The Semiotics of Surrender: Celebrating the 139th Birth Anniversary of the Divine Mother *21st Feb 2017

divine-mother

Divine Mother in Pondicherry

‘In the integrality and absoluteness of bhakti and surrender, we find the essential condition of perfect peace leading to uninterrupted bliss’. – 2nd Dec, 1954, Divine Mother

What is the secret of success in sadhana?

Surrender. -13th Oct, 1965, Divine Mother

‘We must lie before the Divine always like a page perfectly blank, so that the Divine’s will may be inscribed in us without any difficulty or mixture’. – 20th Nov, 1954, Divine Mother

‘There is a Supreme Consciousness that governs the manifestation. His wisdom is certainly much greater than ours. So we need not bother about what will happen’. Blessings. – Divine Mother

Mother and Sri Aurobindo Last Photographs by Bresson

Mother and Sri Aurobindo Last Photographs by Bresson

“If things were simple, word would have gotten around”.

– Jacques Derrida

Surrender the secret pathway

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Varanasi Diary 2015: The Parable of the Search for the Soul/Savitri, Sri Aurobindo

Intricately designed by the supreme consciousness

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Tibetan Art Showing the Kalachakra, New Doling Monastery, Ravangla,Sikkim

And a masterwork of the Divine perfection is laid

It is not a trial that the soul undergoes

But a process by which replenishment occurs

Beyond any mortal judgement or choice

Eternity shapes time’s insufficiency

Turning many vortices to accelerate evolution

Within the body, a conscious-energy recalibrates itself

By drawing upon the design-patterns reflected in the mirror series

A leap in awareness is a primordial step

Mind-to-Mind transfer completing the karmic-loop

The universe unfolds itself in alphas and omegas

In a persistent colour of perception the drama is told

An actor free to enact every possibility

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Sacred Choten (Rock) behind Old Doling Monastery Ravangla, Sikkim

He, the redeemer not by choice or by birth

But by soul-deliverance of the eternal sacrifice

That assigns divinity to a god or a stone

Builds the foundation based on the Semiotics of Surrender

A prayer upon a prayer upon a prayer…

Consciously experienced as the ecstasy in all

He who has planted the root of unity in differences

‘A vast surrender was his only strength’.

“He is never seen, but is the witness; He is never heard, but is the Hearer; He is never thought of, but is the Thinker; He is never known, but is the Knower. There is no Other witness but Him, no other hearer but Him, no other thinker but Him, no other knower but Him”. – Brihadaranyaka Upanishad

-J


Invocations Devi Khadgamala Stotra, 17th Feb 2017, Auroville

Performed @ Auroville’s SAWCHU platform  in Bharat Nivas

Performers @ Rekha and Laurence, and filmed by Manohar

The Sri Devi Khadga Mala Stotram is a very special composition of praying to the Goddess Shakti, the Divine Mother in a unique and complete way. Unique in the sense that each of the names uttered is for a significant cause, with meaning description and encapsulated with divine energy and utmost devotion.

Khadgamala Stotram is a hymn sung in the praise of Divine Mother, which is said to bestow a protective garland of mystical weapons from the Devi from all sorts of calamities upon those who recite it. The Devi Khadga Mala Stotram takes us mentally through the Sri Chakra, the mystical geometric representation of the Supreme Goddess, describing the significance and meaning for each form given.

(Source: Auroville)

 

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Direct Apprehension in the Whole Mind Reveals Virtuality: From the Pages of Dawn, Varanasi Notebook 2015

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Sunrise Varanasi 2015

Unuttered music of the soul

Sri Aurobindo in Pondicherry circa 1917

Sri Aurobindo

Written across the vast expanse of the sky

Lighting up a moment’s presence

Through the eternal choir that orchestrates

It’s every movement and stillness

Sthir palake ajaner pratibimbwa

Maha moner saurolipir akharik pran

Nitya se nirman kare koti koti nakhatrer milan sthal

Ei purno antaranga khalay ganger buke bhashe pradip

A plenitude of possibilities held its shape

Within the mandala of the sky

The sun at it’s centre

Supramentalized the space time coordinates

The blessed Maitreya Buddha will arrive in time…

-J

 

