“Chitranatya O Onanyo” a screen play book released to commemorate the 103rd Birth Anniversary of Legendary Filmmaker Satyajit Ray at his residence

After the screening of the restored print of the 1974 adventure classic, The Golden Fortress or Sonar Kella on 1st May 2024 at Nandan 1,  presided over by director Sandip Ray and the cast of the film including Ashok Mukhopadhyay, Siddhartha Chatterjee, Kushal Chakraborty and Santanu Bagchi, the scene intimately shifted to the iconic British architectural Ray House at 1/1 Bishop Lefroy Road, where friends, wellwishers, and the film world gathered to commemorate Ray’s birthday anniversary on 2nd May.

At Ray House with release of the screenplay book with Sandip Ray

People flooded the floor of the living room stacked on all sides with Ray’s manuscripts, notebooks and other valuables – an archive of veritable delight for the thoughtful ones, the walls also adorned Sri Rama Krishna’s photograph along with Tagore’s and Sukumar Ray’s, other family photographs, rare film posters from Hollywood, Ray’s hand-drawn calligraphy of the film Aparajito flanked by some green plants and creepers making the place a mystical historic museum of film noir and cultural eclectism where both Bengali literarure,  music, and painting with the sonatas of Beethoven and Mozart were equally adorned for the evolution of humanity that we are.

Producer Firdausul Hasan at Ray House 2nd May 2024

The day also witnessed the release of the screen play book of the much appreciated film Aparajito (The Undefeated) by Friends Communications in the presence of director Sandip Ray at his residence. The book titled “Chitranatya O Onanyo” was revealed to the public in the presence of Sandip Ray, Anik Dutta, producer Debojyoti Mishra, music composer and actor Jeetu Kamal. “Sharing his delight, producer Firdausul Hasan says, “Earlier FFSI had released the script of our film Mayurakshi. Aparajito did a record amount of business in cinema, television and OTT. Now many people are interested in the screenplay. We think the film’s screenplay will make the reader more interested in the film” . Published by Dey’s Publishing, this book will feature reviews and shooting stills from different periods of making the film with the script.

– Joy Roy Choudhury, International Consultant, Media Outreach

French Filmmaker Aurelia Mengin’s “Scarlet Blue” In The MEMORY Of Her Father Takes A Journey Into The New Aesthetics Of Cinema With Surreal Art, Mysticism And Self-Discovery

Filmmaker Aurelia Mengin (L) with actresses Patricia BARZYK (plays the role of Mother) and Anne Sophie Charron
Aurelia Mengin on her film Scarlet Blue: Art, Mysticism, Existential Reality and the Feminine Intuition
Scarlet Blue team: with Daniel Santini, colourist, Bruno Gautier, Editor, Emmanuel Bonami, actor and SYLVAIN Rodriguez , DOP
Aurelia Mengin (extreme Right) With Sound Designer Nicolas Luquet
Aurelia Mengin, Director of Scarlet Blue
Interview with French Filmmaker Aurelia Mengin
Aurelia Mengin at French Premiere of her film Scarlet Blue, Paris, March, 2024

Scarlet Blue Team

French Filmmaker, Aurelia Mengin talks about her vision about  aesthetics of new cinema that has blend of surreal art, mysticism, boredom and healing to rediscover the identity of a reality that the camera seeks to narrate creating meta-discourses within the boundaries of a localised space. Her influence ranging from Luis Bunuel, Salvador Dali to Jean-luc-Godard, the impact of art scenes, their corresponding movements, albeit symbolic, in poetry, photography and cinema, the semiotics of a synthesis between the Parisian life and the quaint tropical French Reunion, where she grew up as a child, with its queer talismanic beliefs, idiosyncrasies, and, almost an irrational randomness so peculiar to its originality, which in a way intersects with the conformal fashionable chic of the Parisian Salons, is a thread that she explores in a language of feminine intuition, asking questions or deconstructing paradigms a la Jacques Derrida, is a long lineage that puts the ideals of freedom and promise, like post-impressionist Paul Gauguin experienced in the late nineteenth century among the Tahitian in French Polynesia. In Aurelia’s own words surreal art deeply impacted her visualisation narratives, themes and the tonality of her cinema, her father, late Vincent Mengin-Lecreulx, who was one of her biggest inspiration, the reason why she ran after the camera, was himself a surreal painter who left Paris and lived in the Reunion to find a dream that may be discontinuous amidst the serial circularity of a existential time.

