The Retrocausality and the Return Car Festival: The Strange Charm Ways of the Quark-Anti-Quark Digesis of the ‘Uhurupa’ (Tat Twam Asi – gratyu self 1/2 integer spin)

Srila Prabupada and Allen Ginsberg

Srila Prabupada and Allen Ginsberg

 

The Retrocausality and the Return Car Festival: The Strange Charm Ways of the Quark-Anti-Quark  Digesis of  the ‘Uhurupa’ (Tat Twam Asi – gratyu self  1/2 integer spin)

Thoughts weaving thoughts making senses           

Lord Jagannatha Lord Balarama and Devi Subhadra Folk Art Orissa

Lord Jagannatha Lord Balarama and Devi Subhadra Folk Art Orissa

Poetry interweaving fabric of space time bending

Events occur, concur in a landscape of uhurupa

This cosmic multiverse is uhurupa

It’s the bhiksha-patra of the being

All existence confined to uhurupa

It projects out of it, void and substance

After a long hard day, the uhurupa earned the sky and the rains

Then the sea and the rocks

Then land and shores, gravel and sand

Then a nestling branch, timber and flutes

All that he earned by begging and begging…

The sun closed its eyes,

Evening paroled the swiftness of its rhythm

Is it now time to go back home?

Is there anyone at home?

Form gave formlessness

Substance emptiness

Uhurupa was the absolute answer

It’s the bhiksha patra of all beings

It carried on its shoulder the meaning of all things

It’s the literal landscape of the evolutionary enlightenment

From Buddha to Aurobindo – all a point on this begging bowl

You beg with yourself and earn some points                                                                           

Buddha Bowl 1883 Lithograph Calcutta Museum Source The Times of India

Buddha Bowl 1883 Lithograph Calcutta Museum Source The Times of India

Inhabit a dot space in this grand exo-architecture

But only with and within yourself – that’s the key to this trade de equality

Someday you earn a bowl of rice

Other days your skin is burnt like the sun

And you jump into the river like a log of wood

Become boat on a river

Feeling free

Verse like

A positron backwards in time

Touching mountains of past and deserts of eternity

And the wilderness that you confront is there…

I am speaking to you from the xon-co-rupa

Everything you see is me

It’s the uhurupa …dancing in uhurupa to become the uhurupa

Here…there, everywhere

Just beg within yourself the true light of destiny                                

Jim Morrison in Mexico circa 1969

Jim Morrison in Mexico circa 1969

May the bowl give you the substance you need

And love to feel the Absolute

May the power reside in your words and transform and heal

The rainbow sneaks through the clouds

‘’ It’s the time that has come again’’

                     

 – J

 

 

 

 

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Resonating ‘Ananda Kirtan’ in Search of the Ideal Question: Paris Through the Eyes of the Seer

John Wesley Harding Album Cover/Bob Dylan/1967 From L-R: Luxman Das Baul, Bob Dylan, Charlie Joy and Purna Das Baul

John Wesley Harding Album Cover/Bob Dylan/1967
From L-R: Luxman Das Baul, Bob Dylan, Charlie Joy and Purna Das Baul

Resonating ‘Ananda Kirtan’ in Search of the Ideal Question: Paris Through the Eyes of the Seer

“I am willing that the seasons should wear me out

Arthur Rimbaud (1854 - 1891)

Arthur Rimbaud (1854 – 1891)

To you, Nature, I surrender;

With my hunger and all my thirst.

And, if it please you, feed and water me.

Nothing, nothing at all deceives me;

To laugh at the sun is to laugh at one’s parents,

But I do not wish to laugh at any thing

And may this misfortune go free.”

– Arthur Rimbaud, May 1872 (May Banners/Bannieres de Mai)

 

THE QUESTION IS WHAT IS THE QUESTION? – John Archibald Wheeler, Physicist (Address to American Physical Society, 2003)

 WHY DID PRABHU JAGAT BANDHU SUNDOR WENT TO PARIS B/W 1890-1892 AND THEN RETURNED TO BRINDAVAN?