 

 

We are only Links in the Chain: Circular Movement is the preset Auto-Response of the Life Divine (man/da/la)

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Nipponzan Myohoji Buddhist Monastery, Kolkata

‘Namu Myoho Renge Kyo’

‘Namu Myoho Renge Kyo’

‘Namu Myoho Renge Kyo’

‘I take refuge in the wonderful law of the Lotus Sutra’

  • Founded by Japanese Monk, Nichidatsu Fuji (1885-1985), the Nipponzan Monastery at the heart of Kolkata in Lake Place is an ideal place for meditation on the Lotus Sutra, which incidentally is the last teaching of Buddha’s life.
  • The ancient link b/w India and Japan was reinstated after Rabindranath Tagore’s visit to Japan in 1916; the Poet also met Sri Mirra Alfassa in Japan who would later join Sri Aurobindo in Pondicherry.
  • Fuji was very much influenced by the writings of Nichiren and thought of travelling to India, the spiritual birthplace, to invigorate the teachings of Enlightenment. This was a difficult time here in Calcutta when the country was striving for freedom from the British Colonial Rule.
  • Fuji arrived in 1931 and walked the streets near lake place beating his drum and chanting ‘Namu Myoho Renge Kyo’.
  • He met Mahatma Gandhi in 1933 at Wardhah and shared his ideas of compassion and non-violence.
  • Industrialist and philanthropist, Sri Jugal Kishore Birla gave him land to build a monastery in 1935 which is now the Nipponzan Myohoji Buddhist Monastery at 60/1, Kabi Bharati, Kolkata 700029
915

Temple of Immaculate Conception at Kamarpukur where Sri Sri Ramakrishna was born 

940

Buddha inside Nipponzan Monastery, Kolkata (Photograph of Monk Fuji in the back)

“The Knowing Self is not born;
It does not die. It has not sprung from anything;
nothing has sprung from It. Birthless, eternal, everlasting,
and ancient, It is not killed when the body is killed”.
– Katha Upanishad

Bhakti (Love & Compassion) is the MOTHER of GYAN or KNOWLEDGE, Everything Flows from the Source which is AKHANDA JYOTI OF BHAKTI RASA-LILA

‘Ask Nothing, Give Everything’- Sri Krishnaprem (*that is the Road to Sri Sri Radha Rani)

After Her darshan, one-on-one with the Lord is possible.

‘Circular Movement is the Divine Movement’. – Sri Krishnaprem

1348

Kankali Tala Temple, Birbhum -one of the 51 Shakti-Pithas

KANKALI TALA TEMPLE -one of the most important Shakti Pithas among the historical 51 pithas. Sri Mata Parvati’s skeleton (kankal) is believed to have fallen here during the great cosmic tandava (dance/surge of Macro-cosmic energy) of Lord Shiva. Therefore, it is a spiritual center or a powerful energy-vortex.

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Tashiding Monastery in West Sikkim considered as the spiritual heart or the vortex point of Sadhana in the lower Himalayas 

All objects are the perceiving of them, and the perceiving of them is
what they are. It follows that the perceiving of them is not separate
from the objects, and the objects are not separate from the perceiving
of them.

Therefore, no objects exist as objects, either as phenomena or in noumenon.

APPEARING (FORM) is not an object, but a functioning. It appears as a
objectivisation.

HAPPY 2017 – As we are LINKS in the CHAIN, I open my heart to all of
you so we can walk together to see the great transformation coming to
this world. It will be a higher consciousness of technology that will
enable a sustainable living based on higher ethics and aesthetics.

Love & Peace

-J

 

ART AND MINDFULNESS:EXPRESSION OF THE TRANSCENDENTAL UNITY IN MAN by having a discourse with the Universe

romain-rollande-and-tagore

“Be reverent before the dawning day. Do not think of what will be in a year, or in ten years. Think of to-day.”
― Romain Rolland, Jean Christophe. Vol 1

“We are the music-makers

We are the dreamers of dreams”.

