French Filmmaker Aurelia Mengin’s “Scarlet Blue” to be shown at the prestigious 23rd Edition of Independent Days International Film Fest(10-14th April, 2024) at Karlsruhe, Germany

French Filmmaker, Aurelia Mengin’s independent film that was part of the Kolkata International Film Festival, among many others, is slated to be shown on the Day 1 of the 23rd Edition of Independent Days International Film Fest at Karlsruhe, Germany as part of European Festivals Association. The film itself is a self-reflecting narrative journey where the female protagonist on a quest to discover her past, heals it, by knowing the truth- a film that introduces magic, and, proportion to the effect of creating a suspended sense of enigma only to be resolved through knowing, and, awareness. Today, dreams, unconsciousness, and, the subliminal mind and its interfaces, require a new aesthetic understanding, a post-Newtonian sense of perception, a quantum way of knowing, because we understand that causality itself with space-time are connected like interconnected network of points which apparently don’t show up in our everyday life, but, hides behind the contours of reality exactly where it should be or is right now. So, characters like the healer, the protagonist (Rosy), her memories, and, the overlapping of the past, present and the possibilities of the future (an extension into the memories of future watchers of the cinema) are not independent points, detached from each other, rather different modes of perception apparently, working independently, but, tied, deeply with, or, interlocked with one awareness projecting several subjects into the narrative aesthetics of life and cinema, to the point, where distinction is simultaneously maintained and transcended.

As a self-taught Reunionese Filmmaker, Aurelia Mengin’s work blends the traditional folk identity of the island and the contemporary art scene of Paris, a la Paul Gauguin, and, is deeply influenced by surrealist art and its overlapping with Jungian Archetypes of the Unconscious – a collective unconscious, thus, resonates with her work, embracing both the roots of culture, the birth of cinema, its history, and, that of modern art, and, fashion, creating a new palimpsest which is both “enfolding, and, unfolding” to use Physicist David Bohm’s words, in a world where the evolution of becoming is a a continuous process of creativity, as symbols, images, and, meanings undergo a test of beauty,  chaos, the dread, serenity and fidelity.

From Scarlet Blue by Aurelia Mengin
Intense scenes from Scarlet Blue
Scenes from Scarlet Blue

ABOUT Independent Days International Film Fest: IDIF is an IMDb Award-listing film fest is run by non-profit film board Karlsruhe e.V. According to the IDIF Festival Team “The diversity of genres is also important to us, something that many major film producers and TV stations shy away from, especially in Germany and Europe. We are committed to a cinema that can overcome the limits of reality with courage and self-confidence and reflect on the strengths of storytelling. The INDEPENDENT DAYS show a film programme that reflects the entire spectrum of independent cinema.” –

Aurelia Mengin, French Filmmaker at the Independent Days Film Festival, Germany, April 2024
Aurelia and her chief cinematographer

Joy Roy Choudhury, Strategic Communications, PR, Media Outreach,

Thinking Time with Morning Coffee

For more info, pls check https://www.independentdays-filmfest.com/

French Filmmaker Aurelia Mengin and her team for Scarlet Blue

French Filmmaker Aurelia Mengim

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness. I will showcase new art fortnightly here, five artworks which would be in a series either on Music, Art, Mythology, Poetry, Ecology, Spirituality, Folk, Cinema, Theatre, Philosophy with a headlining act which would different from the series showcased. Size, medium and other details will be provided, for anyone interested to purchase. For further details, you can contact at joyr.choudhury@gmail.com (unsolicited emails will not answered, please be patient as there are many requirements for the same artwork, and, at this point due to time constraints I will not be able to repeat one that is already booked or purchased.

Woman in Paris, 1930/A4 acid free paper/Mixed Media (Charcoal and wood pencil)/2024
Picasso and Baobabs/A4 Paper/Mixed Media (Charcoal and pencils)/2024
Of Birds, Matisse and Songs/A4 Paper/Mixed Media/2024
Woman Reading/A4 paper/Mixed Media (Charcoal and pencils)/2024

Teapots, White Clouds and Andre Breton/A4 Acid Free Paper/Mixed Media/2024

Shiva and Mother Annapurna/A4 Paper/Charcoal and Colour Pencils/2024

The next exhibition will be exactly after 2 weeks. Enjoy the show!