“To track down a theory of everything, we might have to accept that the universe only exists when we are looking at it…”- Prof. Vladko Vedral, Univ. Of Leeds

“Our overall approach has thus brought together questions of the nature of the cosmos, of matter in general, of life, and of consciousness. All of these have been considered to be projections of a common ground. This we may call the ground of all that is, at least in so far as this may be sensed and known by us, in our present phase of unfoldment of consciousness. Although we may have no detailed perception or knowledge of this ground it is still in a certain sense enfolded in our consciousness…

–          Wholeness and the Implicate Order, David Bohm

GRAVEDIGGER 

“But age with his stealing steps

Hath clawed me in his clutch                    

Hamlet and Horatio in the Graveyard by Eugene Delacroix circa 1839/Eugène Delacroix/Musée du Louvre, Paris

Hamlet and Horatio in the Graveyard by Eugene Delacroix circa 1839/Eugène Delacroix/Musée du Louvre, Paris

And hath shipped me into the land

As if I had never been such”.

(throws up a skull) (V.i.63-64) HAMLET/Shakespeare

 

Thirsty roots

Revel in the rain

Forgives pain

Anonymous self-resolute

A flower in the dream

Eternity swing

Motionlessly…

From a cracked earthen pot

A joy comes forth

Lilting grace

Fill the place

Mixing with elements

Oblivious turn

Of the urn

An azimuthal projection of the Unborn Self

Time to reveal or can never test its Absoluteness

Can never test whatever or nothing

Prabhu Jagatbandhu Sundor

Prabhu Jagatbandhu Sundor (1871- 1921)

Twilight cuddles baby bats in the velvet sky

Reminding seasons in hell gone-by

And clouds wrap the bud’s promise in the fire of the sun

They hear the crystal bell laugh and run

And mountains that climb up to the sky

To meet

To meet the Eye

And then fall apart in bundled pairs

In the valley of stars underneath the ocean floor

Did you know more?

That a column of light is tapping the feet of sound

Gently you can hear

A whisper amidst evening tear

After the last rainbow surged a drop in the sky

Emanating beautiful rhythms that can sustain by

Lyrically a wave upon wave crystallizes a superposition of things

In that order and coherence a unified script is written, perhaps

The law unfolds a unique super-evolution of things

Subtle bodies command a vibration in the universe

They participate in an ecstatic dance (Omega Point Transformation Junction/Reverse Kinesynthesis)

Body through the psychic-temple opens gates to other worlds

Not in dreams but in reality you can travel through them

Words ratiocinate the pi-bosonic orchestration of meanings

And light stamps out ignorance on the cold milky-oceanway

Riding the chariot, He comes forth towards the destined meeting point

He who travels with us is blessed

He who travels is blessed

The first flash

An enigma

Existence as real signed to be.

 

– J

 

 

 

 

 

Can Poetry Touch the Curved Surfaces of Riemann: Co-Planar Thought Arising from Junction Intervals of a Squeezed Time-Gap?

iza saraba                                             

Bernard Riemann Father of Non-Euclidean Geometry and the True Guide to N-Dimensional Space

Bernard Riemann Father of Non-Euclidean Geometry and the True Guide to N-Dimensional Space

yukimi ni korobu
okoromade
Now then, let’s go out
To enjoy the snow… until
I slip and fall! [1688]
– Matsuo Bashō – Master Poet of Haiku/Edo  Period, Japan

 

“Let no one enter here without Geometry”. -(Plato’s Academy)

Can Poetry Touch the Curved Surfaces of Riemann: Co-Planar Thought Arising from Junction Intervals of  a Squeezed Time-Gap?