“The individual man must exist for Man the great, and must express him in disinterested works, in science and philosophy, in literature and arts, in service and worship”. (Rabindranath Tagore)

Mother and Sri Aurobindo

Divine Mother and Sri Aurobindo

“But if Art is to reach towards the highest, the Indian tendency must dominate. The spirit is that in which all the rest of the human being reposes, towards which it returns and the final self-revelation of which is the goal of humanity. Man becomes God, and all human activity reaches its highest and noblest when it succeeds in bringing body, heart and mind into touch with spirit. Art can express eternal truth, it is not limited to the expression of form and appearance. So wonderfully has God made the world that a man using a simple combination of lines, an unpretentious harmony of colours, can raise this apparently insignificant medium to suggest absolute and profound truths with a perfection which language labours with difficulty to reach. What Nature is, what God is, what man is can be triumphantly revealed in stone or on canvas.

Behind a few figures, a few trees and rocks the supreme Intelligence, the supreme Imagination, the supreme Energy lurks, acts, feels, is, and, if the artist has the spiritual vision, he can see it and suggest perfectly the great mysterious Life in its manifestations brooding in action, active in thought, energetic in stillness, creative in repose, full of a mastering intention in that which appears blind and unconscious. The great truths of religion, science, metaphysics, life, development, become concrete, emotional, universally intelligible and convincing in the hands of the master of plastic art, and the soul of man, in the stage when it is rising from emotion to intellect, looks, receives the suggestion and is uplifted towards a higher development, a diviner knowledge.”

– Sri Aurobindo, The National Value of Art, 1909

ART IS AN ORGANIC EXPRESSION OF THE TRANSCENDENTAL PERSONALITY OF MAN; IT MIRRORS HIS SOUL THAT EXTENDS TO BECOME THE UNIVERSE AND THE UNIVERSE IS HIM IN ALL ITS LUMINOSITY. THEREFORE, HIGHEST ART IS A SYNERGY BETWEEN MAN AND THE UNIVERSE THAT IS MANIFESTED AS AN EXPERIENCE OF AWARENESS. THE PRIMAL MIND ALONE GIVES BIRTH TO ART, ITS THE STORY OF THE UNIVERSE, ITS THE VIBRATION OF THE COLOURS OF COMPASSION, OF LOVE AND FRIENDSHIP,OF STRUGGLE FOR EXISTENCE WHICH FINALLY CONSUMMATES IN THE BLISSFUL STATE OF ‘ANANDA’ – THIS IS PERHAPS THE INDIA STORY – THE STORY OF MANY LIVES TRANSMUTING INTO ONE, FOREVER AND FOREVER….

PRESS RELEASE
Exhibition Dates: 20th October – 23rd October 2016
Timings: 11am – 9pm
Venue: Swabhumi The Heritage, Kolkata
INDIA STORY ART EXHIBITION PRESENTED BY LATITUDE 28 Gallery, New Delhi
niyeti-chadha-untitled-3-5-x-6-inches-isograph-pen-and-water-colour-on-paper-2015

Niyeti Chadha, Untitled, 3.5 x 6 inches, Isograph pen and water colour on paper 2015

In the context of South Asia, with histories of colonialism, ethnic divisions, communal tensions,marginalization, border disputes, living indigenous traditions whose needs and demands contest impositions of political power, urbanization, language politics, and centuries of conquests and border fluidity, maps have been imposed upon maps. Such projects are often ‘carto-histories’ or ‘carto- biographies’ written by agents of power. The irony remains that despite attempts at ‘harmonious’assimilation of parts into a whole, maps are instrumental only when inferred in parts. Lived experience of these inscribed spaces present an entirely different vocabulary of social relations, cultural differences

and particularities, unfamiliar landscapes, and even quotidian symptoms of political and diplomatic relations.
waseem-ahmed-untitled-pigment-colour-silver-leaf-on-archival-vasli-paper-14-x-11-inches-2015

Waseem Ahmed, untitled, Pigment colour, Silver leaf on archival Vasli Paper 2015

Waseem Ahmed’s delicate use of the miniature style, explores the politically charged terrain of issues and identity. The works visit myths and anecdotes to critique the current, often media generated, caricaturing of the Islamic identity.