– Joy Roy Choudhury, International Communication Consultant, PR & Media Outreach, Consciousness Researcher, Writer, Artist and Musician.

The Sarbari Roy Chowdhury Festival of Music 2024: A Tribute by Various Musicians on his 91st Birth Anniversary

Sarbari Roy Chowdhury, the great sculptor whose works married the academic sensibility and realism of classical eastern or oriental art forms , with the modern abstraction and cubism of the west, whose interest in classical music poured directly into his works, as if the stone, clay or wood are entangled with the frequencies of music, not just as a idea or thought but supra-physically in a deeper sense, an introspection which is the fundamental bedrock of the creative artistic process, for a musician, painter or poet, in his his own words resembles a process of transformation of pain into ecstasy, a superconscient that hibernated in the depths of the human subconscious, in his own words “an artist must live on the edge of that anguish at all times to render it in his creation”, a crowning line that very much became the sustainable ethos of this esteemed music festival as a tribute to his birth anniversary. Musician from everywhere, new and old, well established and those who are looking to make their mark are all welcome, in a platform where artists manage the program, the promotion, the funds, and, almost everything required to host such an event where famous musicians like Pandit Krishna Bhatt, Pandit Abhijit Banerjee Abhik Mukherjee, David Trasoff, Ehren Hansen were the sharing the stage with other local musicians and artists. “All in such a short notice, the Durga Bari, a historical place is where musicians can collaborate, express themselves, a camaraderie which my father was so enthused about, a tradition I and my brother, trying live up to, with helping hands from various friends and artists, in India and abroad” said his son, Sougata Roy Chowdhury, himself an established sarid player. On display were rare photographs taken at Sarbari Roy Chowdhury’s residence of musicians including Pandit Ravi Shankar, Ustad Ali Akbar Khan, Siddheswari Devi, Mallikarjun Mansur and many other legendary musicians.

With famous Sitarist Abhik Mukherjee, New York
SRC with Ravi Shankar at his studio

Sarbari Roy Chowdhury’s interest in music and his friendship with musicians is uncompromisingly a definitive feature of his artistic works which he says the visual forms of music embedded in stone and clay – the sculpturliness of music which is often not understood at the surface level of things as they are. A subjective awareness, a flash of spiritual insight, was common among all legendary musicians in India, whom he adored, it was also prevalent among, Western artists, like Rodin (The Thinking Man), Giacometti and Henry Moore and others. In fact, Florence, the city of artists, and art, became the meeting point of Sarbari Roy Chowdhury, Henri Moore and Giacometti in 1962.

To encapsulate this music festival, we have to turn back again to his words where he describes the pain associated with creation which he strived to express and preserve in his work- “pain like music, touches the soul and the heart and transforms an intellectual perception into an experience” – words that resonate with Sri Dilip Kumar Roy conversations with Romain Rolland in the early 20th century at Lucerne, where Rolland said that an artist must suffer like a Christ figure, that only differentiates from mundane lives, Tolstoy, Rembrandt, Beethoven are great examples of it.

-Joy Roy Choudhury

5th December 2023: Maha-Samadhi Day of Sri Aurobindo

Beyond the logic gates
And the wrought iron similitudes
Lies a space shrouded in mystery
And when the fog clears away
A resplendent sun is awaiting in samadhi ….
That which knows, and, knows not
And simply floats like withered leaf or a raven’s feather
Wears the crown of the clear light of Venus (5th & 6th (on & off December, 2023)

Beyond the Logic Gates, JRC, 2023 (inspiration from pastoral scenes naturalism photography Leonard Missione, 1897
Sri Aurobindo Maha-Samadhi 5th Dec, 1950
A Land of Magnets and Miracles, Pink Floyd (Album The Division 🔔) , JRC, 2023

Happy Guru Nanak Jayanti: May the World be bestowed with Peace and Tranquility

“Owing to ignorance of the rope, the rope appears to be a snake; owing to ignorance of the self the transient state arises of the individualized, limited, phenomenal aspect of the self.” – Guru Nanak

Guru Nanak, JRC, 2023

From Guru Nanak to Victor Hugo: It may sound strange, but, I assure it is not. Art from the unconscious is deeply symbolical and it’s connected with our own process of Self-Enquiry. The process streams with consciousness, reflected consciousness, once the mirror is polished then IT shines through and makes experience possible. From duality to non-duality and back to the marketplace (turia state or Zen’s last state in Oxherding plates), the quest is possible if there’s “Ishwarah Anugraha” (citation Guru Gita 1st sloka) – without the grace, it’s not possible simply by effort 🙏.

