Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

Godard's King Lear 1987

Godard’s King Lear 1987

 

“Your vision will become clear only when you look into your heart … Who looks outside dreams. Who looks inside awakens.”
Carl Jung

 

“The cinema is not an art which films life: the cinema is something between art and life.” – Jean-Luc-Godard (1970)

 

No -Thing is real

No-Thing is unreal

No-Thing is virtual 

No-Thing is Impermanence

No-Thing is Flux 

No-Thing is Retrocausal Action of the Camera-Eye

No-Thing is Pure Awakening of the Self

No-Thing is the Mantra of the Heart 

 

No-Thing is Non-Relational Virtual Truth of the Paradigm of Things 

 

Jean-Luc-Godard’s King Lear (1987) and the Extra-Cosmic Examination of the No Thing Phenomena: Vacuum Fluctuations and the Restorative Art of Aesthetic Purity

No Thing

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

Godard as Prof Pluggy in 1987 King Lear Movie/French New Wave

A systematic coherence breaks away

Rapidly dissolving

Linguistic artifacts melt in the impenetrable silence of that no thing

Ritual worship temple falls

Seagulls quail over a plastic sea of madness

Hesitation wired up brains in senseless humour

All meanings engender split b/w the object and the subject

Unity is an act of pure restoration by consciousness/ Subjective delight in the Absolute /Zabber-moun-brahman

Feelings arent about metrics and grid

The immeasurable is measurable only by the non-dual reflexes of the mind

The cinema is about the world of apparent recognitions and misrecognitions

Seldom poetry is blessed by transcendental images or music

A lack of meaning is the pure stasis of dynamic mobility

The true cinema is never made…

Though Lear thinks about the power and its corruption

About the fundamentals of speech and cognition

He lacks ingenuity of heart and that leads to failure and disintegration of his empire

No thing is the super-logic of the Absolute

The king’s disability is in the learning process

He seldom acquires the depth of other possibilities for an insight into ‘things’ unknown

Godard tries to restore art – to give meanings to no things

But thinking doesnt validate the no thing

In the void you walk, in the void you don’t think but dance

And from there you articulate the mise-en-scène of future poetry

From lack of meaning to a full potentiality the quest for nothing is in the Absolute Super-Symmetry

Strings resonating with the heart vibrate causing feelings to generate the kingdom in vesica-piscis

A square in a mandala is nothing but time warping time to confine meanings in nothings

It’s the spiritual sign of non-time by the relative spatial geometry of feelings

For She is in that no-thing the thing in the explicate

Expressing desire for everything in the hologram

The secret to be known in the four quadrants of a circle…

Cordelia cusp – white light synthesis /proper examination of the laws by the seer-poet/rishi

–          J

 

Jean-Luc-Godard’s Film King Lear (1987) : Film Review and Critical Interpretation on the Subject of No-Thing by Monalisa

Centering around the word No Thing . Jean Luc Godard a stalwart of the French New Wave superimposes his eccentric avant garde experimentalism A Study based on the Classic Shakespearean tragedy King Lear in a modern contextual interpretation. The film follows a non-linear plot structure as referred Shot In The Back in the intertitle . Godard brings forth his personal approach rendering a modern re- interpretation and his subjective re-construction.

 

Peter Sellars a descendant of the legendary playwright William Shakespeare sets forth to revive his ancestors lost art in a world post the Chernobyl disaster. He discovers his characters under mysterious circumstances at a hotel in Nyon Vaud, Switzerland ( the locale is alluded as a mystical place in between France and Germany with sea and the woods). Don Learo and his daughter Cordelia substitute the father-daughter duo of the Shakespearean classic suffering from a similar or identical Hamartia, a tragic flaw so ingrained in the father-daughter relationship as the existential fight between Power versus Virtue. The outcome or the end is predictable, as Cordelia succumbs failing to express her love for her father. The lack of not having her heart in her mouth suffocates her in awkward circumstances depicted through her internal psychological conflict, brooding silence and disinterested appearance. Her inability or inexpression tortures her father intolerably as he attempts over the time to silence her silence. The No Thing or Nothing of Cordelia results in a faulty meaning generation owing to her father’s incapacity of acceptance and understanding, rather- misinterpreting her silence as a lack of love, leading to the tragic conclusion too late to rectify.

