Dogen’s Dimensionless Points as ‘Moments of Awareness’ in a Non-Durational Time Axis: Existence as Supra-Causal Enlightenment of the Un-Born

Philadelphia Museum of Art Collections Object Shiva Carrying the Dead Sati

Lord Shiva Carrying Sati circa Bengal Patachitra, 19th Century, Philadelphia Museum of Art Collection

“The Final Chakra is Niralambasthana which consists of an infinite series of lobes, colours, matrikas, devas, worlds, it’s considered as the Highest seat of the Gurudeva”. ..Beyond this series there is a set of 20 voids and the Final Liberation takes place in the Great Void”. -(Pandit Gopinath Kaviraj)

 

Kalida in between the Lights

YOGISHWAR, Sri Kalipada Guharoy

Void(n)……Chidakasha (Super-Implicate)—–Chittakasha (Implicate)—–Maha-Kasha (Explicate, Space-Time Geometry)

Babaji Maharaj pic

Maha-Avatar Babaji Maharaj

OLYMPUS DIGITAL CAMERA

Lord Krishna on a White Lotus ZEN DOCTRINE OF NO-MIND called the MIND/Buddha Mind/Zen Mind/the ‘Self’/the Void

WHAT IS THE SUBSTANCE OF THIS BUDDHA OR DHARMA NATURE?

ANSWER: ‘KU’ OR ‘SUNYATA’ -THIS IS NOT MERE EMPTINESS BUT THAT WHICH IS LIVING, DYNAMIC, DEVOID OF MASS, UNFIXED, BEYOND INDIVIDUALITY OR PERSONALITY- THE MATRIX OF ALL PHENOMENA

‘AT THE TIME I CLIMBED THE MOUNTAIN AND CROSSED THE RIVER, DID I NOT EXPERIENCE THE TIME I AM IN THIS BUILDING?’ -DOGEN (EXTRACT FROM SHOBOGENZO)

‘MOST THOUGHT-PROVOKING THING IN OUR THOUGHT-PROVOKING TIME IS THAT WE ARE STILL NOT THINKING”. – MARTIN HEIDEGGER

*INFORMATION GROWS ALONG WITH DISORDER. IF BLACK HOLES OBEY THE SECOND LAW OF THERMODYNAMICS, THEY CANNOT WIPE OUT INFORMATION.

*3 DIFFERENT KINDS OF SPACES DISCUSSED IN THE UPANISHADS:

1. MAHAKASHA: GROSS SPACE THAT CONTAINS GROSS OBJECTS

2. CHITTAKASHA: MENTAL SPACE /THOUGHT-SPACE

3. CHIDAKASHA: SPACE OF PURE INTELLIGENCE /SUPREME SPACE/BRAHMAN

The New Year isn’t anything new

Vaishnodevi Navratri Festival

Sri Vaishnodevi during Navratri Festival

Time doesn’t move

Lord Vishnu on Garuda

Lord Vishnu on Garuda

It only stops at dimensionless points

Giving rise to awareness of a timeless plane of existence

Every moment there exists this Shiva-wall time

Talk time, walk time, running time, rowing time, golf time and zillion other moments of awareness

They enact the drama of the world unfolding the flow of its empty source

He stood as if there was a life-time of being in the stillness of gyrations

Static dynamic ensemble of the clothed desires of life, reveal the nakedness of being

He tears the ravaged body flashing light unto flesh and bones

Death is the sonorous mystery singing the joy of breath (prana) through the interface of mind and matter

Who stood there silent and strong?

sri caitanya maha-prabhu

Sri Caitanya Maha-Prabhu

Fearlessly quiet like a shadow in a dream

Rising to meet the vision of one’s plenitude

Darkness the abode of the blessed light

Blinded by the passion of its intelligence forgets the empty nature of things

Who is there standing alone?

Carrying the weight of a heavy heart

Broken by the cry and scream of the spirits alive or dead

Who is there living alone, carrying the mangled body of his lover?

Who is and not?

