French Filmmaker Aurelia Mengin’s “Scarlet Blue” to be shown at the prestigious 23rd Edition of Independent Days International Film Fest(10-14th April, 2024) at Karlsruhe, Germany

French Filmmaker, Aurelia Mengin’s independent film that was part of the Kolkata International Film Festival, among many others, is slated to be shown on the Day 1 of the 23rd Edition of Independent Days International Film Fest at Karlsruhe, Germany as part of European Festivals Association. The film itself is a self-reflecting narrative journey where the female protagonist on a quest to discover her past, heals it, by knowing the truth- a film that introduces magic, and, proportion to the effect of creating a suspended sense of enigma only to be resolved through knowing, and, awareness. Today, dreams, unconsciousness, and, the subliminal mind and its interfaces, require a new aesthetic understanding, a post-Newtonian sense of perception, a quantum way of knowing, because we understand that causality itself with space-time are connected like interconnected network of points which apparently don’t show up in our everyday life, but, hides behind the contours of reality exactly where it should be or is right now. So, characters like the healer, the protagonist (Rosy), her memories, and, the overlapping of the past, present and the possibilities of the future (an extension into the memories of future watchers of the cinema) are not independent points, detached from each other, rather different modes of perception apparently, working independently, but, tied, deeply with, or, interlocked with one awareness projecting several subjects into the narrative aesthetics of life and cinema, to the point, where distinction is simultaneously maintained and transcended.

As a self-taught Reunionese Filmmaker, Aurelia Mengin’s work blends the traditional folk identity of the island and the contemporary art scene of Paris, a la Paul Gauguin, and, is deeply influenced by surrealist art and its overlapping with Jungian Archetypes of the Unconscious – a collective unconscious, thus, resonates with her work, embracing both the roots of culture, the birth of cinema, its history, and, that of modern art, and, fashion, creating a new palimpsest which is both “enfolding, and, unfolding” to use Physicist David Bohm’s words, in a world where the evolution of becoming is a a continuous process of creativity, as symbols, images, and, meanings undergo a test of beauty,  chaos, the dread, serenity and fidelity.

From Scarlet Blue by Aurelia Mengin
Intense scenes from Scarlet Blue
Scenes from Scarlet Blue

ABOUT Independent Days International Film Fest: IDIF is an IMDb Award-listing film fest is run by non-profit film board Karlsruhe e.V. According to the IDIF Festival Team “The diversity of genres is also important to us, something that many major film producers and TV stations shy away from, especially in Germany and Europe. We are committed to a cinema that can overcome the limits of reality with courage and self-confidence and reflect on the strengths of storytelling. The INDEPENDENT DAYS show a film programme that reflects the entire spectrum of independent cinema.” –

Aurelia Mengin, French Filmmaker at the Independent Days Film Festival, Germany, April 2024
Aurelia and her chief cinematographer

Joy Roy Choudhury, Strategic Communications, PR, Media Outreach,

Thinking Time with Morning Coffee

For more info, pls check https://www.independentdays-filmfest.com/

French Filmmaker Aurelia Mengin and her team for Scarlet Blue

French Filmmaker Aurelia Mengim

French Filmmaker Aurelia Mengin’s “Scarlet Blue” In The MEMORY Of Her Father Takes A Journey Into The New Aesthetics Of Cinema With Surreal Art, Mysticism And Self-Discovery

Filmmaker Aurelia Mengin (L) with actresses Patricia BARZYK (plays the role of Mother) and Anne Sophie Charron
Aurelia Mengin on her film Scarlet Blue: Art, Mysticism, Existential Reality and the Feminine Intuition
Scarlet Blue team: with Daniel Santini, colourist, Bruno Gautier, Editor, Emmanuel Bonami, actor and SYLVAIN Rodriguez , DOP
Aurelia Mengin (extreme Right) With Sound Designer Nicolas Luquet
Aurelia Mengin, Director of Scarlet Blue
Interview with French Filmmaker Aurelia Mengin
Aurelia Mengin at French Premiere of her film Scarlet Blue, Paris, March, 2024

Scarlet Blue Team

French Filmmaker, Aurelia Mengin talks about her vision about  aesthetics of new cinema that has blend of surreal art, mysticism, boredom and healing to rediscover the identity of a reality that the camera seeks to narrate creating meta-discourses within the boundaries of a localised space. Her influence ranging from Luis Bunuel, Salvador Dali to Jean-luc-Godard, the impact of art scenes, their corresponding movements, albeit symbolic, in poetry, photography and cinema, the semiotics of a synthesis between the Parisian life and the quaint tropical French Reunion, where she grew up as a child, with its queer talismanic beliefs, idiosyncrasies, and, almost an irrational randomness so peculiar to its originality, which in a way intersects with the conformal fashionable chic of the Parisian Salons, is a thread that she explores in a language of feminine intuition, asking questions or deconstructing paradigms a la Jacques Derrida, is a long lineage that puts the ideals of freedom and promise, like post-impressionist Paul Gauguin experienced in the late nineteenth century among the Tahitian in French Polynesia. In Aurelia’s own words surreal art deeply impacted her visualisation narratives, themes and the tonality of her cinema, her father, late Vincent Mengin-Lecreulx, who was one of her biggest inspiration, the reason why she ran after the camera, was himself a surreal painter who left Paris and lived in the Reunion to find a dream that may be discontinuous amidst the serial circularity of a existential time.