Cosmic Charlie, art music rendition, JRC (original Grateful Dead song)

We are so much obsessed with Victor Hugo, the writer, the poet, the scathing social injustice author of the classic Les Miserables (1862), that, we have overlooked a great fact, which is nonetheless, cited by none other than Andre Breton as automatic drawing. Hugo’s intuitive experimentation in art is a secret that needs to be well acclaimed by people, he produced almost 4000 drawings, most of them not meant to be shown in public. Automatic writing or drawing – which the surrealists drawn upon in their work, is all about using the hand to do what it wants to rather than preemptive cognitive decisions that govern our thinking process. Like Hugo didn’t know what he would do on a Friday evening with a roll of paper and ink blots. ….yes, he cared not to know, in a Zen way, one shouldn’t let the right arm know the release time/moment of the shooting of the arrow. Difficult, but,  can be done…there are many examples of that all over and specially in spritual poetry or psychic art. Also same in music by the way…..I don’t think Bob Dylan knows exactly where he would put an end to his lyrics, he has a pattern for the verse but not every word is consciously chosen.

Re-Imaging Victor Hugo Landscape, JRC, 2023

Ink and a quill
Both the nib and feather
Far away your setting sun, the Other
You may choose to run
beyond the horizon
And end up near your favourite apple tree…. (Something like this…!)

What is a free flowing communication that doesn’t get bogged down by preset interference pattern? That’s in reality was part of 19th Century spiritualism – Breton already said that Hugo was the forerunner of Surrealism, he was playing with chance any allowing it to evoke unforseen forces responding to the free-flowing communication that was part of nineteenth-century Spiritualism. Hugo attended séances during his exile, and actively kept a diary of dreams.

Then we have a dream world both in waking state and in dream state along with deep sleep mode. The waking dream seems apparently real, the dream state unreal, that’s our observation, and, we almost have no query about deep sleep mode. Well it’s time to ssk Wahi Guru !!!! Yes, Today….(3 interconnected words and I won’t say more Guru-Govind-Granth) and there is only non-dual consciousness – it doesn’t need to pervade any space time like an incense stick….because fundamentally matter energy and space time are all in it…..

What a beautiful day!

2 artworks – Guru Nanak and A dreamy Landscape from rare collections of Victor Hugo paintings edited by Stefanie Heraeus, translated by Deborah Laurie Cohen ( History Workshop Journal)*that was lying in my desk adding soot to my psyche.

Someday will discuss whats the connection with Vajrayana! And thanks to Sarvapriyananda ji and Guru Ji for making things as clear as a crystal. With little help from Divine Mother!

– JRC

Self-Illumination as an Act of Artistic Resonance

What is artistic resonance? When the energy bodies vibrate with the ultimate cosmic frequency, when poise is reached amidst chaos, but, the transcendence happens by respecting the mutual negation of order/disorder within a framework of beauty which which is implicit in the design of being-awareness or existence itself. – JRC

The Feminine Sensibility, JRC, 2023
Chanel and Inflorescence, JRC, 2023
The Lotus Collector, JRC, 2023
Swirling Beauty, JRC 2023 (Reading Through Rodin, Klee and others)
Angels and Flowers, JRC 2023

From Apollonaire to Picasso, Chagall, Jean-Paul Sarte and De Bussy: An Evening in Paris

To create a new artform based on history, the transformation in the process must be presided over by consciousness of the whole human race, steeped in tradition and heritage, with an overarching futuristic idea of human unity where the East is West, West is East, and, there lies no race, colour, gender differences, no preferences which dissolves the power of human imagination and beauty in the intrinsic psyche of this evolving race.

For exhibition in UK and Europe, and, signed copies of prints (not originals) mail jeffmross@aol.com ….or joyr.choudhury@gmail.com

Thank you.

Have You Ever Pondered on Celebrating the Dashami or Dussehra with Dante, Tagore and Botticelli?

