Exploring The Mata Kuan Rani Temple in Mandi: Following Princess Mandarava’s Wisdom to Show The Way for Women Enlightenment

Princess Mandarava, Mandi

With a world struggling with post-pandemic recovery, the slow downturns of an economic recession, the ongoing disastrous wars in Europe, Israel and Gaza, with climate change, El Nino taking its full effect with Met Offices sending alarms to most states in India, as the heatwave looms early in a country going into elections in a months time, to decide the mandate of the largest democracy, the ground beneath our feet shaking with tremors in Taiwan, the volcanic ash billowing in sky in Iceland, the only way out it seems, is to look for insight wisdom,  and, understanding as contrary to misinformation,  distortion of meaning which has plagued our short-sighted individual, and, community life leaving no balance to restore peace, and, sobriety. This is exactly the mission that has inspired Sonia Gomes from Portugal to land in New Delhi, and, travel to Mandi in Himachal Pradesh, she, a student of Vajrayana Buddhism, a Yoga Teacher, with a doctoral degree in Marketing Management & Communications, and, a Masters Degree in Psychology, has been doing relentless work in helping women and children with practical solutions to face every situation or as she often says “learning to work with circumstances”, a lesson she attributes to the famous historical Princess of Zahor, the Indian consort of Padmasambhava (Guru Rinpoche), who in her life overcame all impediments, though being born a princess, she dedicated her life to emancipate women from the circular trap of samsara by using the powers of awareness only.

In front of Princess Mandarava’s idol, Sonia Gomes
Prayers and Worship
The Sanctum Santorum

A place in the hilltop in Mandi, 2890 ft above sea level, which is Sonia Gomes’ destiny, the famous Mata Kuan Rani Temple, or, the ‘Princess of the Well Temple’, made of slate above a deep well, a certain meditative quietness prevails, enhanced by the natural elegance and rupture of the melodious blue-throated barbet, whistling thrush, near the banks of the river Beas, and, maybe,  liturgical chants from the temple itself where the beautiful Princess Mandarava’s idol absorbs the prayers of the true aspirants of the Path, the North West Himalayan Rhododendron and Dog Violets, make the place a retreat of the highest awareness.

The implications of Sonia’s  mission becomes even more magnified, if we understand the factual narrative of Princess Mandarava, who was born as a prodigious child, replete with spiritual powers of penance and austirity which bear close resemblances with Sakyamuni Buddha’s life, the semiotics of her parents’ dreams, the signs she confronted like sickness, old age and death that finally triggered her resignation of royal aristocratic life in exchange for seeking a path that would lead every being to becoming a Buddha, the awakened one. Another perspective that holds prominence in the Buddhist cannon, is Mandarava’s aspirations that symbolically resonate that with Tara, the goddess who becomes enlightened because she seeks the final liberation immersed in a sea of quietetude. Mandarava’s struggle is that of a woman, relevant even today, it bears the impression and markings of what a woman has to universlly undergo in familiar circumstances if she resolves to seek liberation for herself and for others. It is factually recorded that Princess Mandarava was enlightened the second time, in her past life she was Buddha Pandaravasini, an immortal awareness holder who carries the chalice of Nirvana into next birth only to use the opportunity to create a model for all aspirants, especially women seeking enlightenment. In her present avatar as Princess Mandarava, where we put our focus into, she ordained by the great Buddhist teacher Santaraksita, who also hailed from Mandi, meets Padmasambhava, the Lotus Born, also known as the second Buddha, undergoes rigorous training at Maratika cave in Nepal, post the Rewalsar lake event, and, finally achieves the great rainbow body or Vajrakaya (the three in one – nirmanakarya, sambhagokaya and dharmakaya), – these acts propels her immense dedication to practice as means to achieve the final goal of liberation. She, a student of Padmasambhava, also, a teacher in her own right, is the manifestation of grace (anugraha in Sanskrit) which is required for those who are sincere seekers of the Path. As the supreme  “head of one hundred thousand dakinis” (dakinis are polysemous female figures, sometimes referred as goddess or a woman practitioner in esoteric tantric literature), Princess Mandarava, is the main consort of Padmasambhava, the India counterpart of Yeshe Tsogyal, and her role as wisdom dakini has true significance that enhances her nature as  heroine who sought wisdom to liberate women.

