8TH DECEMBER 2014, ON THE EVE OF JIM MORRISON’S BIRTHDAY: WHAT HAVE THEY DONE TO THE EARTH- REFLECTION SPACE-GAZE AND DISTANCE INSEPARABILITY

 “I SEE EVERYTHING AS CLEARLY AS POSSIBLE, YET I DO NOT SEE. DO YOU UNDERSTAND?

YOU ARE TO WORK OUT THE SUM AND TO KNOW THE RESULT BEFOREHAND IS TO INTERFERE WITH THE SMOOTH WORKING. 

YOU WILL BE A SPIRITUAL FOOL AND A MATERIAL IDIOT IF YOU ENTERTAIN ANY HOPE FOR MAGIC. 

THE PRE-REQUISITE CONDITION OF UNDERSTANDING THE MASTER-MAGICIAN IS ABSOLUTE SURRENDER. 

SOME RAINBOW BEINGS CAME TO SEE ME HERE. THEY CAN MAKE AND UNMAKE THE WORLD- YET THEY PAID THEIR USUAL BUS AND TRAIN FARES. – DO YOU FOLLOW?”

– YOGISHWAR SRI KALIPADA GUHAROY (EXCERPT FROM LETTER WRITTEN TO BAREN BABU FROM ROOM NO. 151/CONSTITUTION HOUSE/CURZON ROAD/NEW DELHI 21ST DEC 1948)

8TH DECEMBER 2014, ON THE EVE OF JIM MORRISON’S BIRTHDAY: WHAT HAVE THEY DONE TO THE EARTH- REFLECTION SPACE-GAZE AND DISTANCE INSEPARABILITY

“WHAT HAVE THEY DONE TO THE EARTH?”

JIM MORRISON: WHAT HAVE THEY DONE TO THE EARTH

JIM MORRISON: WHAT HAVE THEY DONE TO THE EARTH

-JIM MORRISON

Akasher ekti artonad

Nirjib sa-chetonar ak aprakitik bhangi

Sabdera gariye chale

Kriyar madhyam hoye

Anadi nishangotar brihat ekti prashtor

Bahan korechey

Shei louha barna tejoshkriya bindur ek duti

Prashner bhaktera

Uttorer mimanshar rup ke kare madhur

Every question posits duality

And the answer is the non-local singularity on  A RELATIVE-NON-RELATIVE FRAMEWORK OF BONDS

ALL ARE BOUND BY A COMMON POINT OF IRREDUCIBLE DISTANCE BETWEEN THEM

I am the distance between every impeccable point

They exist as well non-exist

Durwatyer meru samay ke kare gatishil

Swapner gadhuli te giye dekho suryera sab bashoman pradip

Matrikore baichey praner spandan

Galaxy

Galaxy

Hriday yantre gaichey gaan

Saralatar ishta deho

Nadite karichey snan

A still point that moves not and simulates

Interweaving a multi-dimensional pattern

It splits into relative subjects and objects

Interacting with each other

Consuming matter into energy and energy into matter

Conjugating all-in-all

And there is no dual distance between them.

 

SO, THEREFORE, ARE YOU TRYING TO CALL HIM?

Jim Morrison over the Telephone

Jim Morrison over the Telephone

WHO IS HIM?

AND WHO ARE YOU TRYING TO CALL?

WHO ON THE OTHER SIDE?

WHAT MEDIUM THROUGH YOU RECIPROCATE THE DISTANCE INSEPARABILITY?

DO YOU EXIST- THE CALLER?

IS THE DISTANCE B/W YOU AND HIM REAL?

DO YOU EAT SLEEP AND DRINK?

COUNT THE DAYS WATCH THE WATERFALL…

“DANCE ON FIRE AS IT INTENDS

MUSIC IS YOUR ONLY FRIEND

UNTIL THE END

UNTIL THE END

UNTIL THE END”

IF THE MIRROR IS THE FRAME IN WHICH YOU SEE THE FINITE REFLECTION

THEN THERE ALSO EXISTS A COSMIC WEB OF MIRRORS IN WHICH THERE ARE INFINITE REFLECTIONS OF YOUR SELF ALL INTERWEAVED INTO THE PLASTICITY OF SOUND

THAT BODY IS THE OPERATIONAL MATRIX OF A-U-M ATTAINING SMADHI UPON MANIFESTATION

THEREFORE, MUSIC IS THE SILENT-UNMANIFEST OF THE SUPRA-UNMANIFEST AS VIBRATIONS AND THAT IS THE MEANING OF ALL LIFE AND EXISTENCE.

