Intersection Points in the Cosmic Inflation on Microwave Background Radiation: Information Inflow as Contraction into Singularities (Seer-Observation of Ekayoniz Wormhole -Shirdi Sai)

Shirdi Sai Baba circa 1900 original photograph

Shirdi Sai Baba circa 1900 original photograph

 

“There can be no naked singularities, which are unshielded by event horizons”. – Roger Penrose

Quantum Non-Locality in Copenhagen Interpretation: The Collapse of the Wave-Function cannot be produced by any known physical process – beyond mechanistic local theory of reality (direct inference from Bell-Aspect experiments)

Non-dual aspect of mind is Samsara purifying the aboriginal truth by the 68th degree valipa turn (0.0.1.0) of the Selvuha existence (T=T) around the mind bearing rudraksha.

Words woven in the syntax

Draped in clothes

Computing a syllogistic pattern of clouds

Do you hear the raindrops fall on seashells, on mud earth

On tetra-lithic mountain rocks, on valleys merged with the shoreline?

Where is the rhyme

John Archibald Wheeler Teaching at Princeton Univ. 1967 explaining the distinction between Classical Realm and Quantum Realm

John Archibald Wheeler Teaching at Princeton Univ. 1967 explaining the distinction between Classical Realm and Quantum Realm

Dying in the vine

Or in the wells of amputated beings

Thinking constructs a formation of things

Feelings generate a motion in the void

And the planets go merry around the sun

And your Self around the heliosphere

Lilting graceful melodies quite unknown

Exchanging information one millionth of a second

With the butterfly’s invisible quatrains

With the fur of the leopard and the giggle of the dolphin

Intersecting patterns one millionth of a second

“This is the end, beautiful friend

A Game of Chess

A Game of Chess

The end

Of laughter and soft lies,

The end

Of nights we tried to die

This is the end.”

Do you feel this bio-entanglement?

Do you feel like flowers the change of seasons?

And the birds twit one note to your ears?

Tereu

Unreal city

The moon climbs over the camelback

Waiting for the lost arc over the horizon

Waiting for an archetype

Or a constellation sign

An architectural pattern unrecognized

A silence undisturbed

A matrix of harmony inexorable

Unfolding one end of an accelerated frame

And beginning the other with your singularity point

A sequence of steps unforeseen by many

A touch of feelings that changed the world

And he saw it coming

In his waking self

Spiralling towards the ocean of depths

And it said voulshekho uho nin usta

Uho nin usta mou mapar

Trok vei usha nin yin ihiabdho

Ihiabdho…

(Observer > V-Static –Yong Observation) {65= NH}/para-zeta-dimension of truth

– J

 

Ref: The End, Jim Morrison, The Doors

 

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The Child Masters the Lord of Beings: Jim Morrison’s Poetry and Para-Prakiti Time of Information Management with the Stars

Jim Morrison, The Doors: Riders on the Storm

Jim Morrison, The Doors: Riders on the Storm

 

“Ride the snake
Ride the snake 
To the lake
To the lake

The ancient lake, baby 
The snake is long
Seven miles 
Ride the snake…” – The End, Jim Morrison, The Doors

 

Time is a tomb

A spiral staircase to eternity

Time eats time warps space-time

Flowing negatively inwards from the surface

Beneath streaming like jets in the opposite direction

Linear non-linearity of the quantum essence of the creation

Black habas vecta-turbulent time of chaos in the cosmos

Sacred Gurudongmar Lake, North Sikkim

Sacred Gurudongmar Lake, North Sikkim

All are kind of projections from the thought ripple in the oceanic space

Field non-locality supramental quarxo-boham time affluence

Rigid structures melt

Light quarks leap

The bird’s feather finds its way in the blue sky

Stars diminish their distance

Comes closer to the mind-matrix

Installing data from unforeseen 2d-plaque of distant event horizons

Sun is the blue lotus of the white sands of destiny

Programmed efficiently to run the clock-hour of the time

Forest floor lit with purple lights

An interference pattern on cave-walls of infancy

The Child masters the Lord of Beings

Through the conscious grace of the mother

The Divine Mother Symbol: The Para-Prakiti Magnet of Our Difficult Ascent

The Divine Mother Symbol: The Para-Prakiti Magnet of Our Difficult Ascent

Coming from the future

Dance children dance

Wild pilgrim time of the yunho-yigrib

Yaya-chakra-chintamani-yaya

Far away from this Creation there are other creations of the mind-plane

They become real, tangible like the worlds

They exist not in thoughts but as patterns that emerge from some holographic projections

We are not abandoned or destitute in this cosmic play

The Lila continues after the End

Creating co-creating the past from the present coming back from the future

The cycles aspire …we ride the white horses moving like the time.

