“Chitranatya O Onanyo” a screen play book released to commemorate the 103rd Birth Anniversary of Legendary Filmmaker Satyajit Ray at his residence

After the screening of the restored print of the 1974 adventure classic, The Golden Fortress or Sonar Kella on 1st May 2024 at Nandan 1,  presided over by director Sandip Ray and the cast of the film including Ashok Mukhopadhyay, Siddhartha Chatterjee, Kushal Chakraborty and Santanu Bagchi, the scene intimately shifted to the iconic British architectural Ray House at 1/1 Bishop Lefroy Road, where friends, wellwishers, and the film world gathered to commemorate Ray’s birthday anniversary on 2nd May.

At Ray House with release of the screenplay book with Sandip Ray

People flooded the floor of the living room stacked on all sides with Ray’s manuscripts, notebooks and other valuables – an archive of veritable delight for the thoughtful ones, the walls also adorned Sri Rama Krishna’s photograph along with Tagore’s and Sukumar Ray’s, other family photographs, rare film posters from Hollywood, Ray’s hand-drawn calligraphy of the film Aparajito flanked by some green plants and creepers making the place a mystical historic museum of film noir and cultural eclectism where both Bengali literarure,  music, and painting with the sonatas of Beethoven and Mozart were equally adorned for the evolution of humanity that we are.

Producer Firdausul Hasan at Ray House 2nd May 2024

The day also witnessed the release of the screen play book of the much appreciated film Aparajito (The Undefeated) by Friends Communications in the presence of director Sandip Ray at his residence. The book titled “Chitranatya O Onanyo” was revealed to the public in the presence of Sandip Ray, Anik Dutta, producer Debojyoti Mishra, music composer and actor Jeetu Kamal. “Sharing his delight, producer Firdausul Hasan says, “Earlier FFSI had released the script of our film Mayurakshi. Aparajito did a record amount of business in cinema, television and OTT. Now many people are interested in the screenplay. We think the film’s screenplay will make the reader more interested in the film” . Published by Dey’s Publishing, this book will feature reviews and shooting stills from different periods of making the film with the script.

– Joy Roy Choudhury, International Consultant, Media Outreach

French Filmmaker Aurelia Mengin’s “Scarlet Blue” to be shown at the prestigious 23rd Edition of Independent Days International Film Fest(10-14th April, 2024) at Karlsruhe, Germany

French Filmmaker, Aurelia Mengin’s independent film that was part of the Kolkata International Film Festival, among many others, is slated to be shown on the Day 1 of the 23rd Edition of Independent Days International Film Fest at Karlsruhe, Germany as part of European Festivals Association. The film itself is a self-reflecting narrative journey where the female protagonist on a quest to discover her past, heals it, by knowing the truth- a film that introduces magic, and, proportion to the effect of creating a suspended sense of enigma only to be resolved through knowing, and, awareness. Today, dreams, unconsciousness, and, the subliminal mind and its interfaces, require a new aesthetic understanding, a post-Newtonian sense of perception, a quantum way of knowing, because we understand that causality itself with space-time are connected like interconnected network of points which apparently don’t show up in our everyday life, but, hides behind the contours of reality exactly where it should be or is right now. So, characters like the healer, the protagonist (Rosy), her memories, and, the overlapping of the past, present and the possibilities of the future (an extension into the memories of future watchers of the cinema) are not independent points, detached from each other, rather different modes of perception apparently, working independently, but, tied, deeply with, or, interlocked with one awareness projecting several subjects into the narrative aesthetics of life and cinema, to the point, where distinction is simultaneously maintained and transcended.

As a self-taught Reunionese Filmmaker, Aurelia Mengin’s work blends the traditional folk identity of the island and the contemporary art scene of Paris, a la Paul Gauguin, and, is deeply influenced by surrealist art and its overlapping with Jungian Archetypes of the Unconscious – a collective unconscious, thus, resonates with her work, embracing both the roots of culture, the birth of cinema, its history, and, that of modern art, and, fashion, creating a new palimpsest which is both “enfolding, and, unfolding” to use Physicist David Bohm’s words, in a world where the evolution of becoming is a a continuous process of creativity, as symbols, images, and, meanings undergo a test of beauty,  chaos, the dread, serenity and fidelity.