 

– J

“DANCE ON FIRE AS IT INTENDS

MUSIC IS YOUR ONLY FRIEND

UNTIL THE END

UNTIL THE END

UNTIL THE END” – JIM MORRISON – WHEN THE MUSIC’S OVER…

 

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William Shakespeare’s the Forests of Arden: The Quantum Vauxhall and the Poetics of Shambhala

 

 

William Shakespeare, Monalisa, 2012

Shakespeare, Monalisa 12

William Shakespeare’s the Forests of Arden: The Quantum Vauxhall and the Poetics of Shambhala

Consciousness-Analogue

The mystical belongings of the ancient race can trace itself to the Forests of Arden

Time’s enormity is confined in the quadro-dynamics of the mind’s ear (the history of Sruti from Silence)

The cobble stones that make the road are the feet of your words in a trance like state

A quantum journey that man must partake to reach the prefix of his destiny

Dissolved in that forest of silence, the Brahman is the true Shakti of the magnetic force

The fermions exchange with bosons in the Last Supper of the creation’s rite

Parallel universes do exist in the nano-infinity of the tall tree (the ancient Vauxhall tribe of the Red Indians)

Within the realm of the magnificent architecture, Shambhala opening its gates of freedom

With the closed-aperture of the individual’s camera choice in the whole macrocosm

The bark is the feather of the winged-war horse

That dives into the ocean of everlasting love

Vauxhall Adam/source the Telegraph, UK

Vauxhall Adam/source the Telegraph, UK

To recreate the Dwarka or Alexandria or Rome or Athens

From the sea-voyage of the sun in the moon’s chalice of the midnight sonata

These are revelations of the ancient stone in the khwa-zim-uvra space

Broken harps of platinum may sing that song of the road for ages to come

Connect with that storage information system in the cells

You may receive an answer from the abode of lights.

– Joy Roy Choudhury

 

 

 

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

 

Leonardo da Vinci, Self Portrait in Red Chalk (1512-15), Royal Library of Turin. 

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

Consciousness-Analogue

Poetry evokes consciousness that solidify plasma states of matter as the neo-platonic Arhat fire in the rectangle

Words I said are not vain tresses of the charcoal portrait of a lady in front of the mirror of duality and imperfection

They are kind aphorisms of the master’s key; I saw in man the heavy-built structure

Anatomizing the industrial scope to demonstrate the technique of tools

Shadows are compensated by the lines of force drawing man back from the infinity

The point is further from the eagle-point gyrating consciousness in an equilateral triangle

Therefore, you may travel as a freemason by the boat-proton leap in outer space

Searching for the diamond fixity in the Higgs mountain growth of curvatures

Channelizing power as wisdom in the salt-plates of alblackica

Helium was manufactured by the Heliosyncretic process of the artists’ occult eye

The coming of the metaphorical ship illumined the islands

The inhabitants rejoiced: “reva-reva-vrahum-reva-adi-sanatan param-bramha”

Nocturnal stars drank like Bacchus from the nefa-vessel of the Apollonian sibyl

Dattatreya adi da Vinci in the pure mercury of Hydrargyrum floating

Hegel astonished by the law of multiples

Called him the father of rural lapis in becta-izax realism?