Lithograph Advertisement of Kali Cigarette, Calcutta Art Studio, C1885-1895

Maha-Kali

Lightning flash

The Hindustan Times Coverage of Sri Aurobindo

Sri Aurobindo report in the Hindustan Times 6th December 1950

And thunder roaring with gusty winds

That takes away the hollow from every reservoir

With every drop there is replenishment of the soul

The bird is flying

Silent crawls deep into the abysmal depths

The fish gleans across the golden horizon

A moment that awakes to another moment is forever new…

Garva Khetre taranger janma budhoday hate

Budhoday hate utsho koti nakhatrer karon deho (causal-body)

Maha-karon deho maha-moner lalat shikha

Adi ananter ek divyya rajani sahashra koti atmar ek milan sthal

Hari Om Tat Sat

Jay Om Maa

-J

 

 

 

 

 

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Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

Godard's King Lear 1987

Godard’s King Lear 1987

 

“Your vision will become clear only when you look into your heart … Who looks outside dreams. Who looks inside awakens.”
Carl Jung

 

“The cinema is not an art which films life: the cinema is something between art and life.” – Jean-Luc-Godard (1970)

 

No -Thing is real

No-Thing is unreal

No-Thing is virtual 

No-Thing is Impermanence

No-Thing is Flux 

No-Thing is Retrocausal Action of the Camera-Eye

No-Thing is Pure Awakening of the Self

No-Thing is the Mantra of the Heart 

 

No-Thing is Non-Relational Virtual Truth of the Paradigm of Things 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

No Thing

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

A systematic coherence breaks away

Rapidly dissolving

Linguistic artifacts melt in the impenetrable silence of that no thing

Ritual worship temple falls

Seagulls quail over a plastic sea of madness

Hesitation wired up brains in senseless humour

All meanings engender split b/w the object and the subject

Unity is an act of pure restoration by consciousness/ Subjective delight in the Absolute /Zabber-moun-brahman

Feelings arent about metrics and grid

The immeasurable is measurable only by the non-dual reflexes of the mind

The cinema is about the world of apparent recognitions and misrecognitions

Seldom poetry is blessed by transcendental images or music

A lack of meaning is the pure stasis of dynamic mobility

The true cinema is never made…

Though Lear thinks about the power and its corruption

About the fundamentals of speech and cognition

He lacks ingenuity of heart and that leads to failure and disintegration of his empire

No thing is the super-logic of the Absolute

The king’s disability is in the learning process

He seldom acquires the depth of other possibilities for an insight into ‘things’ unknown

Godard tries to restore art – to give meanings to no things

But thinking doesnt validate the no thing

In the void you walk, in the void you don’t think but dance

And from there you articulate the mise-en-scène of future poetry

From lack of meaning to a full potentiality the quest for nothing is in the Absolute Super-Symmetry

Strings resonating with the heart vibrate causing feelings to generate the kingdom in vesica-piscis

A square in a mandala is nothing but time warping time to confine meanings in nothings

It’s the spiritual sign of non-time by the relative spatial geometry of feelings

For She is in that no-thing the thing in the explicate

Expressing desire for everything in the hologram

The secret to be known in the four quadrants of a circle…

Cordelia cusp – white light synthesis /proper examination of the laws by the seer-poet/rishi

–          J

 

Jean-Luc-Godard’s Film King Lear (1987) : Film Review and Critical Interpretation on the Subject of No-Thing by Monalisa

Centering around the word No Thing . Jean Luc Godard a stalwart of the French New Wave superimposes his eccentric avant garde experimentalism A Study based on the Classic Shakespearean tragedy King Lear in a modern contextual interpretation. The film follows a non-linear plot structure as referred Shot In The Back in the intertitle . Godard brings forth his personal approach rendering a modern re- interpretation and his subjective re-construction.

 

Peter Sellars a descendant of the legendary playwright William Shakespeare sets forth to revive his ancestors lost art in a world post the Chernobyl disaster. He discovers his characters under mysterious circumstances at a hotel in Nyon Vaud, Switzerland ( the locale is alluded as a mystical place in between France and Germany with sea and the woods). Don Learo and his daughter Cordelia substitute the father-daughter duo of the Shakespearean classic suffering from a similar or identical Hamartia, a tragic flaw so ingrained in the father-daughter relationship as the existential fight between Power versus Virtue. The outcome or the end is predictable, as Cordelia succumbs failing to express her love for her father. The lack of not having her heart in her mouth suffocates her in awkward circumstances depicted through her internal psychological conflict, brooding silence and disinterested appearance. Her inability or inexpression tortures her father intolerably as he attempts over the time to silence her silence. The No Thing or Nothing of Cordelia results in a faulty meaning generation owing to her father’s incapacity of acceptance and understanding, rather- misinterpreting her silence as a lack of love, leading to the tragic conclusion too late to rectify.