Other alternate character additions worth mentioning- Professor Pluggy (starring Godard himself) a frenzied clairvoyant substitute of the Shakespearean Fool , obsessed with photocopying his own hand, whose strangely mysterious last words bear an uncannily absurd co-incidental reference to the name of the film editor Mr Alien featuring in the end. Godard also incorporates Shakespeares paranormal elements in the form of four shadowy human-like figures imitating and following the central characters everywhere ( as depicted in first half when Peter scribbles on a notepad whilst walking around the woods seeking inspiration the human goblins emulate and follow him ) . Godard surpasses nudity with this one, as he barely includes any intimate sequence or moments. As his character Peter is subjected by Cannon Films ( a film production company incidentally the film producer )to exclusively exclude any form of nudity from his creative themes thus directing his interest in the father-daughter conversations patronising them as his central characters. The camera work and cinematography is well conceived opening new perspectives. The mise-en-scene is seamlessly blended as thematically the desolate tourist location is ideal, merging the backdrop smoothly into the plot .But the real show stealer are the ground breaking dialogues, interesting sound bites ( of screeching sea gulls ), intense voice-overs and critical soliloquies as the plotline gains its much momentum from the audio sound bites and the voice-overs helping in character introspection giving psychological insight in the characters mental state.

Reference clippings of Renaissance artworks of Michaelangelo with some French Impressionism along with special emphasis on The Girl With A Pearl Earring of Johannes Vermeer and paintings of Francisco Goya, etc are focused through a candle flame depicting the necessity of art revival in the modern world interests .However, Godard successfully brings forth his subjective approach and personal interpretation though faltering significantly in generation of audience response and interests.. As the film defaults into a haphazardly non-linear structure at times losing track and audience interest ( although partially attempted to regenerate through the loud sound bits and uncanny voices) .The film lacks outlined character structure devoid of solidity appearing more absurd in nature. Whereas, the film plot appears less concrete or adapted and is more alluding, suggestive in nature and could have garnered impact through better execution.

Though Godard efforts to explain the films thematic ideation through the incessant use of intertitles , which can be deemed significantly important in imparting his inference to the audience facilitating a better understanding and acceptance of the film as a personal alternative approach or a referential study . A subjective reconstruction based on the original play. A true enough Clearing and Loathing, Godard puts forth his personal cinematic take on the Classic.

 

– Mona Lisa, Film and Psychedelic Music Critic ( Link http://psychedelicsutra.blogspot.com )

 

Advertisements

Point-Particle Faith and the Intercalary Quantum Jump into Zero-Orbital Transcendence: All that is True in Non-Time is the Truth-Consciousness in the Constructive Becoming through Conscious Evolution

Point-Particle Faith and the Intercalary Quantum Jump into Zero-Orbital Transcendence: All that is True in Non-Time is the Truth-Consciousness in the Constructive Becoming through Conscious Evolution 

Jim Morrison - The Alchemy of Transmutation and Zero Orbital Mobility of Transcendence

Jim Morrison – The Alchemy of Transmutation and Zero Orbital Mobility of Transcendence

OM MANI PADME HUNG (3x)  – The Light-Bowl-Bodhi-Chitta of the Begging Soul                                 

A note on a string is struck

Buddha Bowl 1883 Lithograph Calcutta Museum Source The Times of India

Buddha Bowl 1883 Lithograph Calcutta Museum Source The Times of India

The sound resonates with the universal mind

A light signal dancing on a bed rock of darkness

Darker you go its Light Light Light

Light and darkness interpenetrating each other

Thus creating the play of duality

Above that is a non-dual realm of existence

Where nothing is, will be or nothing was

All everything in that Nothing exists

Zero substantiates the mother of the universe

A colossal zero that breeds the finite and the infinite: Q-joyous point of singularity

Definite Indefinite rhythm of space-time geometries

Lord Vishnu - Xeta Axis Spiral Concave Point Particle Re-Emergence

Lord Vishnu – Xeta Axis Spiral Concave Point Particle Re-Emergence

Swelling in an ocean of vast existence

It is called AnandaKnown by the Sat function of the Chit shakti

There I shall be that

There I shall be that or this

Unborn unmade uncompounded

A functionless mouth originating from itself

To be the Tree of Life

Where fruit is wisdom

Flower the sense

And leaves the hyper-real

Faith is the root cause

That causes the collapse of the wave-function

It is the Shiva Tattva of material existence

Projected from the navigable points of the Vishnu-Para-Brahman circle

By virtue of non-local Brahman (Beyond Superimplicate Sri Vidya to parat-para moksha in xeno-nanoparticleods of the Explicate)

Function of the Guru Sri Aditya -Kalki (The Operational Constructive Becoming!)

