The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

 

Leonardo da Vinci, Self Portrait in Red Chalk (1512-15), Royal Library of Turin. 

The Arhat Fire as Circular Spring in the Micro-Gravity of Existence: The Lunar Album of Leonardo da Vinci as Dot Consciousness in the Sun

Consciousness-Analogue

Poetry evokes consciousness that solidify plasma states of matter as the neo-platonic Arhat fire in the rectangle

Words I said are not vain tresses of the charcoal portrait of a lady in front of the mirror of duality and imperfection

They are kind aphorisms of the master’s key; I saw in man the heavy-built structure

Anatomizing the industrial scope to demonstrate the technique of tools

Shadows are compensated by the lines of force drawing man back from the infinity

The point is further from the eagle-point gyrating consciousness in an equilateral triangle

Therefore, you may travel as a freemason by the boat-proton leap in outer space

Searching for the diamond fixity in the Higgs mountain growth of curvatures

Channelizing power as wisdom in the salt-plates of alblackica

Helium was manufactured by the Heliosyncretic process of the artists’ occult eye

The coming of the metaphorical ship illumined the islands

The inhabitants rejoiced: “reva-reva-vrahum-reva-adi-sanatan param-bramha”

Nocturnal stars drank like Bacchus from the nefa-vessel of the Apollonian sibyl

Dattatreya adi da Vinci in the pure mercury of Hydrargyrum floating

Hegel astonished by the law of multiples

Called him the father of rural lapis in becta-izax realism?

– Joy Roy Choudhury

 

 

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The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

Snow Leopard Cradle, Joy Roy Choudhury

The Future Seconds of Man as a ‘Time-Carrier Particle’ in the Renaissance of da Vinci (The Vitruvian Man, Monalisa and The Last Supper)

“Time present and time past 

Are both perhaps present in time future

And time future contained in time past” – T. S. Eliot

Consciousness-Analogue

The Vitruvian Man (1485) is a kind of time-link fiber carrying the essentials of divinity in man; it hatches the corporal sensuality of ‘beauty in mysticism’ in the artist’s mind, and, that has led a da Vinci to discover ‘Monalisa’ (1503-05/07) as an unequivocal affirmation of the ‘para-prakiti’ consciousness magnet with the power to transform lives. Both these two paintings are a route to rediscover The Last Supper (1498) which is not a historical setting put into canvas, but, a social template of the Lord in him and in the populace, and he in the Lord by the act electromagnetic attraction. The wisdom of the 12 apostles is the process carried forward by the 12 particles -the 6 quarks and the 6 leptons by the action-inaction of the tetra-forces (strong, weak, electromagnetic, gravitational) of cosmic interactivity. Contemporary music like that of Johannnes Ockenghem (ca. 1420-1495) who composed French chansons and delved into polyphonic music  was able to extract the singularity of ‘purity in sincerity’ to demonstrate the early ‘awareness of being’ in the causal process of time-elongation. The elasticity of the mental/psychic being while pursuing the creative Skills-Limit  α threshold ( a condition of yogic-meta perfection of qualitative quantity in work) was also observed in Guillaume Dufay (1397-1474) and in the music of Josquin Desprez (1440-1521) and Leonardo Praetorius (1571-1621). Music was following what modern day quantum physicists say ‘signal nonlocality’ allowing time-consciousness to emerge as a retrocausal balance to preserve the ethical kinship it had with the ‘origin of the origins’ beyond big bang and black holes. The symbol of ‘artistic intrusion’ into the dark matter of existence to perhaps comprehend the massive grace-conscious matter of this creation was first put in as an example of the ‘examination of the self’ in man and in nature of ‘binary and multiple existence’ (all perceived in twos or threes than in ones) by the paintings of da Vinci’s The Vitruvian Man , Monalisa and The Last Supper. They convey the idea of a plastic super-intutive future for man in the polymerization of collective-conscious will-aggregators (the sat-guru blessing!) for the liberation of matter from the bondage of gravity. The Last Supper is the ‘perennial hope’ in man to resolve the equation of his destiny by a ‘future choice that can affect the past measurement’s outcome (Yakir Aharonov’s retro-future) by the inner-self reflection of the Grail Light of the Sun. There, Horus is the Surya-Savitri of the Supramental Supramental state in the Extrohan Cause to perfectly annihilate itself in the Large Hadron Collider to remake in man the vision he shared in the dark beginning of no-ends. The non-duality of a monochrome in a super-fluid vastness is the sweet bud of a labyrinth rose that sheds tears as smiles; it’s a form that impregnates other forms making time work as a carrier-particle in the evolution  of ‘occult Madonna as Monalisa’ in the painting of da Vinci. The painting finally culminates to a point of stillness in the eyes of Monalisa talking to its audience in a manner seldom understood in contemporary art.

“Only by the form, the pattern

Can words or music reach

The stillness”.  (Burnt Norton, T.S. Eliot)

“And do not call it fixity

Where past and future are gathered.

Neither movement from nor towards,

Neither ascent nor decline…” (Burnt Norton, T. S. Eliot)

– Joy Roy Choudhury

The Cross is the Yin-Yang Gnostic Alter-Piece of the Life-Cycle (Fermion-Disc Harvesting Time)

The Cross is the Yin-Yang Gnostic Alter-Piece of the Life-Cycle (Fermion-Disc Harvesting Time)

Photograph, Joy Roy Choudhury

Consciousness-Analogue

Circle is the epiphany of the Feast (The Last Supper, da Vinci) in the divine innocence of the true child. The centre of the circle is the virgin infinity of the Para-Brahman Chakra in the eye of the seer seeking the Adi Chintamani. The stone is the grail where blood crystallizes the sun in the mad judgement of the life coming from the dead.

Immortality is the embryo that darkness child in the blind faith of  light’s destiny; Innovation is a pure bliss of the ‘spirit’ in ‘matter’- mater consciousness ‘spring-nest’- al-garabi- vacuum is white-iron-hard-matter (727.727) in white-steel-hard-matter (828.828).  It’s the quest of a singular incarnating point of consciousness to navigate the circumference of the creation by the free-sacred, free-choice of the Extrohan cause. The dead are now living in the physical plane talking like the winds do while dancing their way between bamboo leaves that form an arc of the quarter moon in the half light of the sun.

“Weng gathia wun guvra vhi

 Weng gathia woan mui trasu

 Nui tra dhip nui tra geth

Nui tra wajed vhi tak grivam” ( mantra lines absorbed from Noah)

Peace, Peace, Peace!

– Joy Roy Choudhury

Ref: Pic 2, Joy Roy Choudhury