– Joy Roy Choudhury

 

 

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

Snow Leopard Cradle, Joy Roy Choudhury

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

“Time present and time past 

Are both perhaps present in time future

And time future contained in time past” – T. S. Eliot

Consciousness-Analogue

The Vitruvian Man (1485) is a kind of time-link fiber carrying the essentials of divinity in man; it hatches the corporal sensuality of ‘beauty in mysticism’ in the artist’s mind, and, that has led a da Vinci to discover ‘Monalisa’ (1503-05/07) as an unequivocal affirmation of the ‘para-prakiti’ consciousness magnet with the power to transform lives. Both these two paintings are a route to rediscover The Last Supper (1498) which is not a historical setting put into canvas, but, a social template of the Lord in him and in the populace, and he in the Lord by the act electromagnetic attraction. The wisdom of the 12 apostles is the process carried forward by the 12 particles -the 6 quarks and the 6 leptons by the action-inaction of the tetra-forces (strong, weak, electromagnetic, gravitational) of cosmic interactivity. Contemporary music like that of Johannnes Ockenghem (ca. 1420-1495) who composed French chansons and delved into polyphonic music  was able to extract the singularity of ‘purity in sincerity’ to demonstrate the early ‘awareness of being’ in the causal process of time-elongation. The elasticity of the mental/psychic being while pursuing the creative Skills-Limit  α threshold ( a condition of yogic-meta perfection of qualitative quantity in work) was also observed in Guillaume Dufay (1397-1474) and in the music of Josquin Desprez (1440-1521) and Leonardo Praetorius (1571-1621). Music was following what modern day quantum physicists say ‘signal nonlocality’ allowing time-consciousness to emerge as a retrocausal balance to preserve the ethical kinship it had with the ‘origin of the origins’ beyond big bang and black holes. The symbol of ‘artistic intrusion’ into the dark matter of existence to perhaps comprehend the massive grace-conscious matter of this creation was first put in as an example of the ‘examination of the self’ in man and in nature of ‘binary and multiple existence’ (all perceived in twos or threes than in ones) by the paintings of da Vinci’s The Vitruvian Man , Monalisa and The Last Supper. They convey the idea of a plastic super-intutive future for man in the polymerization of collective-conscious will-aggregators (the sat-guru blessing!) for the liberation of matter from the bondage of gravity. The Last Supper is the ‘perennial hope’ in man to resolve the equation of his destiny by a ‘future choice that can affect the past measurement’s outcome (Yakir Aharonov’s retro-future) by the inner-self reflection of the Grail Light of the Sun. There, Horus is the Surya-Savitri of the Supramental Supramental state in the Extrohan Cause to perfectly annihilate itself in the Large Hadron Collider to remake in man the vision he shared in the dark beginning of no-ends. The non-duality of a monochrome in a super-fluid vastness is the sweet bud of a labyrinth rose that sheds tears as smiles; it’s a form that impregnates other forms making time work as a carrier-particle in the evolution  of ‘occult Madonna as Monalisa’ in the painting of da Vinci. The painting finally culminates to a point of stillness in the eyes of Monalisa talking to its audience in a manner seldom understood in contemporary art.

“Only by the form, the pattern

Can words or music reach

The stillness”.  (Burnt Norton, T.S. Eliot)

“And do not call it fixity

Where past and future are gathered.

Neither movement from nor towards,

Neither ascent nor decline…” (Burnt Norton, T. S. Eliot)

– Joy Roy Choudhury

Three-Fold Time into the Star-Gate Crystal Enfolds the Perimeter of the Square-Rectangle within the Gnostic Communion of the Ancient Bon Light of Wisdom

Yungdrung Gutseg, Olmo Lung Ring, Samij Datta, 2012

Three-Fold Time into the Star-Gate Crystal Enfolds the Perimeter of the Square-Rectangle within the Gnostic Communion of the Ancient Bon Light of Wisdom: Meta-Trageth Truth of Existential Creation

Consciousness-Analogue

Square is a quadrilateral at the base of the Yungdrung Gutseg

Magic portal to the hidden land of the Immortals

Mind mirrors mind-field; language mirrors the self

What art thou unborn in the undiminished space of time-elongation?

Rebooting the empty signs of signal non-locality via exazeth supermind

Quatreth-AUM-Quatreth

In the red arrow of light the eons have offered their knowledge to the bon masters

They saw the big bird’s shadow through the glass vessel of Tigrinya grammar

Sands bore the rose leaf of a sacred star in a billion waves (direct golden play- end of darkness/kal-kal-kalki-kal creation on 9d-change-h axis of z-z-z change (4-6-9-7) decrax

In the Gnostic inner-circle of the para-brahman, the cause is the after-light effect of the final embodiment

Grefuhaman is Grefuhaman is Grefuhaman

On the road to olmo ling, there is no olmo ling in the doubt-cast matter of the mind (sapper-mind is empty!)