France 24 : Aurelia Mengin on her Film Scarlet Blue

– JRC, Artist, Art &  Film Critic, Musician International Communications, Author and Researcher on Consciousness contact joyr.choudhury@gmail.com

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness. I will showcase new art fortnightly here, five artworks which would be in a series either on Music, Art, Mythology, Poetry, Ecology, Spirituality, Folk, Cinema, Theatre, Philosophy with a headlining act which would different from the series showcased. Size, medium and other details will be provided, for anyone interested to purchase. For further details, you can contact at joyr.choudhury@gmail.com (unsolicited emails will not answered, please be patient as there are many requirements for the same artwork, and, at this point due to time constraints I will not be able to repeat one that is already booked or purchased.

Woman in Paris, 1930/A4 acid free paper/Mixed Media (Charcoal and wood pencil)/2024
Picasso and Baobabs/A4 Paper/Mixed Media (Charcoal and pencils)/2024
Of Birds, Matisse and Songs/A4 Paper/Mixed Media/2024
Woman Reading/A4 paper/Mixed Media (Charcoal and pencils)/2024

Teapots, White Clouds and Andre Breton/A4 Acid Free Paper/Mixed Media/2024

Shiva and Mother Annapurna/A4 Paper/Charcoal and Colour Pencils/2024

The next exhibition will be exactly after 2 weeks. Enjoy the show!

– Joy Roy Choudhury, International Communication Consultant, PR & Media Outreach, Consciousness Researcher, Writer, Artist and Musician.

Retro causality and the Advanced and Retarded Wave Junction: TS Eliot, Jim Morrison and Joni Mitchell

Mahakala in Time and Transcending Time: Biswarup Darshan and Purushottam Yoga

Mahakal, JRC 2024
Sita Hands Hanumanji Jewel for Rama, JRC 2024
Birth of Ganges, JRC, 2024
Ian Anderson, Jethro Tull, JRC, 2024
Dun Ringill, JRC (Jethro Tull song)

#Advaitavedanta Alblackica Alblackica Consciousness Art Atman Awareness Bengal Bon Brahman Buddha Chintamani Stone Christ Consciousness Dark Energy Divine Mother Gyan-Ganj Higgs Field Hyperspace India Jim Morrison Kalki Avatar Lahiri Mahasaya Maha-Avatar Babaji Maharaj Mahakal Micro-Gravity Mirra Alfassa Music Nicholas Roerich Olmo-Lung-Ring Quantum Consciousness Quantum Entanglement Quantum Reality Retrocausality Savitri Shambhala Sirius Spirituality Sri Aurobindo Sri Krishna Supermind Supramental The Doors Tibet Yogishwar Sri Kalipada Guharoy Zen

The Sarbari Roy Chowdhury Festival of Music 2024: A Tribute by Various Musicians on his 91st Birth Anniversary

Sarbari Roy Chowdhury, the great sculptor whose works married the academic sensibility and realism of classical eastern or oriental art forms , with the modern abstraction and cubism of the west, whose interest in classical music poured directly into his works, as if the stone, clay or wood are entangled with the frequencies of music, not just as a idea or thought but supra-physically in a deeper sense, an introspection which is the fundamental bedrock of the creative artistic process, for a musician, painter or poet, in his his own words resembles a process of transformation of pain into ecstasy, a superconscient that hibernated in the depths of the human subconscious, in his own words “an artist must live on the edge of that anguish at all times to render it in his creation”, a crowning line that very much became the sustainable ethos of this esteemed music festival as a tribute to his birth anniversary. Musician from everywhere, new and old, well established and those who are looking to make their mark are all welcome, in a platform where artists manage the program, the promotion, the funds, and, almost everything required to host such an event where famous musicians like Pandit Krishna Bhatt, Pandit Abhijit Banerjee Abhik Mukherjee, David Trasoff, Ehren Hansen were the sharing the stage with other local musicians and artists. “All in such a short notice, the Durga Bari, a historical place is where musicians can collaborate, express themselves, a camaraderie which my father was so enthused about, a tradition I and my brother, trying live up to, with helping hands from various friends and artists, in India and abroad” said his son, Sougata Roy Chowdhury, himself an established sarid player. On display were rare photographs taken at Sarbari Roy Chowdhury’s residence of musicians including Pandit Ravi Shankar, Ustad Ali Akbar Khan, Siddheswari Devi, Mallikarjun Mansur and many other legendary musicians.