Thisath Thoradeniya, who is based in Sri Lanka, picks up the figure of the joker, who occupies the margins of society and has no ostensible relevance except as an entertainer. Yet his comical acts mirror his context and becomes a narrative of testimony. The joker becomes an appropriate channel for the artist to articulate the anxieties stemming from his own personal experiences. Niyeti Chadha is preoccupied by the transient topographies of urban spaces – ever climbing skylines, buildings under construction and the whir that entwines them. Her abstract works enmesh these various geographies, often hyperbolically, giving primacy to the experience of these landscapes and necessarily
escape fidelity to actual architectural spaces in urban India.
The Gond artist Bhajju Shyam invokes the folklore of his village in Madhya Pradesh in his art, creating a contemporary idiom infused with traditional style and content. As a storyteller, his works capture rural and marginalized histories in a form that is disappearing from mainstream, globalized art contexts.
These works which will be exhibited as part of The India Story (TIS), capture narratives that are alternative to media and political narratives, overturning imposed collective identities within South Asia.

About Latitude 28
Through curated shows, careful strategizing and discovering emerging artists with exciting practices, Latitude 28 over the years has become synonymous with cutting edge art coming out of the country, seeking out fresh perspectives in its attempt to stimulate commercial interest in new waves of art- making. The establishment aims to cultivate a space where collectors and art enthusiasts can interact with younger artists and their practices.It provides a horizontal environment where younger artists are
able to contextualise their work alongside the masters of Indian art, experiment with medium, material and institutional critique. We have supported Kartik Sood, Anindita Dutta, and Shweta Bhattad in their innovative practices, exhibiting them alongside veterans such as Anupam Sud and Baiju Parthan. The gallery collection consequently includes cutting edge contemporary alongside modern masters.
Latitude 28 has been imagined as an incubation space, generating ideas through curatorial projects, site-
specific artworks, artist talks and curated walks. Exhibitions such as ‘In You Is The Illusion Of Each Day’
(curated by Maya Kovskaya, 2011), ‘Slipping Through The Cracks’ (curated by Meera Menezes, 2012),
‘Crossing Over’ (curated by Ambareen Karamat, 2013) and ‘Sacred/Scared’ (curated by Nancy Adajania,
2014) tried to initiate renewed readings of artworks within art historical/socio-political contexts.
Latitude 28 frequently travels to International art fairs, and supports our artists’ presence at biennales
around the world. The gallery has been part of Art Gwangju (2012), Art HK (2013) [solo booth project by
Prajakta Palav], Dhaka Art Summit (2014), and most recently Art Dubai (2015) [solo booth project by
Dilip Chobisa]. Latitude 28 is also committed to generating discourse on contemporary art through
projects that are not-for-profit, interact with the public sphere, and commission research articles and
critical writing from critics, curators and researchers. We also partner with similar initiatives, facilitating
several special projects at the India Art Fair over the years.
This investment in the discursive prompted Latitude 28 to organize TAKE on Writing | Critic-Community:
Contemporary Art Writing in India with TAKE on art (its sister publication), an intensive destination workshop in Goa to cultivate dialogue among peers on art criticism. Most recently, the gallery supported

 

 

Searching for the ‘Guru’ and ‘Finding Him’ in the Naked Awareness of Rigpa: Blessings from the Dzogchen Teachings/Guru-Purnima 2016

Guru Rinpoche

Padmasambhava or Guru Rinpoche in Dancing Posture

“BRAHMAN IS IN THE SPACE WITHIN THE HEART” (NIHITAM GUHAYAM)

When Nirvana is made an object of desire, it becomes Samsara.

Real Nirvana cannot be desired because it is inconceivable.

“In him shadows his form the Golden Child

Sri Aurobindo in Pondicherry circa 1917

Sri Aurobindo in Pondicherry, 1917

Who in the Sun-capped Vast cradles his birth:

Hiranyagarbha, author of thoughts and dreams,

Who sees the invisible and hears the sounds

That never visited a mortal ear,

Discoverer of unthought realities

Truth to truth than all we have ever known,

He is the leader on the inner roads:

A seer, he has entered the forbidden realms;

Armed with the golden speech, the diamond eye,

His is the vision and the prophecy:

Kalida Meditating

Kalida Meditating

……..

He is the carrier of the hidden fire,                     Bhagavan Dattatreya

 

……….