Mandarava’s birth in Mandi, in Himachal Pradesh is just not a coincidence, after all the great sacred temples of Bhootnath, Trilokinath and others, dedicated to Lord Shiva, gave the place the status of being known as the Varanasi of the Hills or Chota Kashi, and, a true seeker who chooses like Buddha her parentage, must have been blessed by the Lord himself on her mission to enlightenment. Amidst the wildness of the butterfly bush, wild primula, and the barn swallow’s fading songs over a scarlet sunset in the clear skies of the Himalayan town, one would think that the morning and evening prayers are the only true source of sustenance in world of  impermanence and the menacing chaos.

Sonia Gomes with students in the community : Learning and Re-learning
Princess Mandarava Idol
Sonia with Buddhist Women Nuns and practitioners in Himachal Pradesh

If someone is buying fruits and butter lamps, and, incense to be used for worship at the Mata Kuan Rani temple, then the Mandi market is where one must look for. In fact, the name mandi in Hindi translates to a marketplace, where the community meets to buy and sell, the ancient Sanskrit root word is “mandaptika”, an open hall or shed, it is not unusual if the aspirant is followed by a dog  from the mandi market uphill to the temple, a sign of greater things to come, a gentle reminder of the famous oldest Zen Koan: Does a dog have a Buddha nature or not? In the silence of the distant mountains, the leaves among the trees whispered one ideograph- “Mu”, and, the prayers for liberation are set in the wheels of time.

– Joy Roy Choudhury, International Consultant, Media Outreach, and PR

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness

“5 & 1” Exhibition Space: Featuring New Art Movement based on Witnessing Consciousness. I will showcase new art fortnightly here, five artworks which would be in a series either on Music, Art, Mythology, Poetry, Ecology, Spirituality, Folk, Cinema, Theatre, Philosophy with a headlining act which would different from the series showcased. Size, medium and other details will be provided, for anyone interested to purchase. For further details, you can contact at joyr.choudhury@gmail.com (unsolicited emails will not answered, please be patient as there are many requirements for the same artwork, and, at this point due to time constraints I will not be able to repeat one that is already booked or purchased.

Woman in Paris, 1930/A4 acid free paper/Mixed Media (Charcoal and wood pencil)/2024
Picasso and Baobabs/A4 Paper/Mixed Media (Charcoal and pencils)/2024
Of Birds, Matisse and Songs/A4 Paper/Mixed Media/2024
Woman Reading/A4 paper/Mixed Media (Charcoal and pencils)/2024

Teapots, White Clouds and Andre Breton/A4 Acid Free Paper/Mixed Media/2024

Shiva and Mother Annapurna/A4 Paper/Charcoal and Colour Pencils/2024

The next exhibition will be exactly after 2 weeks. Enjoy the show!

– Joy Roy Choudhury, International Communication Consultant, PR & Media Outreach, Consciousness Researcher, Writer, Artist and Musician.

Retro causality and the Advanced and Retarded Wave Junction: TS Eliot, Jim Morrison and Joni Mitchell

Take a Pause and Lift Yourself from this Mundane Story: If you have the Will you will Find A Way

It is what it is
After the waves that broke into the lands
The sea is calm again
Amulets of the moon gravitate towards heavy stars
Midnight echoes the dawn’s dewy wine
Fractal flames of the scattered sun
Commune with melting words, clocks
Soon it would look like a lemon tart
Scooped out of eternity
Like a yellow Submarine
Where the dead man lives
Sings…
Forever.
In the young
The blood green like ancient grass
After the ice ages
Grows into woods
Where sages lived with their herdsmen and canaries
One dark cloud and the storm brought us here
In the whirlwind I found those words
The black widow spider’s net worth in golds
Tapping poison for sun’s nectar
Wise after many holocausts and the dreaded dreams
It is what it is
A pointless question hangs from a tree
Or drowns like posideon
And missed the strength of a life force
That cannot be fulfilled by Euler or Fermi