He laughs at himself

Maha-Avatar Sri Babaji Maharaj

Maha-Avatar Sri Babaji Maharaj

Looking at the mirror

His image the wrath,

The compassion

And the unity in division and sub-division

Unknowable to it that can be known and never can be known

It is in the wilderness that we seek

The note of the string humming with the bees in an ocean of ecstasy

Tat Tvam Asi

You are That!

– J

Gustave Klimt’s The Tree of Life (1909) And The Hamiltonian Operator for Zero-Coefficient Non-Time System: Art is the Beautiful Quest for the Symbol

The Tree of Life circa 1909 Gustave Klimt

The Tree of Life circa 1909 Gustave Klimt

 

Gustave Klimt’s The Tree of Life (1909) And The Hamiltonian Operator for Zero-Coefficient Non-Time System: Vector Sum All Non-Local Possibilities In Consciousness

What is the Hamiltonian Operator for a causal system for non-time energy field equations?

Any causal system is bound by time-evolution factor – the function of time determines the energy contained in the system for a given period/cycle. What happens if the system has a non-time function in its matrix?

Does the Hamiltonian operator in the classical sense work out the data?

Non-time is the most important component now to be introduced to understand energy fabric over innumerable supra-causal & causal dimensions- The vector sum of these triad of systems : causal, supra-causal, non-causal must be 0>1 so the energy contained is potentially zero with infinite potentialities within its zebra-trahul vacuum /infinite micro-radio-frequencies – p-brane vibrations over an assumed void-lattice.

Each p-brane connected non-locally

Wonder star the benevolent sun

Trek the light path isotropic

A mirrored sky                 

The quantum pulse

Flower’s own sense in the heart of a stone bears the mark of a tree. (an Offering!)

<tree>Life<stone>jyotir lingam<0>1

Shiva-Tattva – Art is the Beautiful Quest for the Symbol

– J

 

 

Ant-Algorithm of Human Patterns Explaining the Process of Conscious Evolution Through System Dynamism of The Quantum Floam-Clock (The Codex of the Sun): The Primitive Artistic Ability of Children and Paul Klee’s Bauhaus World

Parnassum, 1932, Paul Klee

Parnassum, 1932, Paul Klee

Ant-Algorithm of Human Patterns Explaining the Process of Conscious Evolution Through System Dynamism of The Quantum Floam-Clock (The Codex of the Sun): The Primitive Artistic Ability of Children and Paul Klee’s Bauhaus World 

 

Consciousness-Analogue

Symmetries bask on the cellular event-horizon

The black body radiation warps the space-time clock

Eventualities are perceived by the cross-headed shadow of the fibrous sun

Negomathal alto sovereign plastic mind of ant-algorithms manage distant logistics

 

Programmes simulated to perform better like art from material to abstraction

The Integrated Star Microprocessor/Monalisa 2013

The Integrated Star Microprocessor/Monalisa 2013

Doors open before the stars hiding in the Milky Way to turn on these things

Each a newly strung possibility with immense freedom

That develops in the self almost unknowingly – we look through the multiple windows, we gaze

Birds, bees and other social insects are doing their nests so fantastically well that you admire the beauty of lying in the quantum foam of endless eternity without any regret

Paul Klee was a master of artistic cognition working to solve discreet mathematical problems

The pyramid is an isolated place of occult knowledge that connects poetry and science

Visual landscapes can transmit messages in a coded simulation-environment

Out there with the master perfecting the art of self-preservation – the goal of humanity

Umfa hrim exotic matter-particle within the Planck length of troton-troton negative radius of that tunnel

Escaping to eternities that quench the thirst of a ripple of space-time

Apple in the void had negative inflation of modern economics transferring opportunities into real signifier-casts

The birds twits; leaves feed caterpillars to make butterflies aware of the spring’s onset

The honeyed drops perpetuate the desire for the light that kindles the soul in us

We are assigned to our task to make this place a living paradise

And our strength attests our greatest achievements – we know as we can to do with ‘it’.

– Joy Roy Choudhury