The conqueror of the kingdoms of the soul…”

-Savitri Book XI: The Book of the Everlasting Day, The Soul’s Choice and the Supreme

Consummation -Sri Aurobindo

True Dhyana is to realize that one’s own nature is like space, and

the thoughts and sensations come and go in this ‘original mind’

like birds through the sky, leaving no trace.

Manjushri, the Bodhisattva of Transcendent Wisdom

Manjushree The Bodhisattva of Transcendent Wisdom

Jay Guru

netaji with parents

Netaji with Parents

Sri Guru

Guru Jay (3x)

The ever unfinished work of art

Issued from the primordial mind essence

Empty in the beginning and the end

Forever striving for a perfected form

Is pure in the naked space of awareness (rigpa)

Toying with the timeless dimensions of a mise-en-scène

Sculpting out of the fabric of a stone that cannot breathe

Evanescent thoughts vaporized like ether     Shri Shiva in Om offset lithograph, c. 1930

Into the palette of the wonderful void

Colours resonating with melody of sound

Never arising, dwelling or ceasing

But creating textures that the eye can only dream

Between sleep and waking

Flowering thousand petal lotus

Where a child is born

And begins to see

When the world comes to a naught

A moment seized in the clear light

To Immortalize the dancing rapture of the Master King… Jim Morrison 1

“Having abandoned attachment to the fruit of works, ever content,

Without any kind of dependence he does nothing though he is

Ever engaged in work”.  (Sri Krishna in Bhagavadgita)

 

-J

 

 

The Buddha-Body of Indestructible Reality, the ‘Vajrakaya’ is the Original Expanse of Reality beyond S-N Junction: Direct Experience beyond Conceptualization

‘EXISTENCE AND EMPTINESS ARE IDENTICAL’

‘My brain is only a receiver. In the universe there is a core from which we obtain knowledge, strength and inspiration. I have not penetrated into the secrets of this core, nut I know that it exists.’ – Nikola Tesla

Nila Saraswati or Blue Tara

Nila Saraswati or Blue Tara

Jim Morrison 4

Jim Morrison 

Jay Guru Sri Guru

“On the surface of a single atom

There are many buddhas

As there are atoms.”

Light pours lights

Murmuring like the wind

Across the forests and hills

 

Some are awake

Others don’t see

Running around

roerich at naggar india

Nicholas Roerich in Naggar, India

 

In the vortex of fire

Maha-avatarBabaji Maharaj

Sri Maha=Avatar Babaji Maharaj

Beings emanate

Praying for immortality

They are waiting to cross the cycles of existence

By burning their desires

And offering their thoughts

To the supra-causal diamond self of the primal void

Om Vajra Kalikaye Namah (3x)

Finally, the buddha-body of indestructible reality (vajrakaya) is reached

which derives from the indivisible essence of the 1st three bodies, is the

original unchanging essence of reality in which all paths are concluded

and all conceptual elaboration transcended. It is the taintless buddha nature pure

from the beginning.

 

-J

From the ‘Milk of Human Kindness’springs forth the Non-Dual Action: From the ‘Super-Void’ of Prajna

bhagavan ramana maharshi with cow lakshmi

Sri Ramana Maharshi with the Lakshmi, the cow 

Tintin in Tibet

Tintin in Tibet by Belgian Cartoonist Herge  

 

‘Shantih Shantih Shantih’

Therefore, Sariputra, owing to the absence of Volition and imbued with prajnaparamita (Subjective Inseeing), bodhisattvas no longer are bound by interpretive thought-processes, and so have no fear, are freed from delusion, and have found nirvana.