Shiva and Parvati, Artwork JRC 2024
Gita Jayanti 2024
Jagatguru Shankaracharya, Govardhan Math Puri on his way Ganga Sagar, Bengal

Jagatguru Shankaracharya, Govardhan Math, Puri

Take a Pause and Lift Yourself from this Mundane Story: If you have the Will you will Find A Way

It is what it is
After the waves that broke into the lands
The sea is calm again
Amulets of the moon gravitate towards heavy stars
Midnight echoes the dawn’s dewy wine
Fractal flames of the scattered sun
Commune with melting words, clocks
Soon it would look like a lemon tart
Scooped out of eternity
Like a yellow Submarine
Where the dead man lives
Sings…
Forever.
In the young
The blood green like ancient grass
After the ice ages
Grows into woods
Where sages lived with their herdsmen and canaries
One dark cloud and the storm brought us here
In the whirlwind I found those words
The black widow spider’s net worth in golds
Tapping poison for sun’s nectar
Wise after many holocausts and the dreaded dreams
It is what it is
A pointless question hangs from a tree
Or drowns like posideon
And missed the strength of a life force
That cannot be fulfilled by Euler or Fermi

Shiva and Parvati, Artwork JRC 2024
Gita Jayanti 2024
Jagatguru Shankaracharya, Govardhan Math Puri on his way Ganga Sagar, Bengal

Jagatguru Shankaracharya, Govardhan Math, Puri

Veit Helmer’s Film “Gondola”: Exploring the Cinematic Poetics of Relationships in a Non-Dialogue Style

Gondola, 2023/Colour/85 mins/German directed by Veit Helmer
German Director Veit Helmer
Press Conference on German Film Gondola
German Director Veit Helmer with his child and JRC

Screened at the Tokyo Film Festival, German Film “Gondola” directed by Veit Helmer is very much the talking point at the prestigious Kolkata International Film Festival as an entry in the International Competition: Innovation in Moving Images. The film explores the relationship between two cable car operators, who meet each other midway as the two gondolas cross every half an hour. Nino and Eva are the central characters, their emotions of seeing each other as their gondolas cross, is the faucet of emotional sensibility amidst the beautiful picturesque setting of Georgian hills and valleys. There’s no dialogue in the movie, only the setting and the musical landscape adding to the drama as it unfolds, Helmet drawing upon is childhood remembrance of watching silent era films like that of Charlie Chaplin and Buster Keaton. A film where silence sells the growing up of a relationship, is emotionally moving and cinematically dynamic; Helmer, with his extraordinary talent of filmmaking which he started at the age of 14 in Frankfurt, has excelled in creating poise and movement as the gondolas of Eva and Nino cross each other midway connecting the hills with the small town in the valley.

Velmer studied film direction at Munich Film School and became famous with his cutting-edge short films like Surprise, shown at the Cannes Film Festival and Tour Eiffel, presented at the Venice Film Festival. His first feature film Tuvalu (1999), starring Denis Levant, was invited to 62 festivals, including San Sebastian and Berlin. He has collaborated with famous artists, like actor Udo Kier on Gate to Heaven (2003), composer Goran Bregovic for Baikonur (2010) and actress Paz Vega for The Bra.

Pls check out exclusive interview with German director Veit Helmer on his film Gondola.

Interview with German Filmmaker Veit Helmer

The Maiden/Virgin with the Unicorn: The Analytical Vector of the Shiva Tattva

Being-Awareness is Param Shiva, it’s undifferentiated from its energy or Shakti – the Para Shakti in its unmanifest reality is pure consciousness without any trace of gender because dissolutions of forms and space time has taken place. The maiden is Tripura Sundari, Lalita, the moon is associated with it, she is the Sri Yantra – the genesis of cosmic evolutionary manifestation in its interdimensional geometric formation (hyperspace quantum optics) The Unicorn is the symbol of the psyche, the pure mind, untainted, therefore, reflects the Atman/Brahman (reverse engineering). The Unicorn is not a mythical creature, there exists these creatures in hyperdimensional mode, they were on earth in the past, the Renaissance paintings embody them, and, the origins in Haarrapa seals are evidential archeological evidence of it, they are not just poetic metaphor for the whole mind, but, it can be deciphered that way.

