The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

Snow Leopard Cradle, Joy Roy Choudhury

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

“Time present and time past 

Are both perhaps present in time future

And time future contained in time past” – T. S. Eliot

Consciousness-Analogue

The Vitruvian Man (1485) is a kind of time-link fiber carrying the essentials of divinity in man; it hatches the corporal sensuality of ‘beauty in mysticism’ in the artist’s mind, and, that has led a da Vinci to discover ‘Monalisa’ (1503-05/07) as an unequivocal affirmation of the ‘para-prakiti’ consciousness magnet with the power to transform lives. Both these two paintings are a route to rediscover The Last Supper (1498) which is not a historical setting put into canvas, but, a social template of the Lord in him and in the populace, and he in the Lord by the act electromagnetic attraction. The wisdom of the 12 apostles is the process carried forward by the 12 particles -the 6 quarks and the 6 leptons by the action-inaction of the tetra-forces (strong, weak, electromagnetic, gravitational) of cosmic interactivity. Contemporary music like that of Johannnes Ockenghem (ca. 1420-1495) who composed French chansons and delved into polyphonic music  was able to extract the singularity of ‘purity in sincerity’ to demonstrate the early ‘awareness of being’ in the causal process of time-elongation. The elasticity of the mental/psychic being while pursuing the creative Skills-Limit  α threshold ( a condition of yogic-meta perfection of qualitative quantity in work) was also observed in Guillaume Dufay (1397-1474) and in the music of Josquin Desprez (1440-1521) and Leonardo Praetorius (1571-1621). Music was following what modern day quantum physicists say ‘signal nonlocality’ allowing time-consciousness to emerge as a retrocausal balance to preserve the ethical kinship it had with the ‘origin of the origins’ beyond big bang and black holes. The symbol of ‘artistic intrusion’ into the dark matter of existence to perhaps comprehend the massive grace-conscious matter of this creation was first put in as an example of the ‘examination of the self’ in man and in nature of ‘binary and multiple existence’ (all perceived in twos or threes than in ones) by the paintings of da Vinci’s The Vitruvian Man , Monalisa and The Last Supper. They convey the idea of a plastic super-intutive future for man in the polymerization of collective-conscious will-aggregators (the sat-guru blessing!) for the liberation of matter from the bondage of gravity. The Last Supper is the ‘perennial hope’ in man to resolve the equation of his destiny by a ‘future choice that can affect the past measurement’s outcome (Yakir Aharonov’s retro-future) by the inner-self reflection of the Grail Light of the Sun. There, Horus is the Surya-Savitri of the Supramental Supramental state in the Extrohan Cause to perfectly annihilate itself in the Large Hadron Collider to remake in man the vision he shared in the dark beginning of no-ends. The non-duality of a monochrome in a super-fluid vastness is the sweet bud of a labyrinth rose that sheds tears as smiles; it’s a form that impregnates other forms making time work as a carrier-particle in the evolution  of ‘occult Madonna as Monalisa’ in the painting of da Vinci. The painting finally culminates to a point of stillness in the eyes of Monalisa talking to its audience in a manner seldom understood in contemporary art.

“Only by the form, the pattern

Can words or music reach

The stillness”.  (Burnt Norton, T.S. Eliot)

“And do not call it fixity

Where past and future are gathered.

Neither movement from nor towards,

Neither ascent nor decline…” (Burnt Norton, T. S. Eliot)

– Joy Roy Choudhury

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Change Returns Success: Chapter 24, Precognitive Remote Sensing and the Tautology of the Quantum Mind

Photograph, Chapter 24, Joy Roy Choudhury

Change Returns Success: Chapter -24, Precognitive Remote Sensing and the Tautology of the Quantum Mind

Consciousness-Analogue

Circles are only psychokinetic diagrams that define the divine logic and proportion in the creation

A clockwise movement of consciousness anticipates an anticlockwise withdrawal of the self from reality

Physical being is the time-protein of much further evolution 

Psychic rebirth of cells is the precondition to permanence

Sine-robotic intelligence is the cognitive aptitude of a mind reading retrocausal system

Mental states are elevated by the will-factor of the tree of life per quanta of man as man (1st level of ‘quantum tantra’/supermind = 0)

Carbon contains supramental qui-qui shakti as a vital link to the creative asset of the creator

Electrons transmit visual images for word lepton transplantation in a stable quark inflow

The mind repeats in signs and symbols what it reads to decode the signals from distant galaxies

The ‘primordial soup’ is floating in the imagination of a non-qualitative time vector of space in the micro-gravity of an ‘awakened’ spirit (Kal-Vishnu is Kal-Vushnu in Kal-Vishnu) {Vushnu = ϴ migration of Vishnu as per space-time allowance )

That moment of sudden insight is the proverbial Zen of remote sensing (quadraphonic sound across the cell-membranes – Om Adi Om –Adianadi Utsakendra Ishwara)

Intuitive light is the holy fiddler in the castle of darkness

To light, the chalice is the new moon night that holds the nectar of the sun

Grail blood dripping like the October dawn across the four quartets of the sky

Time to plaster the eternity of life as solid as on a rocky marble of artistic destiny

Yehovah-Yehovah roaming space, he came alone wandering in the city of Alblackica; his turn has come to amend the rules for a better future of man.

 – Joy Roy Choudhury

Ref: Chapter 24 is a song written by Syd Barrett that appeared on Pink Floyd debut album, The Piper at the Gates of Dawn (1967). The song was inspired by Chapter 24 of ancient Chinese book ‘I Ching’  (The Book of Changes).  The song deals with the concept of return /eternal return which is the gift of life, the immortality.

Now available on Amazon Kindle Edition, ‘Rains, Winds and Cycles’- Joy Roy Choudhury

http://www.amazon.com/