Space-time are extensions inevitable for manifestations of an objective world

Dualistic they are in accommodating contraries which the brain perceives

This is our biological neural perception linguistically expressed through a system of signs

The Non-verbal Silent Identification with Pure Noumenon which is neither Being Nor Non-Being is also possible and inevitable

This is the existential moment -‘uji’ cut off from spatio-temporal linearity

It is boundless and free yet discrete and non-conceptual

Experiencing that is highest yogic state -Nirvikalpa Samadhi

“All Forms Everywhere Are Unreal And False” {Diamond Sutra}

“She in her formless form

His Holiness the Dalai Lama Reading Tintin in Tibet

His Holiness the Dalai Lama reading ‘Tintin in Tibet’ 

Abides by the law of supra-cosmic will

He, unto whom, the knowledge of a silent arc

Replenishes the dimensionless perfection of moments

Springs forth forever and ever

From the heart of kindness

The formation of the milky way *’akash ganga’ and the wish-fulfilling cow ‘kamdhenu’

-J

 

 

 

 

Press Information: Ostend International Airport in Belgium to host Premiere Event in travel business involving Belgian company Zora Bots. 

Ostend international airport in Belgium will be the stage of a Premiere Event in the traveling business involving Belgian company Zora Bots on 1st July 2016.

Zora Bots’ mission is to make social robots accessible to everyone. With this goal in mind, the company developed the first fully functional and user-friendly software able to give life to Nao humanoid robots. It has been successfully implemented in healthcare since 2013 and over 300 Zora-equipped robots have now been adopted and are in use at various care facilities worldwide. A couple of weeks ago, Zora Bots was also the first to implement next-generation Pepper robots to greet and assist visitors and patients at two Belgium hospitals. And now, it is time for a new first… this Friday at Ostend international airport.

At the 3rd Stage of Real-I-sation Object and Subject are seen not as Separate: ‘I-ternity’ of the Non-dual state of Consciousness

 

Baba Loknath 1730-1890 – ‘The Original Practice is the Only Realisation”

                                                         Baba Loknath 1730-1890 – ‘The Original Practice is the Only Realisation”

 

“A light not born of sun, moon or fire,

Krishna Vishvarupa, India, Himachal Pradesh, Bilaspur ca. 1740 - Opaque watercolor and gold on paper

Krishna Vishvarupa, India, Himachal Pradesh, Bilaspur ca. 1740 – Opaque watercolor and gold on paper

a light that dwelt within and saw within

shedding an intimate visibility

made secrecy more revealing than the word”.

(From Book VII: The Book of Yoga, Canto V: The Finding of the Soul, Savitri -Sri Aurobindo)

We are connected to the Unified Field and when we are aware of this connection, or, conscious of it, the ‘still point’ of the mandala can give us access to infinite energy potential of the source field. It also grants us the ability or capacity to engage with that energy creatively and powerfully.

****Definition of Non-Objective Relation: There is neither Objective Self nor Objective Other, but only this mutual absence, which is what Noumenally we are…

I am the iternity the non-localised eternity

Quantum Tunneling using Electron

Quantum Tunneling Using an Electron pic courtesy theunapologists.wordpress.com (A Beginners Guide to Quantum Mechanics)

I am that I am

Beyond the logic of the membrane

That separates us all

Differences are apparent time dilation in relativity to perceive various objects spatio-temporally extended

Differences are re-post-cognitive impressions in the duality of the mind

In the summation of all states I am everywhere and nowhere

The conditioned aspect of objective experience is an illusion

Brahman is Knowledge and Bliss as explained in the Brihadarankya Upanishad

In the Great Wilderness (the Tapovan) the primordial state of consciousness

Manifested as the Yogic White Light prepares the yajna spanning all eons (kalpas)

To worship the Brahman as Prajna (consciousness), as Satyam (Truth Absolute) and

As Anandam (Bliss)

The Asker is the Answer

The ultimate something which is no thing is what the universe is

And all that we are…

Hari Om Tat Sat

 

-J

 

 

Yogishwar’s Language-Orientation-Vowel-Effect:Living from the ‘Noumenal Center’

Kali Da

Sri Sri Kali Da: The Divine Embodiment of the Trikal-Trinity

 

L-O-V-E            

Exif_JPEG_420

Bosu-Villa, Gidni, Where Yogishwar Kalida Stayed For Some Time

Language Orientation Vowel Effect

a/e/i/o/u are connecting with the b/c/d/f/g/h…z through the hyphen (-)

that’s how language operates in the phenomenal world connecting local mind

(I-Concept/Ego) with the non-Local Mind (*Noumenal Center)