Alpha leaping sound                                        

Sri Adi Shankaracharya: Non-Duality and Non-Local Field Interactions

Sri Adi Shankaracharya: Non-Duality and Non-Local Field Interactions

Liquid mansions crystallize

Upon manifold surfaces n-dimensional protean fire

Breathing Hyperion

Formation on a point

The totality of multiverses conjoin here

And now…

To relive the sensation of cessation

And a beginning of new scientific topology

Wisdom’s occult pulsar postulates curved lines of a hypersphere

It reaches the flower of life’s edifice                           

Flower of Life's Poetry Encapsulates the Riemannian Curved Surfaces of Thought-Projection in Mobile-Immobile Time

Flower of Life’s Poetry Encapsulates the Riemannian Curved Surfaces of Thought-Projection in Mobile-Immobile Time

Originating seed’s non-local communication

The abacus of mind’s matrix governs felicity

Happiness not worth in cents or dollars

But xollar’s extra labour to kindle life equations stretched

Humming sound resonated words fibre bundles in plastic thought

The invisible eye clothed the tapestry of chaos out of perfection’s core

Evolve into di sitter future parallelograms

Into octagonal motionless musical poise

Birds are flying into an orange disk

It mirrors the soul’s trillion desires in a unique equation

The creation is a number less than zero

The infinity of infinities is less than zero

Zero observes zeroes in profusion

Creates a whole sequence of things

Observes the making of worlds…

Consciousness induces sleep and waking

And dreaming in the topology of space-time

Yoshi yeho sutra – poetry encapsulates abstract awakening of space-tensor

If matter compacted in vibrating strings produced the music of life then on each point on the Riemann matrix the totality of this creation is simultaneusly dissolved and created by the Will of an unborn wish in the cradle of unmanifest times the unmanifest called …mihira-brahman-vrava-shringar rasa act F-N 39 Sequence Ultra-Tradit Speed.

       

– J 

 

GENESIS OF THE CRYSTAL SHIP CARRYING INTERSECTION B/W INSIDE AND THE OUTSIDE OF A SPINNING HYPER-SPHERE/(THE OPENING OF THE HEART-CHAKRA)

Jesus in the Wilderness (Forest of the Retreating Spirit Far Arden Again) Pic 1

Jesus in the Wilderness (Forest of the Retreating Spirit Far Arden Again) Pic 1

 

“Androgynous, liquid, happy

Heavy

Facile & vapid

Weighed w/words

Mortgaged soul

Wandering preachers, & Delta Tramps

Box-cars of heaven         

New Orleans Nile Sunset”. – Jim Morrison 

FORM IS NOT OTHER THAN VOID;

VOID IS NOT OTHER THAN FORM

-HEART SUTRA

Dynamic state alterations from mind (Implicate) to matter(Explicate) & vice versa- GENESIS OF THE CRYSTAL SHIP CARRYING INTERSECTION B/W INSIDE AND THE OUTSIDE OF A SPINNING HYPERSPHERE/(THE OPENING OF THE HEART-CHAKRA)

 

Innumerable points that make up the time-line        

You cannot Petition the Lord with Prayer:  Jim_Morrison/ Frankfurt circa 1968/photograph by Alten Nikolaikirche

You cannot Petition the Lord
with Prayer:
Jim_Morrison/
Frankfurt circa 1968/photograph by Alten Nikolaikirche

Each conjugating with the other

Perfecting the spatial configuration of a flower

At the intersection moment the bud becomes

The alter of the cross

Carrying the sun’s nocturnal image of the moon

A monosyllabic sacred eigenstate of a crystal with an indeterminate quantum state inversion

When the seed burst

And children claimed the forest

Then gloriously the sky turned red…

On the highway

On the highway

To the dances of the waking spirit

From the deep

A mouthful of water the rain clouds bring

To wipe the dust from the empty road

Above the horizon                                                     

Heart Sutra Mantra

Heart Sutra Mantra pic 2

The fading rainbow gleaned

The last crowing before dawn

Night’s endless sleep

In the armour of pursuit

Without which there is no dream

No reality

And relativity’s orange tar

Smudged on the grassy banks

Afraid of the stars distant calls

Became forever the prisoner of illusion

And the children laughed…

And the old man and men and women

Within their hotels and compartments, confined

At the lounge in the airport

Stuck their head out against the wall like reason

Failed to see through the mirror

How time flies and not

In the void where no time is there

Across the gates of eternity                                                        

Where Ouroboros charms the magical heart

Chanting gate gate paragate parasamgate bodhi swaha

Three times before your flight

The wheels over the ocean

Runs              

Into the deep

And they sail unto me…

– J

 