France 24 : Aurelia Mengin on her Film Scarlet Blue

– JRC, Artist, Art &  Film Critic, Musician International Communications, Author and Researcher on Consciousness contact joyr.choudhury@gmail.com

Veit Helmer’s Film “Gondola”: Exploring the Cinematic Poetics of Relationships in a Non-Dialogue Style

Gondola, 2023/Colour/85 mins/German directed by Veit Helmer
German Director Veit Helmer
Press Conference on German Film Gondola
German Director Veit Helmer with his child and JRC

Screened at the Tokyo Film Festival, German Film “Gondola” directed by Veit Helmer is very much the talking point at the prestigious Kolkata International Film Festival as an entry in the International Competition: Innovation in Moving Images. The film explores the relationship between two cable car operators, who meet each other midway as the two gondolas cross every half an hour. Nino and Eva are the central characters, their emotions of seeing each other as their gondolas cross, is the faucet of emotional sensibility amidst the beautiful picturesque setting of Georgian hills and valleys. There’s no dialogue in the movie, only the setting and the musical landscape adding to the drama as it unfolds, Helmet drawing upon is childhood remembrance of watching silent era films like that of Charlie Chaplin and Buster Keaton. A film where silence sells the growing up of a relationship, is emotionally moving and cinematically dynamic; Helmer, with his extraordinary talent of filmmaking which he started at the age of 14 in Frankfurt, has excelled in creating poise and movement as the gondolas of Eva and Nino cross each other midway connecting the hills with the small town in the valley.

Velmer studied film direction at Munich Film School and became famous with his cutting-edge short films like Surprise, shown at the Cannes Film Festival and Tour Eiffel, presented at the Venice Film Festival. His first feature film Tuvalu (1999), starring Denis Levant, was invited to 62 festivals, including San Sebastian and Berlin. He has collaborated with famous artists, like actor Udo Kier on Gate to Heaven (2003), composer Goran Bregovic for Baikonur (2010) and actress Paz Vega for The Bra.

Pls check out exclusive interview with German director Veit Helmer on his film Gondola.

Interview with German Filmmaker Veit Helmer

Kolata International Film Festival 2023: French Filmmaker Aurelia Mengin’s Film Scarlet Blue Introduces New Narrative Content Bordering on Mystical Side of Reality

Kolkata International Film Festival 2023, hosted by the Department of Information and Cultural Affairs, Government of West Bengal, was inaugurated by the honourable CM, Sri Mamata Banerjee along with a host of stars including Bollywood heartthrob Salman Khan, Sonakshi and Shatrughna Sinha with Sourav Ganguly, former India Cricket Captain, with Sandip Ray, Anjan Dutta and other Tollywood big names including, Prosenjit Chatterjee and others, is meant to stimulate minds of filmmakers and cinema goers over a period of 8 days from 5th Dec to 12th Dec 2023. Such an event, is meant to get all eye balls with many films screened in the international and national level with some special masterclasses arranged by Filmmakers.

Aurelia Mengin French Filmmaker at KIFF 23 with JRC
Aurelia Mengin and her cinema of phantastik
French Filmmaker Aurelia Mengin’s Film Blue Scarlet at KIFF 2023
In Conversation with French Film Director Aurelia Mengin at KIFF 2023 part 1
Interview Part 2

French filmaker Aurelia Mengin’s movie Scarlet Blue is screened in the international section, a movie 🎥 that takes out a hidden reality within the mundane and re-unfolds the narrative in a dramatic way. To understand and fully appreciate the film, we have to go back to a major event in 2022, when French Physicist Alain Aspect was given Noble Prize in Physics for his pioneering research in areas of quantum physics (quantum technology), a historical moment which brought the scientific community much closer to the daily weirdness of existence where synchronicities, paranormal and psychological aspects are probed with a scientific rigour and with a touch of creative intuition. So, gone are the days when events like clairvoyance or distant healing or past life regression are treated as anomalies or spooky and kept aside for lack of understanding. The understanding of quantum physics directly proves that minds can communicate faster than light with thought-waves which have both dual nature (wave/particle) and reality is not classical in the sense we perceive it. Now a whole new mystical world and its corresponding events are within our grasp of scientific understanding, no more a taboo or magic. While speaking Aurelia Mengin, the filmmaker, she made it specific that her films are about the phantastik which is a broader genre and cultivated with passion over the ages. Scarlet Blue, the film has protagonist who suffers from mental depression and schizophrenia, and, visits a healer who knows hipnosis to cure patients. We are already in the strange world of quantum entanglement, parapsychology. The protagonist comes to know after going through several sessions that her own mother has kept away some secret from her, a truth she needs to understand. While speaking with Aurelia Mengin, about the movie and her interests, it came out that she was fascinated herself by strange processes of healing that exists in French Reunion islands in the Indian Ocean like Madagascar and others. The practice is traditional and sometimes, some liquid is given to patients to heal, or, clear some blockage in the energy bodies, perhaps. Her film Adam and Even which will be shown on 9th Dec, 2023 at Alliance Francise du Bengale, is one such movie that brings a new evocative symbolic style of diving into reality, strangeness added to beauty. Her 2018 film, Fornacis won the first prize in Girona Film Festival, and, she was motivated to start her own festival titled ‘Even not Fear’, which is now one of top ten festivals on film in Europe, a significant achievement by Aurelia, who was her vibrant best in the festival, looked like some character from the beautiful strange world; her father who lived in Paris and also in the islands, probably let her experience both Champs-Élysées lifestyle, and, the quaint faroff flora fauna of the islands where she grew up, with its strange practises and charming beauty bordering on the esoteric, hidden corners of mind and reality. “To grow, one has to come out from their comfort zone and get exposed to different traditions, folk and culture, to be one filmmaker who could tell new narratives in a new style, I have always followed my passion and intuition, and, here I am learning all the time”. She was very engaging in her talk and open with her ideas and influences. I am very fortunate to interact with her, and, hope to play some future role in her own festival. A video interview will be shared soon.

Adan Moins Eve, Aurelia Mengin

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