THE LAST RITE OF THE SACRED FIRE IN THE OVOVIVOUN: TRANSLATION MEMORY MATRIX AND QUANTUM TIME CONVERGENCE OF HISTORICAL POINTS (Non-local movie per vecta ionic acceleration of space-time frame-shifts)

THE LAST RITE OF THE SACRED FIRE IN THE OVOVIVOUN: TRANSLATION MEMORY MATRIX AND QUANTUM TIME CONVERGENCE  OF HISTORICAL POINTS (Non-local movie per vecta ionic acceleration of space-time frame-shifts)

Jim Morrison, An American Pastoral (1969)

Jim Morrison, An American Pastoral (1969)

An American Pastoral (1969)

An American Pastoral (1969)

We made a film about words and silence

We made a film about the sound

You and I, repeat what we are

Birth, life, seeing and hearing

To find the word lost in images

And images lost in the field of memory

Finding and failing, in the light, in the darkness

To seek, to recover the first scene

From the udder of a sun-vast recess

When born was Idea in the dawn of intuition

 

A red flame of the Heraclitean fire

Tonight we shall remake this film

A film that restores the emblem of peace

From nether shadows that engulfed the sun,

From the fear and trembling and the eclipse and death

Driving through New Mexico under the stars

In the night of the Hopi dance around the sacred fire

Long after Kierkegaard’s death

Long after Van Gogh’s and Bunuel’s

All are awakened in the still silence of the Himalayas

und das  Wasser fliesst     

You and I,

Let us go to remake the film.

The Mystic Mountains

The Mystic Mountains/Photograph Joy Roy Choudhury

– Joy Roy Choudhury (From collection of poetry” Rains Winds and Cycles, Kindle Edition Amazon)

http://www.amazon.com/Rains-Winds-And-Cycles-ebook/dp/B009HX1S2U


Refs:

[1] The ever-living fire; Heraclitus, the Greek philosopher conceived fire as the primordial element out of which matter evolved; “That Nature is a Heraclitean Fire and the Comfort of Resurrection”, Gerard Manley Hopkins, Poems. 1918.

[2] An iconic philosophical book by Danish philosopher, Søren Kierkegaard

[3] Danish philosopher and theologian (1813-1855)

[4] Vincent Van Gogh (1853-1890), Dutch Post-Impressionist painter who was famous for his paintings of sunflowers and landscapes.

[5] Luis Buñuel (1900-1983), Spanish-born filmmaker who moved to Paris and directed a series of path breaking surreal films, notably one with the artist Salvador Dali.

[6] And the water flows.

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THE YUNGDRUNG REPTILE WROTE HER FIRST LETTER TO THE IMPERSONAL TERMINAL ETERNALLY GYRATING AT TREMENDOUS SPEED WITHIN THE BLACK VIGEFOX-PREDESTINY OF THE SACRED REALM (HOLY WORLD CONNECTED TO THE LAND OF HYRULE)

 

Chapter 24

Chapter 24

 

The Treasure of the World-Chintamani, Nicholas Roerich

The Treasure of the World-Chintamani, Nicholas Roerich

THE YUNGDRUNG REPTILE WROTE HER FIRST LETTER TO THE IMPERSONAL TERMINAL ETERNALLY GYRATING AT TREMENDOUS SPEED WITHIN THE BLACK VIGEFOX-PREDESTINY OF THE SACRED REALM (HOLY WORLD CONNECTED TO THE LAND OF HYRULE)

Consciousness-Analogue

The land of the imperial lights

Twilight kingdom with hidden doors

Sacred realm of mirrors connected to Hyrule

Dolma movren gesu nei tra oceanic rest mass meon of the triforces

 

Language orientation of the sound purifies the heart

To speak with the quantum self, deconstruct the world (The Logos)

Memories broken ring on the caravan across the cold desert

Ourobouros, Monalisa, 2012

Ourobouros, Monalisa, 2012

I have carried on my back the chaos and awakened consciousness

The supralingual automated typeface of the anointed world

Was my reptilian grammar born from cosmic supergiant star systems

Before the creation in a another realm without the imaginary functions

Indefinite was the cause resting on a virtual point oscillating in many dimensions

That very moment elliptical and sublime

Like the last touch on Michelangelo’s creation

Dawning the begging of mathematical possibilities

Eternal collapsed on the finite surface of zero prefiguring one as the space time inflation

Expanding and contracting, the riddle was the holy spirit of nirvana

On my back I have carried the race and its plaudits

The couriers of kings the golden goddess of the waters

Seven sages, spirits of the holy book and courtesans

My body moved with no beginning no end

Mountains saw rivers, birds the trees

I saw them all collapsing in the material world

Without mind there are no words

My letter is not an empty space filled with unconquered hieroglyphs

Light far travelling became the sound of ‘OM’

Triangularly activating the predestined heart of the occult worship of my signs

I only exist, rest all are drowning or living or dying in me.