With famous Sitarist Abhik Mukherjee, New York
SRC with Ravi Shankar at his studio

Sarbari Roy Chowdhury’s interest in music and his friendship with musicians is uncompromisingly a definitive feature of his artistic works which he says the visual forms of music embedded in stone and clay – the sculpturliness of music which is often not understood at the surface level of things as they are. A subjective awareness, a flash of spiritual insight, was common among all legendary musicians in India, whom he adored, it was also prevalent among, Western artists, like Rodin (The Thinking Man), Giacometti and Henry Moore and others. In fact, Florence, the city of artists, and art, became the meeting point of Sarbari Roy Chowdhury, Henri Moore and Giacometti in 1962.

To encapsulate this music festival, we have to turn back again to his words where he describes the pain associated with creation which he strived to express and preserve in his work- “pain like music, touches the soul and the heart and transforms an intellectual perception into an experience” – words that resonate with Sri Dilip Kumar Roy conversations with Romain Rolland in the early 20th century at Lucerne, where Rolland said that an artist must suffer like a Christ figure, that only differentiates from mundane lives, Tolstoy, Rembrandt, Beethoven are great examples of it.

-Joy Roy Choudhury

Veit Helmer’s Film “Gondola”: Exploring the Cinematic Poetics of Relationships in a Non-Dialogue Style

Gondola, 2023/Colour/85 mins/German directed by Veit Helmer
German Director Veit Helmer
Press Conference on German Film Gondola
German Director Veit Helmer with his child and JRC

Screened at the Tokyo Film Festival, German Film “Gondola” directed by Veit Helmer is very much the talking point at the prestigious Kolkata International Film Festival as an entry in the International Competition: Innovation in Moving Images. The film explores the relationship between two cable car operators, who meet each other midway as the two gondolas cross every half an hour. Nino and Eva are the central characters, their emotions of seeing each other as their gondolas cross, is the faucet of emotional sensibility amidst the beautiful picturesque setting of Georgian hills and valleys. There’s no dialogue in the movie, only the setting and the musical landscape adding to the drama as it unfolds, Helmet drawing upon is childhood remembrance of watching silent era films like that of Charlie Chaplin and Buster Keaton. A film where silence sells the growing up of a relationship, is emotionally moving and cinematically dynamic; Helmer, with his extraordinary talent of filmmaking which he started at the age of 14 in Frankfurt, has excelled in creating poise and movement as the gondolas of Eva and Nino cross each other midway connecting the hills with the small town in the valley.

Velmer studied film direction at Munich Film School and became famous with his cutting-edge short films like Surprise, shown at the Cannes Film Festival and Tour Eiffel, presented at the Venice Film Festival. His first feature film Tuvalu (1999), starring Denis Levant, was invited to 62 festivals, including San Sebastian and Berlin. He has collaborated with famous artists, like actor Udo Kier on Gate to Heaven (2003), composer Goran Bregovic for Baikonur (2010) and actress Paz Vega for The Bra.

Pls check out exclusive interview with German director Veit Helmer on his film Gondola.

Interview with German Filmmaker Veit Helmer

Kolata International Film Festival 2023: French Filmmaker Aurelia Mengin’s Film Scarlet Blue Introduces New Narrative Content Bordering on Mystical Side of Reality

Kolkata International Film Festival 2023, hosted by the Department of Information and Cultural Affairs, Government of West Bengal, was inaugurated by the honourable CM, Sri Mamata Banerjee along with a host of stars including Bollywood heartthrob Salman Khan, Sonakshi and Shatrughna Sinha with Sourav Ganguly, former India Cricket Captain, with Sandip Ray, Anjan Dutta and other Tollywood big names including, Prosenjit Chatterjee and others, is meant to stimulate minds of filmmakers and cinema goers over a period of 8 days from 5th Dec to 12th Dec 2023. Such an event, is meant to get all eye balls with many films screened in the international and national level with some special masterclasses arranged by Filmmakers.