Acknowledgement

1. Pic Source: Jesus Meditating  in the Forest

Light of the Spirit Monastery (Atma Jyoti Ashram)/New Mexico, USA

http://www.ocoy.org

2. Pic Source: Heart Sutra Mantra

http://www.deviantart.com/

 

Soulful Reality of the Sacred Land & Chaos on the Edge of Eternity: Bubble-Foam Extrohan Realm and the Supreme Realization of the Waking States of Super Consciousness

Sri Ramana Maharshi

Sri Ramana Maharshi

Soulful Reality of the Sacred Land & Chaos on the Edge of Eternity: Bubble-Foam Extrohan Realm and the Supreme Realization of the Waking States of Super Consciousness 

Oljanui olkhakos olmui pamo

Dr. Gopinath Kaviraj and Srimat Anirvan

Dr. Gopinath Kaviraj and Srimat Anirvan

Neihrutjahrehar olfamos

Sagirutma soukheous danzib

Being in the timeless void emanating from

Being out-of-time in time panorama

Switching in and switching off frequency vibrations

Far distant from a galactic point to earth’s axis mundi

There were letters stored in the cuneiform

Reason’s corpus is too small for this ontological plexus

Information is passed on as data structures in geometric concaves

Mind connects with ivi-ova000.0001-supermind

Mind connects with the Supreme Virtual Meta-Linguistic Consciousness Field (The Avahoman Plant – Jung’s Key constant carrier with Wittgenstein Light-Rod Spectral Ray) (Cray-Fish Cosmic Information Circle)

Bubbles of protean self cognizing agents of the Lord says

Being expresses its innate being-ness by self eliminating all its attributes from that primordial origin negating even the transcendental interplay of ying & yang as one solid singularity till it attains feelings that engender white work of the vertebrates against the fabric of unknown dark energy and matter to resolve the crisis of the heart and the meanings that were lost since historically the human brain was designed to receive only certain frequencies and was unresponsive to others by the crude play of chance and fate – there is the Yohingo-Altair space station waiting for you – man is now on his way to become the Creatrix but by the right action which we call the Dharma of all sentient beings in the creation

The way to knowledge is the way to the technology of quantum consciousness

God, indeed, didn’t play dice, nor did Bohr or Einstein, Dirac and Ramanuja

Like little Buddha in the soul enwrapped Heidegger

Summer Triangle: Deneb-Altair-Vega

Summer Triangle: Deneb-Altair-Vega

He is on the way to meet the Super-Soul…

Through the Light in the Light the Light was greater than the Light-Darkness interplay

From mere abstractions the mind constructed the fabric of reality

First he heard the sound emanating as OM: a timeless ripple from the navel flooded the void

Light-cone emerged, the photons interacting with the neutrinos pulsating

Weva-weva-hyuninongo-kal jumping through the stargate Shambhala

In return, the Lord promised the transformation of the world

Dlorerufi1/3 silence end chaos-on-the-edge-of-eternity

-J

 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

Godard's King Lear 1987

Godard’s King Lear 1987

 

“Your vision will become clear only when you look into your heart … Who looks outside dreams. Who looks inside awakens.”
Carl Jung

 

“The cinema is not an art which films life: the cinema is something between art and life.” – Jean-Luc-Godard (1970)

 

No -Thing is real

No-Thing is unreal

No-Thing is virtual 

No-Thing is Impermanence

No-Thing is Flux 

No-Thing is Retrocausal Action of the Camera-Eye

No-Thing is Pure Awakening of the Self

No-Thing is the Mantra of the Heart 

 

No-Thing is Non-Relational Virtual Truth of the Paradigm of Things 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

No Thing

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

A systematic coherence breaks away

Rapidly dissolving

Linguistic artifacts melt in the impenetrable silence of that no thing

Ritual worship temple falls

Seagulls quail over a plastic sea of madness

Hesitation wired up brains in senseless humour

All meanings engender split b/w the object and the subject

Unity is an act of pure restoration by consciousness/ Subjective delight in the Absolute /Zabber-moun-brahman