The Maiden, Unicorn and Param Shiva
Reworking on da Vinci’s Maiden and the Unicorn, JRC

The Virgin and the Unicorn Series: from da Vinci to Parisian Tapestry (1500) to Gerard Munthe.

For exhibitions in Paris and Lucerne and London get in touch with us. I will keep adding to the Series titled “The Maiden and the Unicorn” juxtaposing different lines and symbolical understanding from the Puranas, the Upanishads, European Art history, gnosticism and modern consciousness studies. Thank you for your support.

Happy Guru Nanak Jayanti: May the World be bestowed with Peace and Tranquility

“Owing to ignorance of the rope, the rope appears to be a snake; owing to ignorance of the self the transient state arises of the individualized, limited, phenomenal aspect of the self.” – Guru Nanak

Guru Nanak, JRC, 2023

From Guru Nanak to Victor Hugo: It may sound strange, but, I assure it is not. Art from the unconscious is deeply symbolical and it’s connected with our own process of Self-Enquiry. The process streams with consciousness, reflected consciousness, once the mirror is polished then IT shines through and makes experience possible. From duality to non-duality and back to the marketplace (turia state or Zen’s last state in Oxherding plates), the quest is possible if there’s “Ishwarah Anugraha” (citation Guru Gita 1st sloka) – without the grace, it’s not possible simply by effort 🙏.

Cosmic Charlie, art music rendition, JRC (original Grateful Dead song)

We are so much obsessed with Victor Hugo, the writer, the poet, the scathing social injustice author of the classic Les Miserables (1862), that, we have overlooked a great fact, which is nonetheless, cited by none other than Andre Breton as automatic drawing. Hugo’s intuitive experimentation in art is a secret that needs to be well acclaimed by people, he produced almost 4000 drawings, most of them not meant to be shown in public. Automatic writing or drawing – which the surrealists drawn upon in their work, is all about using the hand to do what it wants to rather than preemptive cognitive decisions that govern our thinking process. Like Hugo didn’t know what he would do on a Friday evening with a roll of paper and ink blots. ….yes, he cared not to know, in a Zen way, one shouldn’t let the right arm know the release time/moment of the shooting of the arrow. Difficult, but,  can be done…there are many examples of that all over and specially in spritual poetry or psychic art. Also same in music by the way…..I don’t think Bob Dylan knows exactly where he would put an end to his lyrics, he has a pattern for the verse but not every word is consciously chosen.

Re-Imaging Victor Hugo Landscape, JRC, 2023

Ink and a quill
Both the nib and feather
Far away your setting sun, the Other
You may choose to run
beyond the horizon
And end up near your favourite apple tree…. (Something like this…!)

What is a free flowing communication that doesn’t get bogged down by preset interference pattern? That’s in reality was part of 19th Century spiritualism – Breton already said that Hugo was the forerunner of Surrealism, he was playing with chance any allowing it to evoke unforseen forces responding to the free-flowing communication that was part of nineteenth-century Spiritualism. Hugo attended séances during his exile, and actively kept a diary of dreams.

Then we have a dream world both in waking state and in dream state along with deep sleep mode. The waking dream seems apparently real, the dream state unreal, that’s our observation, and, we almost have no query about deep sleep mode. Well it’s time to ssk Wahi Guru !!!! Yes, Today….(3 interconnected words and I won’t say more Guru-Govind-Granth) and there is only non-dual consciousness – it doesn’t need to pervade any space time like an incense stick….because fundamentally matter energy and space time are all in it…..

What a beautiful day!

2 artworks – Guru Nanak and A dreamy Landscape from rare collections of Victor Hugo paintings edited by Stefanie Heraeus, translated by Deborah Laurie Cohen ( History Workshop Journal)*that was lying in my desk adding soot to my psyche.

