David Ogilvy Advertisement of Rolls-Royce

“A cloud is made of billows upon billows upon billows that look like clouds. As you come closer to a cloud you don’t get something smooth, but irregularities at a smaller scale”. – Benoit B. Mandelbrot

Does the Universe we live in, exist, as a giant clock or a pulse or a vibration concealed within infinite layers each bearing a definite symmetry or pattern configured by consciousness in a hyper-spatial diamond where the past-light cone and the future light-cone intersects creating the eternal rhythm which holds the key to mystery of mind and matter?

David Ogilvy

The electric clock inside the Rolls-Royce which David Ogilvy draws our attention to is the precise detail that unravels the smooth mechanism of nature where the protein polymers and microtubules at the nano-scale exhibit the fractal frequency of the universe (quantum vibrations) which the distant stars and the galaxies all respond to orchestrating the Ragas in loops which neither have a beginning nor an end. Are we entering a dream sequence of relativistic time-loops where the biggest and the smallest are interconnected through networks of space-time  in a fourth dimension, clock-within-a-clock magnifying the music and simultaneously absorbing the energy vibration, expanding and contracting, becoming still, immobile and in dynamic motion, enabling a constant kriya, a doing and non-doing (Wu Wei) which Buckmister Fuller says “an evolutionary process- an integral function of the universe”. Where does energy/matter come from and how do they influence space-time geometries or cause curvature and bending resulting in gravity? Is the activity within space-time or the Explicate order of David Bohm coming from a more deeper realm of infinite possibilities (n-dimensions) which is beyond the fundamental grasps of knowledge (theory and practical) – an unknown Void which superimposed on itself the innumerable configurations of the crystal lattice fractal points that are observing themselves yet transcending that observation in a series of functions that create the ultimate reality we live in or interact with.

David Ogilvy’s Electric Clock Is A Timeless Pulse Inside The Protein Polymers And The Micro-Tubules Creating Anharmonic Vibrations As In Eastern Music Ticking Across Spiral Galaxies and Quasars One Billionth of a Second

Pandit Jasraj Ji Photograph Courtesy and Acknowledge Tao Art Gallery

The neural networks of David Ogilvy are entwined with the imaginary clock inside the Rolls-Royce creating a bigger network of clocks both finite and infinite where the universe ticks in creating infinite possibilities for its own existence every billionth of a second, the metastable state of the creative input in the advert carries the pulse of the universe and eventually will decay to a more stable state releasing energy (Stock Market ripple effect and fluctuations). Every idea or the product in question at all levels in the interlocuting time creates a finer dimension in space-time which is Lacan’s Imaginary Other overlapping the Symbolic order of language, culture and civilization.

So, the luxury and the precise automobile ingenuity of the Rolls-Royce is the configuration of the neural networks of a universal mind intercepted in a human brain via non-local server connectivity with the quantum information field or thought-like things as understood by Henry Stapp (alternative of Wheeler’s BIT/Bohm’s Q) through consciousness its agent creating  retro-causal loops in time back from the future and back-reacting the BIT on the IT to create the automobile itself at the Implicate then projecting on to the present explicate now moment.

Neural Networks

The result is an iconographic Zen moment, Satori or sudden insight where you feel weightless (micro-gravity) because you experience space-time which is warped giving rise to zero-enlightenment and the extinction of “I”: “At At 60 miles an hour the loudest noise in this new Rolls-Royce comes from the electric clock”.  (Organic network of interconnected points in a Causal Diamond which transmits the ticking of the clock as inside a Rolls-Royce for the experience or awareness of the Void of the Non-Void in a way of walking ‘without touching the ground’- in the final process all that has been voided are those concepts where you have tried to pin down what is Real!)

-J

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*In Indian Classical Music, for exp. The Ragas develop without any counterpoint or emphasis on harmony, there is no scope for any chord progression, it derives its organic complexity from its melodies and rhythms.