Other alternate character additions worth mentioning- Professor Pluggy (starring Godard himself) a frenzied clairvoyant substitute of the Shakespearean Fool , obsessed with photocopying his own hand, whose strangely mysterious last words bear an uncannily absurd co-incidental reference to the name of the film editor Mr Alien featuring in the end. Godard also incorporates Shakespeares paranormal elements in the form of four shadowy human-like figures imitating and following the central characters everywhere ( as depicted in first half when Peter scribbles on a notepad whilst walking around the woods seeking inspiration the human goblins emulate and follow him ) . Godard surpasses nudity with this one, as he barely includes any intimate sequence or moments. As his character Peter is subjected by Cannon Films ( a film production company incidentally the film producer )to exclusively exclude any form of nudity from his creative themes thus directing his interest in the father-daughter conversations patronising them as his central characters. The camera work and cinematography is well conceived opening new perspectives. The mise-en-scene is seamlessly blended as thematically the desolate tourist location is ideal, merging the backdrop smoothly into the plot .But the real show stealer are the ground breaking dialogues, interesting sound bites ( of screeching sea gulls ), intense voice-overs and critical soliloquies as the plotline gains its much momentum from the audio sound bites and the voice-overs helping in character introspection giving psychological insight in the characters mental state.

Reference clippings of Renaissance artworks of Michaelangelo with some French Impressionism along with special emphasis on The Girl With A Pearl Earring of Johannes Vermeer and paintings of Francisco Goya, etc are focused through a candle flame depicting the necessity of art revival in the modern world interests .However, Godard successfully brings forth his subjective approach and personal interpretation though faltering significantly in generation of audience response and interests.. As the film defaults into a haphazardly non-linear structure at times losing track and audience interest ( although partially attempted to regenerate through the loud sound bits and uncanny voices) .The film lacks outlined character structure devoid of solidity appearing more absurd in nature. Whereas, the film plot appears less concrete or adapted and is more alluding, suggestive in nature and could have garnered impact through better execution.

Though Godard efforts to explain the films thematic ideation through the incessant use of intertitles , which can be deemed significantly important in imparting his inference to the audience facilitating a better understanding and acceptance of the film as a personal alternative approach or a referential study . A subjective reconstruction based on the original play. A true enough Clearing and Loathing, Godard puts forth his personal cinematic take on the Classic.

 

– Mona Lisa, Film and Psychedelic Music Critic ( Link http://psychedelicsutra.blogspot.com )

 

The Grateful Dead Image and the Unmanifest Sunyata: Quantum Gates to the Supramental World

Grateful Dead, Winterland 1973

Grateful Dead, Winterland 1973

Consciousness-Analogue

Steps that follow steps

From past’s thisness to the future’s present

A moment on the event horizon

Receding backwards into nano trahouf infinity

Forward in the sequence of yaweh

This was not built like that

That it is not

That was a dream; chariots graze the sun when the horse is sleeping

The charioteer is the absence of non-local signifier in the quantum higgs field

The chariot itself the sign

All empty and nothing preconceived

Absolute rests in conscious awakening

 

Buddha, an occult primer of the sun vast rhetoric of helium serpents

Elohim Creating Adam, William Blake, Tate Gallery, London

Elohim Creating Adam, William Blake, Tate Gallery, London

Swallowing the destiny as Krishna blows the sacred conch

The sky, red as the pabulum of Christ, bids the day goodbye

Night uncovers the multiple worlds

Dawn awakens the psychic self under the bark of a dead tree

Monsoon heralds the flow of language

Words are rivers flowing like conscient petals towards fragrance of perfection

Civilization takes quantum leaps connecting with unknown vibrations from the distant stars

Mind is the master of the future gods

Mind is nothing but the worshipped spectrum of light

Mind is photonic transferred potential from arhan-singularity

El shaddai adonai

Elohim el

E. Schrödinger

E. Schrödinger

The tree of life green like the seven seas

Watches the actors plunged into a deep ocean

Some got the ambrosia, others got nothing at all

All else was poison that became manna through my evolution

Creative circuits cause death’s immobility transform life’s trance into immortal love

Retrocausality makes sense; love was the cause that came after karma

Karma came not before wisdom but after death

Death was the pragmatic choice of burning every solitary second into rebirth

We negotiate with the plan – we can change this creation

Are you ready for this stuff?

Or else do your own.