– Joy Roy Choudhury

The Flaming Romantic Hero of the Cosmic Genesis: Extrohan-Eragman-Sun-Years of Ionic Supramental Sadhana

         Aleksandr Pushkin, Monalisa, 2012

Aleksandr Pushkin, Monalisa, 2012

Aleksandr Pushkin, Monalisa, 2012

“I’d come back to walk your fields through;

I’d come under the vaults of lime-trees,

On a slope of Trigorskoe’s hill,

A worshiper of freedom ours,

Of Graces, joy and high mind, still.” – ‘Fairwell, O, Faithful Leafy Groves!…’, Aleksandr Pushkin

“Let God help you, my dear friends,

In storms and everyday distress,

In dark abysses of the earth,

In desert seas and alien lands!” – ‘Let God Help You…’ , Aleksandr Pushkin

                                 

Consciousness-Analogue

Eternity exists in words; music is the freedom of the soul

Each thought a wave connected to other waves

The seasons fall in between that movement

Flowers are the opera in the dark abode of the sun

Venice in Moscow turns a chapter in Paris like an uncertainty phenomenon

Revisions that subject non-locality in things

Their truth lies in time corridors opening to the mind

The lake is the frozen bust of an Apollonian angel

Walking like the Bacchic maiden of a thousand light years back from this place

Chapters enclose paradise of poets in the evolutionary consciousness of beings

That journey was made- now and then it’s their time to return.

– Joy Roy Choudhury

 

 

 

 

 

Peter Paul Rubens’ Celestial Light of the Origin in his paintings and the Transformation of Matter by White Light Synthesis (Jim Morrison & Jerry Garcia as apostles to Dionysian and Apollonian Forces in the Landscape)

Landscape with a Watering Place, Peter Paul Rubens, Louvre, Paris, France

Peter Paul Rubens’ Celestial Light of the Origin in his paintings and the Transformation of Matter by White Light Synthesis (Jim Morrison & Jerry Garcia as apostles to Dionysian and Apollonian Forces in the Landscape)

The painting here summarizes the glow of the celestial light of the origin if we think ‘dark matter’ is the source of everything in this creation. The yin-yang in the painting is the subtle interplay of the senses between auditory and ocular mediums creating a kinaesthetic effect that transforms time into an ‘ever present paradox of the moment’- the ZEN of immutable delight or ‘ananda’ in the temporal process of existence. Here the god is not so much the object outside in the phenomenal world, but in ‘man as reality’ of a benevolent shepherd, who takes care of the flock and the community, as the ‘para-prakiti’ finds the magnet in him as in herself. This ontological classification of man within the hierarchy of God the Father acts as a kind of memory-painting intertext  of an ecologically conscious artist who knows his ‘being’, lives in that ‘idyll’ of supreme intelligence in the Brahman, and finds his inspiration from the Shakti/Nature.

Though Rubens’ landscapes are about the expressions of light (internal, external), there is also a finer judgement in his works that pastoral settings are not only about the exuberance of life, but integral nature of it also presupposes a degree of sadness in it because, ‘life-death’ are continually harnessed in our biological self, in the cells and in the cosmic order of things.

The deeper monotone of emotional suffering is a Dionysian force (that finds joy in death and negation) operative in nature that unveils the secret of ‘mind’ in matter for the process of integral synthesis and transformation.

Jim Morrison experienced similar forces when he wrote: “moment of inner freedom/when the mind is opened and the/infinite universe revealed/& the soul is left to wander/dazed & confus’d searching/here & there for teachers & friends”. It’s the same ‘quantum multiverse’ that’s opening to him as in the painting, ‘exaltation’ often bearing a touch of loneliness as it grapples with infusion of time with the solar plexus of eternity.

The quanta of qualitative judgement is not the focus of the artist or the poet/singer but the experiential qubit is the only statistical proof of his ‘faith’ in ‘nature and in ‘him’, as the source of the carrier-particle is often hidden in the square-root of its quantum-multiverse. The trees and houses in the background are brimming with Apollonian grace – a conjunction of light and matter, as one sets the law to sustain the harmony of the other (theory of sustainability and order) in itself, and by it, as a rare proof that both forces can simultaneously exist to bring equitable distribution of the quality of light intensity in the mind (internalisation process as para-truth verification) as consciousness in matter.

Jerry Garcia who gave music to Robert Hunter’s words in the Grateful Dead song The Eyes of the World, can be seen as a ballad that connects with the Apollonian force present in the painting.

“Wake up to find out

That you are the eyes of the World

But the heart has its beaches

Its homeland and thoughts of its own

Wake now, discover that you

Are the song that the morning brings

But the heart has its seasons

Its evenings and songs of its own”.

The song that morning brings is a template of the artistic source within, the Tao of life  is a higher integrated substrate of the cosmic synthesis of light in matter to activate consciousness in its time.