From Scarlet Blue by Aurelia Mengin
Intense scenes from Scarlet Blue
Scenes from Scarlet Blue

ABOUT Independent Days International Film Fest: IDIF is an IMDb Award-listing film fest is run by non-profit film board Karlsruhe e.V. According to the IDIF Festival Team “The diversity of genres is also important to us, something that many major film producers and TV stations shy away from, especially in Germany and Europe. We are committed to a cinema that can overcome the limits of reality with courage and self-confidence and reflect on the strengths of storytelling. The INDEPENDENT DAYS show a film programme that reflects the entire spectrum of independent cinema.” –

Aurelia Mengin, French Filmmaker at the Independent Days Film Festival, Germany, April 2024
Aurelia and her chief cinematographer

Joy Roy Choudhury, Strategic Communications, PR, Media Outreach,

Thinking Time with Morning Coffee

For more info, pls check https://www.independentdays-filmfest.com/

French Filmmaker Aurelia Mengin and her team for Scarlet Blue

French Filmmaker Aurelia Mengim

Exploring The Mata Kuan Rani Temple in Mandi: Following Princess Mandarava’s Wisdom to Show The Way for Women Enlightenment

Princess Mandarava, Mandi

With a world struggling with post-pandemic recovery, the slow downturns of an economic recession, the ongoing disastrous wars in Europe, Israel and Gaza, with climate change, El Nino taking its full effect with Met Offices sending alarms to most states in India, as the heatwave looms early in a country going into elections in a months time, to decide the mandate of the largest democracy, the ground beneath our feet shaking with tremors in Taiwan, the volcanic ash billowing in sky in Iceland, the only way out it seems, is to look for insight wisdom,  and, understanding as contrary to misinformation,  distortion of meaning which has plagued our short-sighted individual, and, community life leaving no balance to restore peace, and, sobriety. This is exactly the mission that has inspired Sonia Gomes from Portugal to land in New Delhi, and, travel to Mandi in Himachal Pradesh, she, a student of Vajrayana Buddhism, a Yoga Teacher, with a doctoral degree in Marketing Management & Communications, and, a Masters Degree in Psychology, has been doing relentless work in helping women and children with practical solutions to face every situation or as she often says “learning to work with circumstances”, a lesson she attributes to the famous historical Princess of Zahor, the Indian consort of Padmasambhava (Guru Rinpoche), who in her life overcame all impediments, though being born a princess, she dedicated her life to emancipate women from the circular trap of samsara by using the powers of awareness only.

In front of Princess Mandarava’s idol, Sonia Gomes
Prayers and Worship
The Sanctum Santorum

A place in the hilltop in Mandi, 2890 ft above sea level, which is Sonia Gomes’ destiny, the famous Mata Kuan Rani Temple, or, the ‘Princess of the Well Temple’, made of slate above a deep well, a certain meditative quietness prevails, enhanced by the natural elegance and rupture of the melodious blue-throated barbet, whistling thrush, near the banks of the river Beas, and, maybe,  liturgical chants from the temple itself where the beautiful Princess Mandarava’s idol absorbs the prayers of the true aspirants of the Path, the North West Himalayan Rhododendron and Dog Violets, make the place a retreat of the highest awareness.

The implications of Sonia’s  mission becomes even more magnified, if we understand the factual narrative of Princess Mandarava, who was born as a prodigious child, replete with spiritual powers of penance and austirity which bear close resemblances with Sakyamuni Buddha’s life, the semiotics of her parents’ dreams, the signs she confronted like sickness, old age and death that finally triggered her resignation of royal aristocratic life in exchange for seeking a path that would lead every being to becoming a Buddha, the awakened one. Another perspective that holds prominence in the Buddhist cannon, is Mandarava’s aspirations that symbolically resonate that with Tara, the goddess who becomes enlightened because she seeks the final liberation immersed in a sea of quietetude. Mandarava’s struggle is that of a woman, relevant even today, it bears the impression and markings of what a woman has to universlly undergo in familiar circumstances if she resolves to seek liberation for herself and for others. It is factually recorded that Princess Mandarava was enlightened the second time, in her past life she was Buddha Pandaravasini, an immortal awareness holder who carries the chalice of Nirvana into next birth only to use the opportunity to create a model for all aspirants, especially women seeking enlightenment. In her present avatar as Princess Mandarava, where we put our focus into, she ordained by the great Buddhist teacher Santaraksita, who also hailed from Mandi, meets Padmasambhava, the Lotus Born, also known as the second Buddha, undergoes rigorous training at Maratika cave in Nepal, post the Rewalsar lake event, and, finally achieves the great rainbow body or Vajrakaya (the three in one – nirmanakarya, sambhagokaya and dharmakaya), – these acts propels her immense dedication to practice as means to achieve the final goal of liberation. She, a student of Padmasambhava, also, a teacher in her own right, is the manifestation of grace (anugraha in Sanskrit) which is required for those who are sincere seekers of the Path. As the supreme  “head of one hundred thousand dakinis” (dakinis are polysemous female figures, sometimes referred as goddess or a woman practitioner in esoteric tantric literature), Princess Mandarava, is the main consort of Padmasambhava, the India counterpart of Yeshe Tsogyal, and her role as wisdom dakini has true significance that enhances her nature as  heroine who sought wisdom to liberate women.