The I-Concept has no nature of its own, no-thing

But it seems that it is the real self, the doer as it identifies with other objects

as their subject – once this illusion evaporates through ‘Prajnaic Functioning’

then it is called Awakening or Enlightenment

Lord Krishna showing the Universal Form

Lord Krishna Showing Universal Form (Vishwarup Darshan) to Sri Arjuna

A beautiful horizontal plane

Kanak Durga pic

Kanak Durga Temple, Gidni (Devi Durga Riding the Horse – Advent of Kalki Avatar

then a vertical torso virtually spinning

creating dynamic stillness in n-dimensional planes

each projection manifests the unmanifest

and a reverse prajnaic functioning transfers action-potential into its Source

“Seeing Phenomena as Noumenon is True Seeing”

That is seeing noumenally or having non-0bjective relation with ‘things’

instead of seeing phenomenally -which is in objective relation with things

“I look at the world and I notice it’s turning
While my guitar gently weeps
Every mistake, we must surely be learning
Still my guitar gently weeps” /George Harrison, The Beatles, 1968

The guarded truth is the unguarded passion for the inward vision

Strangely there are no disguises

Mother and Sri Aurobindo

Divine Mother and Sri Aurobindo

It is direct truth apprehension – APPERCEIVING

Why can’t you see or realize?

Because you don’t understand the threefold service to the Lord

Work (*highest work)-Devotion-Knowledge (or Understanding)

Are these working in you from the noumenal center?

No- they don’t (The World Presently Mirrors Nether Worlds!)

But still it will be done….

TRUE KNOWLEDGE OR REALIZATION OF BRAHMAN IS NOT

AN INTELLECTUAL AFFAIR BUT A STATE OF PURE CONSCIOUSNESS

(Katha Upanishad)

-J

 

 

 

Hiding the Source-Code by the Illusory Mechanism of M-A-Y-A: Towards the Black Void (Encryption Technology) and the Differentiation between False and True Vacuum *Quantum Vacuum

Devi Chinnamasta

Devi Chinnamasta

 

“Immortal leader of her mortality,

Doer of her works and fountain of her words,

Invulnerable by Time, omnipotent,

It stood above her calm, immobile, mute.”

– Book IX: The Book of Eternal Night, Canto I: Towards the Black Void, Savitri, Sri Aurobindo

Being in the Existential Moment, you pass through the Gateless Gate unhindered and attain the ‘samadhi’ of innocent delight…NITYA NIRVIKALPA STAGE OF DYNAMIC STILLNESS WHICH IS NON-LINEAR CONFIGURATION POINTS

Duality is but an appearance perceived as real when the Truth is hidden; but jnate dvaitam na vidyate- “When the Truth is revealed, duality does not exist”.

All experiences in the empirical world are maya. – “When there is duality, as it were, then one smells something, one sees something, , one says something”. – Brihadaranyaka Upanishad

 

Therefore, Sariputra, owing to the absence of Volition, and imbued with prajnaparamita (* Subjective Inseeing), bodhisattvas no longer are bound by interpretive thought-processes, AND SO HAVE NO FEAR, ARE FREED FROM DELUSION, AND HAVE FOUND NIRVANA.

In the rhythm of a flower an offering is made

Holographic Pattern Downloaded by Brain Picture Courtesy mindbendingtruth.com

Holographic Pattern Downloaded by Brain Picture Courtesy mindbendingtruth.com

Joyously she leaped from her elemental abode

At the turn of the wheel she was time the destroyer

At another spin she was the source of all nourishment

She was both and beyond

An empty book with pages blank and copious

Covering her face with a grand paradox of form and emptiness

From innumerable dimensions projecting the theatre of life, death and rebirth

Always hiding the source code by the illusory mechanism of maya (encryption technology)

And in that world of objective reality nothing exists but all are real

They come and go, exit and return

In phenomenal world all are bound by phenomena coming from the void

In the noumenal none is bound

It is the matrix of the mysterious thing

There we shall stop Yajnavalkya told Gargi…

Beyond the metastable false vacuum nothing can be known….

“There is neither creation nor destruction,

Neither destiny nor free will,

Neither path nor achievement;

This is the final truth.” /Sri Ramana  Maharshi

*It was true before he said it, it is true at this moment, and it will be true forever, for there is no time.

– J