Feelings arent about metrics and grid

The immeasurable is measurable only by the non-dual reflexes of the mind

The cinema is about the world of apparent recognitions and misrecognitions

Seldom poetry is blessed by transcendental images or music

A lack of meaning is the pure stasis of dynamic mobility

The true cinema is never made…

Though Lear thinks about the power and its corruption

About the fundamentals of speech and cognition

He lacks ingenuity of heart and that leads to failure and disintegration of his empire

No thing is the super-logic of the Absolute

The king’s disability is in the learning process

He seldom acquires the depth of other possibilities for an insight into ‘things’ unknown

Godard tries to restore art – to give meanings to no things

But thinking doesnt validate the no thing

In the void you walk, in the void you don’t think but dance

And from there you articulate the mise-en-scène of future poetry

From lack of meaning to a full potentiality the quest for nothing is in the Absolute Super-Symmetry

Strings resonating with the heart vibrate causing feelings to generate the kingdom in vesica-piscis

A square in a mandala is nothing but time warping time to confine meanings in nothings

It’s the spiritual sign of non-time by the relative spatial geometry of feelings

For She is in that no-thing the thing in the explicate

Expressing desire for everything in the hologram

The secret to be known in the four quadrants of a circle…

Cordelia cusp – white light synthesis /proper examination of the laws by the seer-poet/rishi

–          J

 

Jean-Luc-Godard’s Film King Lear (1987) : Film Review and Critical Interpretation on the Subject of No-Thing by Monalisa

Centering around the word No Thing . Jean Luc Godard a stalwart of the French New Wave superimposes his eccentric avant garde experimentalism A Study based on the Classic Shakespearean tragedy King Lear in a modern contextual interpretation. The film follows a non-linear plot structure as referred Shot In The Back in the intertitle . Godard brings forth his personal approach rendering a modern re- interpretation and his subjective re-construction.

 

Peter Sellars a descendant of the legendary playwright William Shakespeare sets forth to revive his ancestors lost art in a world post the Chernobyl disaster. He discovers his characters under mysterious circumstances at a hotel in Nyon Vaud, Switzerland ( the locale is alluded as a mystical place in between France and Germany with sea and the woods). Don Learo and his daughter Cordelia substitute the father-daughter duo of the Shakespearean classic suffering from a similar or identical Hamartia, a tragic flaw so ingrained in the father-daughter relationship as the existential fight between Power versus Virtue. The outcome or the end is predictable, as Cordelia succumbs failing to express her love for her father. The lack of not having her heart in her mouth suffocates her in awkward circumstances depicted through her internal psychological conflict, brooding silence and disinterested appearance. Her inability or inexpression tortures her father intolerably as he attempts over the time to silence her silence. The No Thing or Nothing of Cordelia results in a faulty meaning generation owing to her father’s incapacity of acceptance and understanding, rather- misinterpreting her silence as a lack of love, leading to the tragic conclusion too late to rectify.

Other alternate character additions worth mentioning- Professor Pluggy (starring Godard himself) a frenzied clairvoyant substitute of the Shakespearean Fool , obsessed with photocopying his own hand, whose strangely mysterious last words bear an uncannily absurd co-incidental reference to the name of the film editor Mr Alien featuring in the end. Godard also incorporates Shakespeares paranormal elements in the form of four shadowy human-like figures imitating and following the central characters everywhere ( as depicted in first half when Peter scribbles on a notepad whilst walking around the woods seeking inspiration the human goblins emulate and follow him ) . Godard surpasses nudity with this one, as he barely includes any intimate sequence or moments. As his character Peter is subjected by Cannon Films ( a film production company incidentally the film producer )to exclusively exclude any form of nudity from his creative themes thus directing his interest in the father-daughter conversations patronising them as his central characters. The camera work and cinematography is well conceived opening new perspectives. The mise-en-scene is seamlessly blended as thematically the desolate tourist location is ideal, merging the backdrop smoothly into the plot .But the real show stealer are the ground breaking dialogues, interesting sound bites ( of screeching sea gulls ), intense voice-overs and critical soliloquies as the plotline gains its much momentum from the audio sound bites and the voice-overs helping in character introspection giving psychological insight in the characters mental state.