– Joy Roy Choudhury

 

 

 

The Wheels are Walking on the Frictionless-Will of the Eye-Wave Function

 The Wheels are Walking on the Frictionless-Will of the Eye-Wave Function

Consciousness-Analogue

The eye-wave function of the frictionless-will determines the objectification of sound in the ticking of the clock or in bells; smooth alabaster sheets are rhythmic to the particle size of the molecules and in motion it creates the balance of the dawn, a peacock eye-sight of the little Krishna in the fire-ether madness of the absolute rotating in space from South Charlotte Street in Edinburgh to Novia Scotia 6781 lines to 1876 lines, Alexander replied to the evolutionary cells of auditory sensations to pulsate at a higher rate than usual changing substance with form of scientific resolution in the wave antonym of the particle; rainbow was refracted in the will of the eye creating angular momentum of the vastness of the spirit that dives into the soliloquy of Hamlet, to revere is to understand the principles on which ethics was formulated by the hind-leg of the horse in the walking of systems and processes that determine the functions of an advanced society; Moliere’s L’École des femmes made the cat-box of education a tool for improving its own classes by subjecting books to the order of the day and putting words beneath the eyes of a woman who wants to know why chairs are not glasses made of wooly cotton under the sofa of a tyrant king. Days that are over in the timeline of space collect bytes so the head is held high into the square rectangle of the sun image that’s the sign of future years in the philharmonic orchestra of the truth identification.

Realization leaves no room but opens a chapter that’s not classified on the taxonomy of Linnaeus but on the pollination of the mind’s reconciliation with the material word of existence by analyzing how the apple and the tree make merry when the wind blows and after rain, waking up before sunrise to sign the amity of Harmonia, letters were carried by the divine salt-plates of Alblackica into the rivers and the sea, each line measured the exact weight of the ion in the sun-years of Eragman to know where the Brahman lives and its consulates.

Hello was the first word that made the antelope run as the sky saw the creatrix’s statistical inputs in the relative quantum chassis of the yoving-car of sunyata balancing the conservation of mass-energy from the photonic albums of the primal stars: there was no light then came a red flame pale as lavender yet burning like the embers and creating patterns on the butterflies wings and on the tiger’s skin that cradles the night in the tears of the day.

All that was good was bright and gay.

– Joy Roy Choudhury

Alblackica Clock Series I : The Extinct Sepal of Sunyata in the Faith-Circle of Neolithic-Holograms

ANCIENT BRICK TIME: ALBLACKICA CLOCK SERIES/ Samij Datta, 2012

I- EXTINCT SEPAL

Consciousness-Analogue

The Extinct Sepal of Sunyata in the Faith-Circle of Neolithic-Holograms 

The grey rhombus is the square of the elliptical moon that doesn’t exist, only man can make him know if it’s simply a circle with mask of a flower or is it a beehive with the droplets of honeyed-rain that sphere in the cirrocumulus clouds without any desire or anything to represent. They do not exist on their own but only in the mind as it thinks they exist, the art and the nature, the birds and the beasts. But history tells that they did before the age of National Geograpic, in the archaic horns of a rhino that subtly felt the crimson sun setting with the hippotamus in the lakes of an open set, in the Sunyata that appears on the blank prose of an open rhyme or in the terza rime of seraphic mountains over the Sufrehi, looking towards the hippodrome amidst the pillars and the pines of the Mixolydian , Ionian and Aeolian modes. There they are observed like a phenomena that occurs, without the mind there is nothing real or subjective; the kite is not a kite to a Neolithic man but the hard rocks are shrapnel to defend a system of his thoughts that exist because he sees and hears, and sniffs the firewood to burn the proteins that are observed chains of amino acids closely linked to the evolution of the creation and what is this system of constellations if they are not in the mind as something real and participatory; no they don’t exist on their own they are dependent on us like electrons and positrons that are apparently due to some quantum events.

Energy and matter interlock in the art only because the water is the surface of the wind which is the vast ocean of delightful poise in the al-qamar planes of the alblackica mind. The dance is the quixotical sheep of a hydrogen bomb that disappears in the open wise words of an Autolycus song “When daffodils begin to peer,/With heigh! The doxy over the dale,/Why then comes in the sweet o’ the year/For the red blood reigns in the winter’s pale.” To the ancient brick-time of the extinct-sepal it’s the Shakespearean hypothesis of Stephen Hawkins in the Haight-Ashbury era that makes common man speak what he can before he is diagnosed with Staphylococcus in an asylum of hospitals that also doesn’t exist here or anywhere else in the world. The hot air balloon is flying in the sky with patches of the lamb’s wool that had the hologram of the Neolithic man.

– Joy Roy Choudhury

Ref: Inflatable Flying Pigs/Pink Floyd Animal’s Tour 1977