5th December, 2012: Sri Aurobindo’s Maha-Samadhi Day and The Lord Serving His Love as Nature in Man (The Miracle of Miracles)

In Kafka’s Metamorphosis, Gregor Samsa the traveling salesman was transformed into an insect (bug/beetle), this bizarre incident (this sci-fi dream) takes everyone by surprise, and the family in the end tired of the trouble this metamorphosis has brought, wishes to get rid of Gregor to  save finances as well. Gregor dies thinking about this lying in the bed and falling into a deep sleep, his last.

More than anything else, the psycho-lingual process of transformation of words into wordless emptiness (the final journey in silence/The Kafka’s Quest) or the archetypal process of existential salvation and the ying-yang binary fixations of stasis in action, are not the main key drivers in the narrative. In reality, the story leads us to understand the nature of man, his utter follies, misconceptions, the idiosyncratic class idioms that phrase his physical economic world and social status and his fragile and fake behavioural words that translate the tragedy of modern man’s degenerative metamorphosis into an insect or vermin.

When the others tick tock like the clock in the cupboard    kafka

in between the books and the wall,

he is sleeping

he is dreaming

to become an insect with no trail

so he doesn’t have to take the burden

of the whole community

because they have ex communicated him

he is an outsider

a stranger without words

but with a single gaze in a dream

an insect dreams for its next cycle of life

to see that light in the salivating sun

pouring empty chains on stones, clothes and eternity    Kafka's The Castle

Kafka not bearing his name, young and silent

in the shadows of the castle

after the trial

knocks the doors of the All absolute

a love that was not there pushed him towards the door knob

a love like light called him from inside

from a point to another point

he was frightened

His body shivered,

His body became numb motionless,

teleporting with that immaculate star of the compassionate one

he once stood there, still like the sky overseeing all

or like a glass watching the world from its inner own

writing the diary of the critique of man

as he crawled then, to sit on the other branches of the tree

Sri Aurobindo: 5th Dec, Maha-Samadhi Day

Sri Aurobindo: 5th Dec, Maha-Samadhi Day

his body once again like an ancient man felt that love beating deep inside…

as he understood that ” All shall discover God in self and things…”

and knew that “he too must carry the yoke he came to unloose;

he too must bear the pang that he would heal…”. (Savitri, Sri Aurobindo)

The fake identity of man must pass through the shredder before a final copy can be made natural and having resemblance with the original. And there is no original oneness in things, all are many and different in many ways of their own but still persist the process of the final consummation with the Divine Body or the Radiance which is the final destiny of his quest.

Beatles, in the earlier albums talked about this fragile inconsistency in man, in his ways of life and in his mannerisms.

“I read the news today oh, boy

Beatles: MONEY CAN'T BUY ME LOVE

Beatles: MONEY CAN’T BUY ME LOVE

About a lucky man who made the grade

And though the news was rather sad

Well, I just had to laugh

I saw the photograph
He blew his mind out in a car
He didn’t notice that the lights had changed
A crowd of people stood and stared
They’d seen his face before
Nobody was really sure if he was from the house of lords…(A Day in the Life, The Sgt. Pepper’s Lonely Hearts Club Band, The Beatles)

That life is more than your next hit song in the charts, or more, than your gross income from the concerts you do, is something that George Harrison probably had felt when he took a sabbatical to realize what was awaiting him, in the natural enclosure at Mayapur, India. That was an enchanting song which he penned in the November of 1970 directly expressing his prayers for the world, to Lord Krishna, to the Hallelujah – to that great ‘fidelity in freedom’ of  the compassionate one in the rock n’ roll of life, in the folk of life and in the many operas of life.

“My sweet Lord
Hmm, my Lord
Hmm, my Lord
I really want to see you
Really want to be with you
Really want to see you, Lord, but it takes so long, my Lord …” (My Sweet Lord, Album: All Things Must Pass, George Harrison)

THE LORD IS ALWAYS SERVING THE WORLD : “Dehi padapallava-udaram” – “Krishna bows down to touch the lotus feet of Srimati Radharani”. (Gita Govinda, Jayadeva) – this line as everyone knows was written by the Lord Krishna himself in the guise of the poet who went to take his bath thinking about how he would cope to write this verse which he was musing for quiet sometime. Amazingly, he understood upon return, that the Lord himself came as him, wrote the verse and took prasad/offering from his wife who thought that the poet hasn’t gone out at all.

Krishna Washing Radha's  Feet

Krishna Washing Radha’s Feet

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The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

 

Leonardo da Vinci, Self Portrait in Red Chalk (1512-15), Royal Library of Turin. 

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

Consciousness-Analogue

Poetry evokes consciousness that solidify plasma states of matter as the neo-platonic Arhat fire in the rectangle

Words I said are not vain tresses of the charcoal portrait of a lady in front of the mirror of duality and imperfection

They are kind aphorisms of the master’s key; I saw in man the heavy-built structure

Anatomizing the industrial scope to demonstrate the technique of tools

Shadows are compensated by the lines of force drawing man back from the infinity

The point is further from the eagle-point gyrating consciousness in an equilateral triangle

Therefore, you may travel as a freemason by the boat-proton leap in outer space

Searching for the diamond fixity in the Higgs mountain growth of curvatures

Channelizing power as wisdom in the salt-plates of alblackica

Helium was manufactured by the Heliosyncretic process of the artists’ occult eye

The coming of the metaphorical ship illumined the islands

The inhabitants rejoiced: “reva-reva-vrahum-reva-adi-sanatan param-bramha”

Nocturnal stars drank like Bacchus from the nefa-vessel of the Apollonian sibyl

Dattatreya adi da Vinci in the pure mercury of Hydrargyrum floating

Hegel astonished by the law of multiples

Called him the father of rural lapis in becta-izax realism?

