Eternity exists in words; music is the freedom of the soul

Each thought a wave connected to other waves

The seasons fall in between that movement

Flowers are the opera in the dark abode of the sun

Venice in Moscow turns a chapter in Paris like an uncertainty phenomenon

Revisions that subject non-locality in things

Their truth lies in time corridors opening to the mind

The lake is the frozen bust of an Apollonian angel

Walking like the Bacchic maiden of a thousand light years back from this place

Chapters enclose paradise of poets in the evolutionary consciousness of beings

That journey was made- now and then it’s their time to return.

– Joy Roy Choudhury