Someday will discuss whats the connection with Vajrayana! And thanks to Sarvapriyananda ji and Guru Ji for making things as clear as a crystal. With little help from Divine Mother!

– JRC

The Interweaving of the Dance of Consciousness in the Para-Vak of Supreme Destiny Through Images Appearing as Quantized Perturbations…

To dream is not to lose sight of reality

To dream is to make the drama real

Broken chalice, urns, and crashed warplanes are scattered like ravens feathers heaped on to the burial of the dead

And toys that roll down the ground, unstitched buttons, shards of broken mirror, yellow blue crayons –

all that consume silence and alarms

And far away tolling bells …

The gipsy flowers of a maidenless paradise, they may dream the real unsung song of songs

That day may the conch shell fill the air with amor dei for the human race

When the vapors arise and fall, when the smoke has cleared the daw, born from the calf’s tears at the sight of this horror, horror…(Mistah Kurz – he dead. /Joseph Conrad’s Heart of Darkness)

3 artworks recently done. For exhibitions in Europe pls get in touch at joyr.choudhury@gmail.com or Mr Jeff Ross at London at jeffmross@aol.com Comments from around the 🌎 world on the Art-Consciousness:

“Joy Roy Choudhury works in arts and science to promote a worldview that allows the unification of science and spirituality and offers a new way of looking at life and the universe, I really appreciate this art project based on consciousness and think this is a new art movement that will be across Europe and Asia. ” – Dr. Ulisse Di Corpo, Author Research Specialist on Retrocausality, Statistics, QM and The Idea of Syntropy, Italy.


For more info on books by Dr. Ulisse Di Corpo and Dr. Antonella Vannini pls check
 www.sintropia.it, the English version is: www.sintropia.it/syntropy.htm and  http://www.sintropia.it/books.htm.

The Art of Offering Naivedya to Mother Lakshmi by a Ritualistic Surrender (Samarpan) of Optical Geometry of Beauty to the Eyes of the World

In the woodcut lithographs and serigraphs in the luminous moons of tetra-aeonic manuscripts, the pulsating pattern of her movement in poise, her dancing feet over icy waters, amazonites, corals, rubies and milkwood roses, strings the lyre’s ephemeral songs

They are sung in the orbs that dazzle in her celestial diadem and in the grasses that hung over blue bells or autumnal seeds

Gazing into the farthest stars and constellations

The Sagittarius in the reticulum of a night owl is the occult sacrifice of rice, grain and pulses They wave their hands to distant galaxies, to many other universes

The Song of Songs is crafted on the bark of a tree, in the Navajo mandalas, in the womb of the urn, in the clay pots that are painted with sparrows, barn owls, barley and wheat With pomegranates and flowers , the little humming bird talks to the rivers that are aspiring to meet the sea: the churning of it, in the glass-hours of dawn will repeat her birth in the meta-pollinating vessels of time over and over…- JRC (Future Poetry)

Comments on present art project: “I have been interacting with Joy and observing his art and the correlations he brings out almost spontaneously – the east and the west entwined in his works, the classical and the quantum world –

The landscape of world art is a network of a binary movement, expansion and contraction, that of causality and retrocausality. The collapse of the mant universal ensembles in the black wholes are portraits of the Krishna strings. The re-emergence of new Stellar nurseries from the white expanses of the inter-galactic infinite are the Sukla sutras.
..
Artists around the world have treaded between these greyscales and portrayed the scheme of an intervening vibjyor, the middle part, the visible universe.
..
What is the deep underbelly of realization of our Sages, the countless Rishis and Rishikas, is today the very focus of the Quantum and relativistic world, be it Quantum Physics or Quantum electrodynamics.
..
Under the apparent surfaces of decomposition and warfare, there is a rise of a powered tide, a new sutra, a new weaving (tantra) of another fresh and bigger Renaissance in the offing.
..

To that Golden Age we reciprocate with full hope of revival, recovery and resurrection.

Dr. Joy Sen
Professor IIT Kharagpur