Ash returns diamonds into coal after the ether have vaporized the subject of eternity from the faith circle of alblackica

Nights cannot travel into the dawn through the midnight express it needs allowance of anti-quark transmission energy

Mountains are dry fuels for a shoal of fish that catches the light

Keaton-pull up boat-swing matter unmanifest-matter supra-tail-supra-null-supra-lim Supramental

Skull fits the monk as the book feeds the dead

Run-in perpendicular time>sun-lit path<acrux-Sri Aurobindo-Supermind Active-VIA Line 7

Sat-yat-tatat-sat-chit-ALOR-ANIRBAN-THIKANA

EXISTENCE IS CONSCIOUSLY BEAUTIFUL!

– Joy Roy Choudhury

The Earth-Clock Hour in the Temple of the Bon sends signals to Humanity for Perfect Growth and Development: Compassion is the Attitude towards Macro-Evolution in the Entire-Creation-Entire

Temple of Bon, Samij Datta, 2012

The Earth-Clock Hour in the Temple of the Bon sends signals to Humanity for Perfect Growth and Development: Compassion is the Attitude towards Macro-Evolution in the Entire-Creation-Entire (Perhaps the gods are dead!)

Consciousness-Analogue

Enable your heart to listen to the song

The white bird has perched its shadow on the outer circumference of the egg

Though destiny cannot frame the path of tomorrow’s future

Broken relics of history are still burning in the land

Reading an old book of Tapriza to the empty spaces lying beneath

The stars are circumambulating the mountains; uncertain hour dragged its body into every stream running down

Sacred letters of ‘Olmo’ disappeared into the awakened compassion of the being

Through light and into the light the ways of the Master heralded the time

Shenrab uhinmrang Shenrab

Red flame of the black pool carved the ethereal synagogue of the sun

Ra-Ru-Re dream > Supramental asked to accelerate

The moon has crawled nine ways to the pyramid: buy 2 get one

In the quiet of the mind the beginning was also the end of no-causal entreaty

Greater the degree of devotion to the self greater the earning of the bodhi-tree in per decra-nanoseconds of bliss consumed

Thou art within like the rainbow serpent in the whaos-chaos of the alblackica

Thou art the luminous sacred wheel of evolution

In the YungDrung-roaming space of Jahoa-Jahoa-Jahoa

In the yashik-dashik-golden carpe-diem of the everlasting day!

Ranga matir path

suryer badami alo dhuye dey mati

Chetonar ardhonarishwar prakitir pratiti kanthe jagay tar bani

Adbhut sab alo jwalchey nivchey

Anya kono tarar durabhash theke aschey kato pran.

– Joy Roy Choudhury

Words are Morphological Instruments of Gnostic Symbols within the Magic Domain of Olmo Lungring

I- Gnostic Symbol, Samij Datta, 2012

Words are Morphological Instruments of Gnostic Symbols within the Magic Domain of Olmo Lungring: No-Thing is a Kind of Dimensional Action, wgw-Specific, Time Event (In the Beginning will be the End)

Consciousness-Analogue

River is the source of the ocean beneath the mountains

They assume the shape of a dolphin migrating into the Yungdrung

Sometimes words are just shapeless destinies of many creations

Words are words in the pink fabric of the sky after the dusk light has settled carrying vehicles of rishi angiras

Empty signs are no more the simulacra of minds clothed in reason

They have verified the truth they drank from the cup of the examiner’s chalice

What promise is unfounded in the land of the gods? What crown awaits the final Apocalypse?