Mandarava’s birth in Mandi, in Himachal Pradesh is just not a coincidence, after all the great sacred temples of Bhootnath, Trilokinath and others, dedicated to Lord Shiva, gave the place the status of being known as the Varanasi of the Hills or Chota Kashi, and, a true seeker who chooses like Buddha her parentage, must have been blessed by the Lord himself on her mission to enlightenment. Amidst the wildness of the butterfly bush, wild primula, and the barn swallow’s fading songs over a scarlet sunset in the clear skies of the Himalayan town, one would think that the morning and evening prayers are the only true source of sustenance in world of  impermanence and the menacing chaos.

Sonia Gomes with students in the community : Learning and Re-learning
Princess Mandarava Idol
Sonia with Buddhist Women Nuns and practitioners in Himachal Pradesh

If someone is buying fruits and butter lamps, and, incense to be used for worship at the Mata Kuan Rani temple, then the Mandi market is where one must look for. In fact, the name mandi in Hindi translates to a marketplace, where the community meets to buy and sell, the ancient Sanskrit root word is “mandaptika”, an open hall or shed, it is not unusual if the aspirant is followed by a dog  from the mandi market uphill to the temple, a sign of greater things to come, a gentle reminder of the famous oldest Zen Koan: Does a dog have a Buddha nature or not? In the silence of the distant mountains, the leaves among the trees whispered one ideograph- “Mu”, and, the prayers for liberation are set in the wheels of time.

– Joy Roy Choudhury, International Consultant, Media Outreach, and PR

French Filmmaker Aurelia Mengin’s “Scarlet Blue” In The MEMORY Of Her Father Takes A Journey Into The New Aesthetics Of Cinema With Surreal Art, Mysticism And Self-Discovery

Filmmaker Aurelia Mengin (L) with actresses Patricia BARZYK (plays the role of Mother) and Anne Sophie Charron
Aurelia Mengin on her film Scarlet Blue: Art, Mysticism, Existential Reality and the Feminine Intuition
Scarlet Blue team: with Daniel Santini, colourist, Bruno Gautier, Editor, Emmanuel Bonami, actor and SYLVAIN Rodriguez , DOP
Aurelia Mengin (extreme Right) With Sound Designer Nicolas Luquet
Aurelia Mengin, Director of Scarlet Blue
Interview with French Filmmaker Aurelia Mengin
Aurelia Mengin at French Premiere of her film Scarlet Blue, Paris, March, 2024

Scarlet Blue Team

French Filmmaker, Aurelia Mengin talks about her vision about  aesthetics of new cinema that has blend of surreal art, mysticism, boredom and healing to rediscover the identity of a reality that the camera seeks to narrate creating meta-discourses within the boundaries of a localised space. Her influence ranging from Luis Bunuel, Salvador Dali to Jean-luc-Godard, the impact of art scenes, their corresponding movements, albeit symbolic, in poetry, photography and cinema, the semiotics of a synthesis between the Parisian life and the quaint tropical French Reunion, where she grew up as a child, with its queer talismanic beliefs, idiosyncrasies, and, almost an irrational randomness so peculiar to its originality, which in a way intersects with the conformal fashionable chic of the Parisian Salons, is a thread that she explores in a language of feminine intuition, asking questions or deconstructing paradigms a la Jacques Derrida, is a long lineage that puts the ideals of freedom and promise, like post-impressionist Paul Gauguin experienced in the late nineteenth century among the Tahitian in French Polynesia. In Aurelia’s own words surreal art deeply impacted her visualisation narratives, themes and the tonality of her cinema, her father, late Vincent Mengin-Lecreulx, who was one of her biggest inspiration, the reason why she ran after the camera, was himself a surreal painter who left Paris and lived in the Reunion to find a dream that may be discontinuous amidst the serial circularity of a existential time.