Reference clippings of Renaissance artworks of Michaelangelo with some French Impressionism along with special emphasis on The Girl With A Pearl Earring of Johannes Vermeer and paintings of Francisco Goya, etc are focused through a candle flame depicting the necessity of art revival in the modern world interests .However, Godard successfully brings forth his subjective approach and personal interpretation though faltering significantly in generation of audience response and interests.. As the film defaults into a haphazardly non-linear structure at times losing track and audience interest ( although partially attempted to regenerate through the loud sound bits and uncanny voices) .The film lacks outlined character structure devoid of solidity appearing more absurd in nature. Whereas, the film plot appears less concrete or adapted and is more alluding, suggestive in nature and could have garnered impact through better execution.

Though Godard efforts to explain the films thematic ideation through the incessant use of intertitles , which can be deemed significantly important in imparting his inference to the audience facilitating a better understanding and acceptance of the film as a personal alternative approach or a referential study . A subjective reconstruction based on the original play. A true enough Clearing and Loathing, Godard puts forth his personal cinematic take on the Classic.

 

– Mona Lisa, Film and Psychedelic Music Critic ( Link http://psychedelicsutra.blogspot.com )

 

The Lost Art of Teaching: Thought’s Calligraphy on the Viviparous Sun Directs Non-Time Melodies

For Children the Gates of Paradise, William Blake, 1793

For Children the Gates of Paradise, William Blake, 1793

The Lost Art of Teaching: Thought’s Calligraphy on the Viviparous Sun Directs Non-Time Melodies

All time is eternal – time is information contained in a system

Non-time is solution of system-paradoxes from granular opaque quadrangular to transparent rotating icosahedrons

What we share we know we live for each other? The planet breathes on its own…

Leaves appear 1, 2, 3, 5 and 8…

A part of the whole

The moon’s red face hides the sun’s white gold

West Meets East The Historic Shankar Menuhin Sessions

West Meets East The Historic Shankar Menuhin Sessions

Copper dome has written on it the source of life’s destiny

Gathered around the worm-hole

Take a deep plunge…1793…1837…2318…

And end up on the other side of non-time

Journey is a process called transformation

Matter evolves from third state to fifth, eighth, eleventh endlessly

What does matter know about itself?

It’s an involuted pattern of existence that changes with rapid expansion accepting the Tao

Matter is yatter-processed memory of qubits in the field of interactions

What is the purpose of these interactions?

Why do you exist in this exchange?

To nullify your existence –to dissolute

Or to walk in the void rising from the sea like a dragon of light engulfing the whole truth of this creation?

Again, my Son, what is the purpose?

Sri Ramana Maharshi and Krishnaprem

Sri Ramana Maharshi and Sri Krishnaprem

The truth is in your consciousness

A beautiful dance plucked the strings of a sitar

A movement was observed

A melody line established

All without any hidden agenda

There is NO AGENDA in the Book of the Mother

There flowers blossom offering them to the Soul’s Constitution

And the bees hum the caterpillar smoothes the underside of a leaf

Till it feels the vibration in its body

Its yidam is the sun-vast conscience in the lunar petals

That pours fragrance as colours into the dewy chalice

Void is filled at last with great light

The Imago feels a vibration of strings

Reciprocate proteins with the non-local field

Soon butterflies will be born in the wilderness

What’s the purpose of all these, my Son?

There are mud walls in the sky everywhere

Each quarter so isotropic

Smeared with stars on the body of a coelacanth

Floating on the edge of a bubble packed with energy unknown to time

And time is liquid gravity

Matter revolts on its own against its law to find its higher self

All defined by NO Agenda

It’s lovely if you think; stillness mirrors time’s memory

Perfection allows the only hope of non-time

A promise not forsaken

A silence not abandoned

Too great a victory that cannot be put in words

Only thoughts exist…

Separation withered distance between them

God and Adam One and the same

Yathropa Yaziz walking time in silence

In between all,  Love is the Ocean of Rasa!

– J