Perhaps the Mother Goddess, while she leaves for her Abode in Mt. Kailash, leaves behind her blessings….her Grace opens up many portals for transport of pure divine energy (double q-loop) ….we could start a new movement – an idea , a seed that blossoms into a lotus 🪷 a pure emblem of love and peace….shantih shantih shantih

Dante- Tagore -Botticelli

Day 4 of Saradiya Navratri: Exhibition IV- Paying Obesience to Mother Goddess, Devi Kushmanda in the Form of a Cosmic Egg – The Natural Spontaneity of the Cosmic Spin

Spinning and twining

In the starlight ballroom

We came forth as innumerable beings resonating with her energy

We crawl back into the womb

Where silence sleeps in the beauty of her being

A radiance in the void, her luminous steps

Who could write or express gratitude?

For love is One, across all planes of existence

Like child nourished by the seraphims

We have found the paradise in her Self.- JRC – on the 4th of Navratri, the aspect of Mother Parvati worshipped is Devi Kushmanda. As the name spells out, Kush meaning small, usma meaning energy and anda meaning the cosmic egg. To sum up, she is the one who created this universe like from a cosmic egg with her smile. The plasticity of the smile is the cause of the multitudes, she is ever worshipped for wellbeing and strength of all sentient beings, she nourishes them all, she is the creatrix of this creation.

4th Day, The Creatrix, Devi Kushmanda

Day 3 of Navratri 2023: Exhibition III: Invocation to the Mother Goddess, Devi Durga through her aspect of Mother Chandraghanta – Half Moon Luminosity of Peace and Tranquility

The whole idea of celebrating Durga Puja 2023 which is now a UNESCO World Heritage Festival in Bengal, was to go back and forth in time, to recollect art from the aborigines, and, tribes of Australia, India, South East Asia, Tibet and South America, Scandinavia, and, merge them into a new template based on pure non-dual consciousness where cinema, poetry, art, photography and other forms of self expression including music and modern science can be put together as nodes in a network (cluster) which are forever connected like the structures of neurons in the brain – the microcosm to macrocosm within that structure where symbols are the carrier of our collective unconsciousness – the journey in the discovery of the SELF, not Soul, as described in the Upanishads – a quest from ignorance to knowledge – a process of creative evolution for humanity. On the 3rd day of Saradiya Navratri, Devi Chandraghanta is worshipped, one of the aspects Devi Parvati , with half-moon, signifier of blessings for peace, harvest and tranquility. These qualities, inherent in humanity as potential or possibility, needs to be invoked, and realised through her blessings connecting with planet earth in a meditative conscious way.

India-US integration
India-France Integration

Joy Roy Choudhury, Artist
Good artists walk across one or more tightropes, balancing the commercial versus the artistic, the representational versus the concept, perfection versus pragmatism, the challenging versus the desire for immediate satisfaction. Joy Roy Choudhury follows these traditions adding the challenges of music versus the visual arts, the balancing of differing cultural drivers, the modern world vers

Comments: Wim Borsbom, Researcher and former Teacher, Archeology, Linguistics, Phonetics, Understanding of Brahmi Script , Netherlands: “You should have exhibitions… Your art is of course unique, but more than that, it is ultimately expressive TO the core, AND expressive OF the core of what is conveyed by your drawings — evocative to the max without any words alluded to or needed. Where it is symbolic of seemingly hidden messages, meaning comes through immediately… meaning though, that even if one tries to put it in words, surpasses any language. Your portraiture is radically “true” to/of the person depicted, “raw” (in the best sense of the word), free from judgement, embellishment or idealization…I value your art highly.”

Comments: Jeff Ross, Director and Founder, UK Skills and former Founder of E-Assessment Question Conf London:

Joy Roy Choudhury, Artist
Good artists walk across one or more tightropes, balancing the commercial versus the artistic, the representational versus the concept, perfection versus pragmatism, the challenging versus the desire for immediate satisfaction. Joy Roy Choudhury follows these traditions adding the challenges of music versus the visual arts, the balancing of differing cultural drivers, the modern world versus the classical.
How refreshing to find an Artist willing and able to take these dialectics on and resolve them.
Influences abound from the visual arts and the musical world, but here in his work is a fascinating insight into how those contentions can be shown, discussed and elaborated upon. Here is confidence in handling the ideas. There is a sureness of touch that says much about his understanding of both the process and the outcome. Each work interests, excites and then satisfies the eye.
A welcome discovery and addition to the pantheon of Artists.”