France 24 : Aurelia Mengin on her Film Scarlet Blue

– JRC, Artist, Art &  Film Critic, Musician International Communications, Author and Researcher on Consciousness contact joyr.choudhury@gmail.com

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness. I will showcase new art fortnightly here, five artworks which would be in a series either on Music, Art, Mythology, Poetry, Ecology, Spirituality, Folk, Cinema, Theatre, Philosophy with a headlining act which would different from the series showcased. Size, medium and other details will be provided, for anyone interested to purchase. For further details, you can contact at joyr.choudhury@gmail.com (unsolicited emails will not answered, please be patient as there are many requirements for the same artwork, and, at this point due to time constraints I will not be able to repeat one that is already booked or purchased.

Woman in Paris, 1930/A4 acid free paper/Mixed Media (Charcoal and wood pencil)/2024
Picasso and Baobabs/A4 Paper/Mixed Media (Charcoal and pencils)/2024
Of Birds, Matisse and Songs/A4 Paper/Mixed Media/2024
Woman Reading/A4 paper/Mixed Media (Charcoal and pencils)/2024

Teapots, White Clouds and Andre Breton/A4 Acid Free Paper/Mixed Media/2024

Shiva and Mother Annapurna/A4 Paper/Charcoal and Colour Pencils/2024

The next exhibition will be exactly after 2 weeks. Enjoy the show!

– Joy Roy Choudhury, International Communication Consultant, PR & Media Outreach, Consciousness Researcher, Writer, Artist and Musician.

Retro causality and the Advanced and Retarded Wave Junction: TS Eliot, Jim Morrison and Joni Mitchell

Mahakala in Time and Transcending Time: Biswarup Darshan and Purushottam Yoga

Mahakal, JRC 2024
Sita Hands Hanumanji Jewel for Rama, JRC 2024
Birth of Ganges, JRC, 2024
Ian Anderson, Jethro Tull, JRC, 2024
Dun Ringill, JRC (Jethro Tull song)

#Advaitavedanta Alblackica Alblackica Consciousness Art Atman Awareness Bengal Bon Brahman Buddha Chintamani Stone Christ Consciousness Dark Energy Divine Mother Gyan-Ganj Higgs Field Hyperspace India Jim Morrison Kalki Avatar Lahiri Mahasaya Maha-Avatar Babaji Maharaj Mahakal Micro-Gravity Mirra Alfassa Music Nicholas Roerich Olmo-Lung-Ring Quantum Consciousness Quantum Entanglement Quantum Reality Retrocausality Savitri Shambhala Sirius Spirituality Sri Aurobindo Sri Krishna Supermind Supramental The Doors Tibet Yogishwar Sri Kalipada Guharoy Zen

The Sarbari Roy Chowdhury Festival of Music 2024: A Tribute by Various Musicians on his 91st Birth Anniversary

Sarbari Roy Chowdhury, the great sculptor whose works married the academic sensibility and realism of classical eastern or oriental art forms , with the modern abstraction and cubism of the west, whose interest in classical music poured directly into his works, as if the stone, clay or wood are entangled with the frequencies of music, not just as a idea or thought but supra-physically in a deeper sense, an introspection which is the fundamental bedrock of the creative artistic process, for a musician, painter or poet, in his his own words resembles a process of transformation of pain into ecstasy, a superconscient that hibernated in the depths of the human subconscious, in his own words “an artist must live on the edge of that anguish at all times to render it in his creation”, a crowning line that very much became the sustainable ethos of this esteemed music festival as a tribute to his birth anniversary. Musician from everywhere, new and old, well established and those who are looking to make their mark are all welcome, in a platform where artists manage the program, the promotion, the funds, and, almost everything required to host such an event where famous musicians like Pandit Krishna Bhatt, Pandit Abhijit Banerjee Abhik Mukherjee, David Trasoff, Ehren Hansen were the sharing the stage with other local musicians and artists. “All in such a short notice, the Durga Bari, a historical place is where musicians can collaborate, express themselves, a camaraderie which my father was so enthused about, a tradition I and my brother, trying live up to, with helping hands from various friends and artists, in India and abroad” said his son, Sougata Roy Chowdhury, himself an established sarid player. On display were rare photographs taken at Sarbari Roy Chowdhury’s residence of musicians including Pandit Ravi Shankar, Ustad Ali Akbar Khan, Siddheswari Devi, Mallikarjun Mansur and many other legendary musicians.

