THE SUB-CHAPTER OF TRIBAL ART IN THE INELASTIC DARK MATTER OF EXISTENCE

Ra-Dofh Eternal, Samij Datta, 2012

THE SUB-CHAPTER OF TRIBAL ART IN THE INELASTIC DARK MATTER OF EXISTENCE (Eternity is Existence as Consciousness in Bliss)

Consciousness-Analogue

Submission of my being in the inelastic dark matter

Have yielded a very high dense polygrammatical memory of quarks and leptons

No man is free till he sees the light in the v-cube of victory

Ambition dies on the road to eternity

Drawing on the board a sketch of a tree that has lived long with the river and the sands

Amulets of gold crown the last fall of a leaf on a slate of a mirror

Words transcend the sorrow of its birth in a tetra-ionic ethereal field

Zoroaster dimed the sun so the night is anointed with the stars of the zebra-fin lake

The lion of the Talmud is rising from the sea    

And as the dog followed the hunter into the woods of arcadia

Remember the song that gave the heart its first taste of joy

Bursting from the sky into the aquamarine caves of the psychiquazim

Nevra-prime matter of consciousness gave diction to geometry

The circles oozed the triangles in the large hadron collider

And chanted the anonymous hymn of the microcosmic world

Zero always stands  as zero in the one two three of its gametophores

And the flowers cupped the solstice in the arm of its neck

Tring tring hring hrum hrim massless troton on alpha nanorobotic space

Eats Sommerfeld’s equations as ants ride the bosonic-boat of the messenger

Hayat tobihat omin soyit

Rekavo utrit deneb om

– Joy Roy Choudhury

Ref: Tribal Art, Bengal

The Evocation of Matter in the Eye of the Spirit in the Plabintim-Circuit of Existence: 24th April, 2012

Matter-Table, Samij Datta, 2012

The Evocation of Matter in the Eye of the Spirit in the Plabintim-Circuit of Existence (as seen from the eye-hole-Varltumin Camera which is there inside the eye): 24th April, 2012

Consciousness-Analogue

The grammar of the mind is in this abacus

It was a play thing of her own-true self

She was the designer and the architect

The only true-force behind His veil

She was the ancient tribe in the heart of the herdsmen

She was the Queen of Sheba in the nomadic paradise of love

She was Josephine Mazuvont and the Ionicixa Heluim

She was Kali in the Wahali of Kali- dance is a sacred crown of the king

She was Tara, green like the emblem in the blue dawn of fire

A phoenix rising from the matter-truth table art                      

Uniting with the spirit in a mystic congregation of consciousness

Flame decrax-meta flame of love and power

Building knowledge blocks with numbers of the progeny

Fibonacci series of the flower heads calls her the pentagram of the stars

She herself knows her own configurations that we don’t understand

Time is eternity in the spinning wheel of her turns

She herself is beyond the Supramental Body

Alblackica- night and day she sang on the rivers of destiny

For a free-sacred free-choice on the edge of a lake

Savitri saw the golden couplets of the diamond sky  

Reflect the silent purity of a white-metamorphic lotus

It was her first letter of love written to liberty

It became the journey of the French Revolution in the eye of the micro-gravity

Life formed from the light of her own song

Had the flow of equality in her ethereal  vastness

She gathered her friends in the shade of a tree

To give each a sweet blessing of her own true-self (Shakti is Singular/Brahman is Plural)

And Her Self broke into selves and became the mother-truth-table of all existence.

– Joy Roy Choudhury

24th April, Mother’s Final Arrival in Pondicherry

Message: O Lord, Thou hast decided to test the quality of our faith and to pass our sincerity on Thy touch stone. Grant that we come out greater and purer from the ordeal. – The Mother