– Joy Roy Choudhury

 

 

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

Snow Leopard Cradle, Joy Roy Choudhury

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

“Time present and time past 

Are both perhaps present in time future

And time future contained in time past” – T. S. Eliot

Consciousness-Analogue

The Vitruvian Man (1485) is a kind of time-link fiber carrying the essentials of divinity in man; it hatches the corporal sensuality of ‘beauty in mysticism’ in the artist’s mind, and, that has led a da Vinci to discover ‘Monalisa’ (1503-05/07) as an unequivocal affirmation of the ‘para-prakiti’ consciousness magnet with the power to transform lives. Both these two paintings are a route to rediscover The Last Supper (1498) which is not a historical setting put into canvas, but, a social template of the Lord in him and in the populace, and he in the Lord by the act electromagnetic attraction. The wisdom of the 12 apostles is the process carried forward by the 12 particles -the 6 quarks and the 6 leptons by the action-inaction of the tetra-forces (strong, weak, electromagnetic, gravitational) of cosmic interactivity. Contemporary music like that of Johannnes Ockenghem (ca. 1420-1495) who composed French chansons and delved into polyphonic music  was able to extract the singularity of ‘purity in sincerity’ to demonstrate the early ‘awareness of being’ in the causal process of time-elongation. The elasticity of the mental/psychic being while pursuing the creative Skills-Limit  α threshold ( a condition of yogic-meta perfection of qualitative quantity in work) was also observed in Guillaume Dufay (1397-1474) and in the music of Josquin Desprez (1440-1521) and Leonardo Praetorius (1571-1621). Music was following what modern day quantum physicists say ‘signal nonlocality’ allowing time-consciousness to emerge as a retrocausal balance to preserve the ethical kinship it had with the ‘origin of the origins’ beyond big bang and black holes. The symbol of ‘artistic intrusion’ into the dark matter of existence to perhaps comprehend the massive grace-conscious matter of this creation was first put in as an example of the ‘examination of the self’ in man and in nature of ‘binary and multiple existence’ (all perceived in twos or threes than in ones) by the paintings of da Vinci’s The Vitruvian Man , Monalisa and The Last Supper. They convey the idea of a plastic super-intutive future for man in the polymerization of collective-conscious will-aggregators (the sat-guru blessing!) for the liberation of matter from the bondage of gravity. The Last Supper is the ‘perennial hope’ in man to resolve the equation of his destiny by a ‘future choice that can affect the past measurement’s outcome (Yakir Aharonov’s retro-future) by the inner-self reflection of the Grail Light of the Sun. There, Horus is the Surya-Savitri of the Supramental Supramental state in the Extrohan Cause to perfectly annihilate itself in the Large Hadron Collider to remake in man the vision he shared in the dark beginning of no-ends. The non-duality of a monochrome in a super-fluid vastness is the sweet bud of a labyrinth rose that sheds tears as smiles; it’s a form that impregnates other forms making time work as a carrier-particle in the evolution  of ‘occult Madonna as Monalisa’ in the painting of da Vinci. The painting finally culminates to a point of stillness in the eyes of Monalisa talking to its audience in a manner seldom understood in contemporary art.

“Only by the form, the pattern

Can words or music reach

The stillness”.  (Burnt Norton, T.S. Eliot)

“And do not call it fixity

Where past and future are gathered.

Neither movement from nor towards,

Neither ascent nor decline…” (Burnt Norton, T. S. Eliot)

– Joy Roy Choudhury

The Secret of the Last Judgement by Michelangelo and the Time Re-Creation of the Past in the Present Back from the Future through the Vora-Gate of Causal Spirals in the Evolution Track Matter of Consciousness

 

The Last Judgement, Michelangelo/ 15 37-41/Fresco/Sistine Chapel/Vatican City

The Secret of the Last Judgement by Michelangelo and the Time Re-Creation of  the Past in the Present Back from the Future through the Vora-Gate of Causal Spirals in the Evolution Track Matter of Consciousness

Consciousness-Analogue

The travaho dynamics of uriyat time encapsulates the polyglossia of the sun

Angular dynamics of motion on the rotator cuff assimilates purity

Pure substance matter as yatter on vatter to zatter is the inflammable light (Lawau-myth track matter {4 = 4 H} )

The poetic sublime existence is the cathartic darkness revelation as dawn

Savitri-gawa-Savitri on 6-aswapati-6 as remembrance of evolution of fate (yy-aswapati-zz)

Eternity is a closed chapter in the book of the dead

Immortality is the only finitude of time in the zero-habber Brahman of the origin of origins

The mountains are only dreams of valleys engulfed by the sea in the year of the Apocalypse

End to end is a prayer from sat-sat-lila-chit-ananda towards the beginning of the end

Linear factorial sum of existential bliss > Creational equilibrium constant

Eyes meet eyes through the valtrumin lense to recreate the image from the future to the past

In the temple of the morning, time flowers the Garden of Eden with Poinsettias and Roses

Cross Aum Mani Padme Hum (3x) in the red ether of Indian tribes

Viking into the sea with Vra-Uj-Ni into Shambhala through the door of love into new world-heaven

The point migrates in the roaming space adding light-years to its qualia

Michelangelo magnified on San Lorenzo to San Lorenzo earns Tat-sat-chit-chit-hari-tat-sat-om

– Joy Roy Choudhury