With famous Sitarist Abhik Mukherjee, New York
SRC with Ravi Shankar at his studio

Sarbari Roy Chowdhury’s interest in music and his friendship with musicians is uncompromisingly a definitive feature of his artistic works which he says the visual forms of music embedded in stone and clay – the sculpturliness of music which is often not understood at the surface level of things as they are. A subjective awareness, a flash of spiritual insight, was common among all legendary musicians in India, whom he adored, it was also prevalent among, Western artists, like Rodin (The Thinking Man), Giacometti and Henry Moore and others. In fact, Florence, the city of artists, and art, became the meeting point of Sarbari Roy Chowdhury, Henri Moore and Giacometti in 1962.

To encapsulate this music festival, we have to turn back again to his words where he describes the pain associated with creation which he strived to express and preserve in his work- “pain like music, touches the soul and the heart and transforms an intellectual perception into an experience” – words that resonate with Sri Dilip Kumar Roy conversations with Romain Rolland in the early 20th century at Lucerne, where Rolland said that an artist must suffer like a Christ figure, that only differentiates from mundane lives, Tolstoy, Rembrandt, Beethoven are great examples of it.

-Joy Roy Choudhury

Take a Pause and Lift Yourself from this Mundane Story: If you have the Will you will Find A Way

It is what it is
After the waves that broke into the lands
The sea is calm again
Amulets of the moon gravitate towards heavy stars
Midnight echoes the dawn’s dewy wine
Fractal flames of the scattered sun
Commune with melting words, clocks
Soon it would look like a lemon tart
Scooped out of eternity
Like a yellow Submarine
Where the dead man lives
Sings…
Forever.
In the young
The blood green like ancient grass
After the ice ages
Grows into woods
Where sages lived with their herdsmen and canaries
One dark cloud and the storm brought us here
In the whirlwind I found those words
The black widow spider’s net worth in golds
Tapping poison for sun’s nectar
Wise after many holocausts and the dreaded dreams
It is what it is
A pointless question hangs from a tree
Or drowns like posideon
And missed the strength of a life force
That cannot be fulfilled by Euler or Fermi

Shiva and Parvati, Artwork JRC 2024
Gita Jayanti 2024
Jagatguru Shankaracharya, Govardhan Math Puri on his way Ganga Sagar, Bengal

Jagatguru Shankaracharya, Govardhan Math, Puri

Take a Pause and Lift Yourself from this Mundane Story: If you have the Will you will Find A Way

It is what it is
After the waves that broke into the lands
The sea is calm again
Amulets of the moon gravitate towards heavy stars
Midnight echoes the dawn’s dewy wine
Fractal flames of the scattered sun
Commune with melting words, clocks
Soon it would look like a lemon tart
Scooped out of eternity
Like a yellow Submarine
Where the dead man lives
Sings…
Forever.
In the young
The blood green like ancient grass
After the ice ages
Grows into woods
Where sages lived with their herdsmen and canaries
One dark cloud and the storm brought us here
In the whirlwind I found those words
The black widow spider’s net worth in golds
Tapping poison for sun’s nectar
Wise after many holocausts and the dreaded dreams
It is what it is
A pointless question hangs from a tree
Or drowns like posideon
And missed the strength of a life force
That cannot be fulfilled by Euler or Fermi

Shiva and Parvati, Artwork JRC 2024
Gita Jayanti 2024
Jagatguru Shankaracharya, Govardhan Math Puri on his way Ganga Sagar, Bengal

Jagatguru Shankaracharya, Govardhan Math, Puri