Choice is not a question before the bird of lateral freedom; the knife bleeds as much as the flesh

Sitting amidst a ruin of broken prayers he has seen time pass into the dignity of no-thing

Pebbles glide into pebbles rock tumbles and falls into the waters rhyming with the winds

Their natural state can hold infinite realities within the dream of a momentary circle

Silence recovered from sleep restores the meaning of an impossible-possibility

There are no anagrams in the evacuation of space by time in the truth-circle of san-zan-van infinity

The golden light at the hour of the Ark is the only true saviour in the eight-fold mountains

Shantih…Shantih…Shantih.

– Joy Roy Choudhury

The Bliss of a Romantic Morning as Seen Through the Eye of a Poet in the Mind-Mirror Reflections of his Self-Embodiment: 151st Birth Anniversary of Rabindranath Tagore, Noble Laureate

1934 circa, Rabindranath Tagore, coloured ink on paper

Consciousness-Analogue

There is an automatic template of the mind

That captures images of nature

Through the varltumin camera positioned in the eye

Alpine valleys surrounded by mountains are free to dance speak and laugh

Words are their images in the dreaming soliloquy of their existence

Rivers find their ways in the twining pathways leading to immortality

And the spirit of their substance become starlit summer nights that levitate

Light is light in the clock-arm of alblackica

Romancing the wind in the stone circles of chintamani

Brahman calls Brahman the root cause behind the 11th chapter of Brouhaman

Shakti is singular in the rain wedded months of Baishakh

And as drops of water bring scarlet joy to the heart of the infinitude

The old eagle of the centroid awoke from his sleep in the numberless keys of his destiny

To embrace earth as a miniature in a meta-entangled quantum multiverse

I saw many earths as poets dreaming like him to express the fountain of a superluminal desire

Their words are not mere artefacts but points escaping through a worm-hole

To reach the mother-of-their-origins as they fly out towards their embryonic source

Their consciousness the only-truth carrier in this trance bound journey through nature

Stones pick up idle grass and butterflies, the skies pick their clouds in sacks of rice

Each carrying the other and often huddled together to celebrate life

This we called a momentum: ‘Ananda-Nritya-Sangeet’ of the rasa-lila

Man is tied to his fortune through bonds of friendship

His hands are gifts of nature to be the artist-poet of his own creational multiplex

He grows among hills and trees and worships the sacred crust of His own existence.

Tat-Purusha-Hari-Tat-Sat.

– Joy Roy Choudhury

Notes from Tagore:

‘The morning will surely come, the darkness will vanish and thy voice will pour down in golden streams breaking through the sky.

This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of summer’. – Gitanjali, 1910, Rabindranath Tagore

The Super Chemist Art Shop at a Quantum Space-Factory Dreaming the Line-Imagination Curvatures of a Dipole River in Hera-Hera-Alblackica Sunny Spring Day

Gluons, Samij Datta, 2012

The Super Chemist Art Shop at a Quantum Space-Factory Dreaming the Line-Imagination Curvatures of a Dipole River in Hera-Hera-Alblackica Sunny Spring Day

Consciousness-Analogue

Away in the blue hydrofloral icosahedron the superstrings alone are real

Exchange particles in the infinite subspace held the quarks in the sky

They talked as the penguins do to the ice-age carriers of the colour-forces

Flowers rapture into the ocean of bliss, immigrating into an another state

They brought language comprised of words like Keaton projected into the sub-units of macrospace

A dual space of Cartan sub-algebra of a Lie-algebra

Time was a friend of the pilot who guided the waves to the meaning of light in the East

And he saw an aura of blue exchanging ions into green while reconnoitring on his RAF plane

A word had fallen from the sky Ronald Nixon                                                          

And the waves saw the gluons in the name of Krishnaprem

Chanted the oblivious nights in the octet colours of the kaleidoscope

Apastamba > Agniveshya < Baudhayana

Running back and forth in time the mind ate the matter in the mind

And the end was a sweet blossoming of spring in the subatomic bouquet of space

Brahman was the dual-duck-elbow charm of the leptons and quarks

He is not a stranger was an antediluvian man of higher magnitude at rest

A space-time story warped in its 10th dimension for the A-D-Es in the A-D-Es was him.

– Joy Roy Choudhury

Ref: Ronald Nixon is Krishnaprem

HERA AND THE LHC POSTER FROM INTERNET ARCHIVES (2008)