Aurelia Mengin French Filmmaker at KIFF 23 with JRC
Aurelia Mengin and her cinema of phantastik
French Filmmaker Aurelia Mengin’s Film Blue Scarlet at KIFF 2023
In Conversation with French Film Director Aurelia Mengin at KIFF 2023 part 1
Interview Part 2

French filmaker Aurelia Mengin’s movie Scarlet Blue is screened in the international section, a movie 🎥 that takes out a hidden reality within the mundane and re-unfolds the narrative in a dramatic way. To understand and fully appreciate the film, we have to go back to a major event in 2022, when French Physicist Alain Aspect was given Noble Prize in Physics for his pioneering research in areas of quantum physics (quantum technology), a historical moment which brought the scientific community much closer to the daily weirdness of existence where synchronicities, paranormal and psychological aspects are probed with a scientific rigour and with a touch of creative intuition. So, gone are the days when events like clairvoyance or distant healing or past life regression are treated as anomalies or spooky and kept aside for lack of understanding. The understanding of quantum physics directly proves that minds can communicate faster than light with thought-waves which have both dual nature (wave/particle) and reality is not classical in the sense we perceive it. Now a whole new mystical world and its corresponding events are within our grasp of scientific understanding, no more a taboo or magic. While speaking Aurelia Mengin, the filmmaker, she made it specific that her films are about the phantastik which is a broader genre and cultivated with passion over the ages. Scarlet Blue, the film has protagonist who suffers from mental depression and schizophrenia, and, visits a healer who knows hipnosis to cure patients. We are already in the strange world of quantum entanglement, parapsychology. The protagonist comes to know after going through several sessions that her own mother has kept away some secret from her, a truth she needs to understand. While speaking with Aurelia Mengin, about the movie and her interests, it came out that she was fascinated herself by strange processes of healing that exists in French Reunion islands in the Indian Ocean like Madagascar and others. The practice is traditional and sometimes, some liquid is given to patients to heal, or, clear some blockage in the energy bodies, perhaps. Her film Adam and Even which will be shown on 9th Dec, 2023 at Alliance Francise du Bengale, is one such movie that brings a new evocative symbolic style of diving into reality, strangeness added to beauty. Her 2018 film, Fornacis won the first prize in Girona Film Festival, and, she was motivated to start her own festival titled ‘Even not Fear’, which is now one of top ten festivals on film in Europe, a significant achievement by Aurelia, who was her vibrant best in the festival, looked like some character from the beautiful strange world; her father who lived in Paris and also in the islands, probably let her experience both Champs-Élysées lifestyle, and, the quaint faroff flora fauna of the islands where she grew up, with its strange practises and charming beauty bordering on the esoteric, hidden corners of mind and reality. “To grow, one has to come out from their comfort zone and get exposed to different traditions, folk and culture, to be one filmmaker who could tell new narratives in a new style, I have always followed my passion and intuition, and, here I am learning all the time”. She was very engaging in her talk and open with her ideas and influences. I am very fortunate to interact with her, and, hope to play some future role in her own festival. A video interview will be shared soon.

Adan Moins Eve, Aurelia Mengin

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The Maiden/Virgin with the Unicorn: The Analytical Vector of the Shiva Tattva

Being-Awareness is Param Shiva, it’s undifferentiated from its energy or Shakti – the Para Shakti in its unmanifest reality is pure consciousness without any trace of gender because dissolutions of forms and space time has taken place. The maiden is Tripura Sundari, Lalita, the moon is associated with it, she is the Sri Yantra – the genesis of cosmic evolutionary manifestation in its interdimensional geometric formation (hyperspace quantum optics) The Unicorn is the symbol of the psyche, the pure mind, untainted, therefore, reflects the Atman/Brahman (reverse engineering). The Unicorn is not a mythical creature, there exists these creatures in hyperdimensional mode, they were on earth in the past, the Renaissance paintings embody them, and, the origins in Haarrapa seals are evidential archeological evidence of it, they are not just poetic metaphor for the whole mind, but, it can be deciphered that way.