 

– Joy Roy Choudhury

 

A Strange Bus Ride with Quetzalcoatl: An Unknown World of Pre-Natal Blue Lights as Summons for Jim Morrison and Novalis

An American Prayer, Jim Morrison

An American Prayer, Jim Morrison

The Blue Flower

The Blue Flower: The Divine Mother Symbol

A Strange Bus Ride with Quetzalcoatl: An Unknown World of Pre-Natal Blue Lights as Summons for Jim Morrison and Novalis

“The blue bus is calling us

The blue bus is calling us

Driver, where are you taking us”. (The End, Jim Morrison, The Doors, 1967)

The finite image of the blue bus mentioned by Jim Morrison in his lyrics ‘The End’ opens up a lot of infinite possibilities within- it stands for the archetypal image of Novalis’ ‘blue flower’  (Nilkantha, the blue flower resembling the throat of Shiva after he drank the world-poison to save the cataclysm) ) which stands for the love for beauty in things – the reality that Einstein said was comprehensible. Though, locally it may stand for a pain killer that was often used by the 60’s aficionados, it was more a conscious search for the inner-nature in man – the ‘self’ that hides in the body, the self’ that is connected with ‘many selves’ in the cosmic world. This was an individual moment of self-realization, a movement that is subjective and non-local as well. The finite melts beyond a certain point of perception and if the doors are cleansed then it is a clear call (Light signal Flash) from the other side, into an infinite blue welding of matter in consciousness and consciousness in matter. The image of the bus is symbolic of a modern man’s journey into the infinite cities, the ‘psychedelic experiences’ that we seek to return us back into that state of pristine innocence which William Blake talked about in the Songs of Innocence. ‘Experience’ grants ‘innocence’- the lamb of god is same as the wrath of the tiger:

“In the juvenescence of the year / came Christ the tiger / … Us he devours”.

– T. S. Eliot (Gerontion)

Sri Aurobindo’s disciple Dilip Kumar Roy (dadaji) was once told by his friend Krishnaprem while talking about Sri Krishna that we should never miss ‘the last bus to cross the frontier’, metaphorically it’s the faith that we should never sacrifice in our lives; faith in ourselves, faith in our abilities because it is the only source of our power and thinking.

Novalis’ ‘blue flower’ and ‘Jim Morrison’s ‘blue bus’ have the same implications, they draw us into a different realm that is beyond our three-dimensional existence. We in our ‘natural yogic state’ have access to these worlds as long as we awake ourselves from ignorance and death.

– Joy Roy Choudhury

THE LAST RITE OF THE SACRED FIRE IN THE OVOVIVOUN: TRANSLATION MEMORY MATRIX AND QUANTUM TIME CONVERGENCE OF HISTORICAL POINTS (Non-local movie per vecta ionic acceleration of space-time frame-shifts)

THE LAST RITE OF THE SACRED FIRE IN THE OVOVIVOUN: TRANSLATION MEMORY MATRIX AND QUANTUM TIME CONVERGENCE  OF HISTORICAL POINTS (Non-local movie per vecta ionic acceleration of space-time frame-shifts)

Jim Morrison, An American Pastoral (1969)

Jim Morrison, An American Pastoral (1969)

An American Pastoral (1969)

An American Pastoral (1969)

We made a film about words and silence

We made a film about the sound

You and I, repeat what we are

Birth, life, seeing and hearing

To find the word lost in images

And images lost in the field of memory

Finding and failing, in the light, in the darkness

To seek, to recover the first scene

From the udder of a sun-vast recess

When born was Idea in the dawn of intuition

 

A red flame of the Heraclitean fire

Tonight we shall remake this film

A film that restores the emblem of peace

From nether shadows that engulfed the sun,

From the fear and trembling and the eclipse and death

Driving through New Mexico under the stars

In the night of the Hopi dance around the sacred fire

Long after Kierkegaard’s death

Long after Van Gogh’s and Bunuel’s

All are awakened in the still silence of the Himalayas

und das  Wasser fliesst     

You and I,

Let us go to remake the film.

The Mystic Mountains

The Mystic Mountains/Photograph Joy Roy Choudhury

– Joy Roy Choudhury (From collection of poetry” Rains Winds and Cycles, Kindle Edition Amazon)

http://www.amazon.com/Rains-Winds-And-Cycles-ebook/dp/B009HX1S2U


Refs:

[1] The ever-living fire; Heraclitus, the Greek philosopher conceived fire as the primordial element out of which matter evolved; “That Nature is a Heraclitean Fire and the Comfort of Resurrection”, Gerard Manley Hopkins, Poems. 1918.

[2] An iconic philosophical book by Danish philosopher, Søren Kierkegaard

[3] Danish philosopher and theologian (1813-1855)

[4] Vincent Van Gogh (1853-1890), Dutch Post-Impressionist painter who was famous for his paintings of sunflowers and landscapes.

[5] Luis Buñuel (1900-1983), Spanish-born filmmaker who moved to Paris and directed a series of path breaking surreal films, notably one with the artist Salvador Dali.

[6] And the water flows.