– Joy Roy Choudhury

The Secret of the Last Judgement by Michelangelo and the Time Re-Creation of the Past in the Present Back from the Future through the Vora-Gate of Causal Spirals in the Evolution Track Matter of Consciousness

 

The Last Judgement, Michelangelo/ 15 37-41/Fresco/Sistine Chapel/Vatican City

The Secret of the Last Judgement by Michelangelo and the Time Re-Creation of  the Past in the Present Back from the Future through the Vora-Gate of Causal Spirals in the Evolution Track Matter of Consciousness

Consciousness-Analogue

The travaho dynamics of uriyat time encapsulates the polyglossia of the sun

Angular dynamics of motion on the rotator cuff assimilates purity

Pure substance matter as yatter on vatter to zatter is the inflammable light (Lawau-myth track matter {4 = 4 H} )

The poetic sublime existence is the cathartic darkness revelation as dawn

Savitri-gawa-Savitri on 6-aswapati-6 as remembrance of evolution of fate (yy-aswapati-zz)

Eternity is a closed chapter in the book of the dead

Immortality is the only finitude of time in the zero-habber Brahman of the origin of origins

The mountains are only dreams of valleys engulfed by the sea in the year of the Apocalypse

End to end is a prayer from sat-sat-lila-chit-ananda towards the beginning of the end

Linear factorial sum of existential bliss > Creational equilibrium constant

Eyes meet eyes through the valtrumin lense to recreate the image from the future to the past

In the temple of the morning, time flowers the Garden of Eden with Poinsettias and Roses

Cross Aum Mani Padme Hum (3x) in the red ether of Indian tribes

Viking into the sea with Vra-Uj-Ni into Shambhala through the door of love into new world-heaven

The point migrates in the roaming space adding light-years to its qualia

Michelangelo magnified on San Lorenzo to San Lorenzo earns Tat-sat-chit-chit-hari-tat-sat-om

– Joy Roy Choudhury

 

 

 

 

 

 

 

 

 

 

The Nyaobhim Celestial Auric Clock in the Actual Field Time-Determinants of Alblackica (Bliss is Consciousness as Matter)

Alblackica Clock, Samij Datta, 2012

The Nyaobhim Celestial Auric Clock in the Actual Field Time-Determinants of Alblackica (Bliss is Consciousness as Matter/Hare Sat OM-Hare Chit OM-Hare Ananda OM)

Consciousness-Analogue

Gold Ionicixa mesonic helium running round the rim of the clock

Inside and outside, the magnetocraft of massless aoxomorim

32-21-15-11=rapid movement per vecta ionic acceleration of time

Speed of light changes to the will-factor of the dynamic dromos-dero

Zero time a function of trapezohedron on anti-gravity shield via Dorpen and Xoriduq eternals

Allowance factor measured by the protein synthesis per co-cubic time

Eratig-tragith-tail-tram-boson-nucleon

Zanumba line is open on red-shot place

Valeloluva is dianthus-doxen-doazen Jesus

Bliss is consciousness as matter, pray to the Lord

Red-Waziz Izwa shows the fastest track of evolution

The journey from Primal Eohippus to Eternal Equus Ferus Cabalus

Rome is Rome in the NY of Tibet

Love in the eyes is softly ionizing the show

The sky is full of colours, indigo in the Navajo base mandalas

Man is moving on the path to liberation

Not of himself but of the whole human race

The footprints are there as trace-map grip zones on the book from the future

Revelation comes when we know what we mean in the eternal macrospace

Microorganisms are planting new life

And in the quantum vibration of the integral oneness

‘Man is a transitional being’.

– Joy Roy Choudhury

 

Ref: ‘Man is a transitional being’- Sri Aurobindo

 

A Spiral Converse in a Holographic Universe Meditating Upon a Beam of Laser to Exfoliate the Decaying Matter of Gravity

Qui-Qui in a Hologram, Samij Datta 2012

A Spiral Converse in a Holographic Universe Meditating Upon a Beam of Laser to Exfoliate the Decaying Matter of Gravity

Consciousness-Analogue

Just as the satellites dish out the varying signals

Automated upon a superdisc levitating in a macro-causal vacuum

Ether to ether was a dark holes submission of matter and energy

Into asynchronous worm holes in a spectral hologram

Leaf is an arrangement of dreams grid together with quantum gold plates

Auric aurum aurora auroville

Points are incarnating consciousness in space

Lines are the building blocks of supermind gravitating in zero-fulcrum

Rose-carp bliss Boson carrier of the truth-vehicle inevitable      

Krishna to Krishna is the chariot of fire across the prima facie of Christ

Arrow of time melts on a super luminal space craft

Within the microtubules matter-mind psychic entanglement takes place

Différance is a term of non-local retro-causality

The clouds clasp the gadgets of light and invert a chain of signifiers into the dawn-mist sea

Came rain from the first holocaust, Savitri saw the sun from the templates of other suns in luminous hyperspace

Darkness came as a outer exotic-membrane of light peeled to reveal her quantum car

An orange in the non-unitary matrix of non-linear isometric symbols

Revak vak Tat Vashishtha Rohaman–Johaman-Froaman-Droaman-Mroaman

Brahman is Brahman in the infinite delight of massless supramental qui-qui Shakti

– Joy Roy Choudhury