The Maiden, Unicorn and Param Shiva
Reworking on da Vinci’s Maiden and the Unicorn, JRC

The Virgin and the Unicorn Series: from da Vinci to Parisian Tapestry (1500) to Gerard Munthe.

For exhibitions in Paris and Lucerne and London get in touch with us. I will keep adding to the Series titled “The Maiden and the Unicorn” juxtaposing different lines and symbolical understanding from the Puranas, the Upanishads, European Art history, gnosticism and modern consciousness studies. Thank you for your support.

Happy Guru Nanak Jayanti: May the World be bestowed with Peace and Tranquility

“Owing to ignorance of the rope, the rope appears to be a snake; owing to ignorance of the self the transient state arises of the individualized, limited, phenomenal aspect of the self.” – Guru Nanak

Guru Nanak, JRC, 2023

From Guru Nanak to Victor Hugo: It may sound strange, but, I assure it is not. Art from the unconscious is deeply symbolical and it’s connected with our own process of Self-Enquiry. The process streams with consciousness, reflected consciousness, once the mirror is polished then IT shines through and makes experience possible. From duality to non-duality and back to the marketplace (turia state or Zen’s last state in Oxherding plates), the quest is possible if there’s “Ishwarah Anugraha” (citation Guru Gita 1st sloka) – without the grace, it’s not possible simply by effort 🙏.

Cosmic Charlie, art music rendition, JRC (original Grateful Dead song)

We are so much obsessed with Victor Hugo, the writer, the poet, the scathing social injustice author of the classic Les Miserables (1862), that, we have overlooked a great fact, which is nonetheless, cited by none other than Andre Breton as automatic drawing. Hugo’s intuitive experimentation in art is a secret that needs to be well acclaimed by people, he produced almost 4000 drawings, most of them not meant to be shown in public. Automatic writing or drawing – which the surrealists drawn upon in their work, is all about using the hand to do what it wants to rather than preemptive cognitive decisions that govern our thinking process. Like Hugo didn’t know what he would do on a Friday evening with a roll of paper and ink blots. ….yes, he cared not to know, in a Zen way, one shouldn’t let the right arm know the release time/moment of the shooting of the arrow. Difficult, but,  can be done…there are many examples of that all over and specially in spritual poetry or psychic art. Also same in music by the way…..I don’t think Bob Dylan knows exactly where he would put an end to his lyrics, he has a pattern for the verse but not every word is consciously chosen.

Re-Imaging Victor Hugo Landscape, JRC, 2023

Ink and a quill
Both the nib and feather
Far away your setting sun, the Other
You may choose to run
beyond the horizon
And end up near your favourite apple tree…. (Something like this…!)

What is a free flowing communication that doesn’t get bogged down by preset interference pattern? That’s in reality was part of 19th Century spiritualism – Breton already said that Hugo was the forerunner of Surrealism, he was playing with chance any allowing it to evoke unforseen forces responding to the free-flowing communication that was part of nineteenth-century Spiritualism. Hugo attended séances during his exile, and actively kept a diary of dreams.

Then we have a dream world both in waking state and in dream state along with deep sleep mode. The waking dream seems apparently real, the dream state unreal, that’s our observation, and, we almost have no query about deep sleep mode. Well it’s time to ssk Wahi Guru !!!! Yes, Today….(3 interconnected words and I won’t say more Guru-Govind-Granth) and there is only non-dual consciousness – it doesn’t need to pervade any space time like an incense stick….because fundamentally matter energy and space time are all in it…..

What a beautiful day!

2 artworks – Guru Nanak and A dreamy Landscape from rare collections of Victor Hugo paintings edited by Stefanie Heraeus, translated by Deborah Laurie Cohen ( History Workshop Journal)*that was lying in my desk adding soot to my psyche.

Someday will discuss whats the connection with Vajrayana! And thanks to Sarvapriyananda ji and Guru Ji for making things as clear as a crystal. With little help from Divine Mother!

– JRC