The Art of Offering Naivedya to Mother Lakshmi by a Ritualistic Surrender (Samarpan) of Optical Geometry of Beauty to the Eyes of the World

In the woodcut lithographs and serigraphs in the luminous moons of tetra-aeonic manuscripts, the pulsating pattern of her movement in poise, her dancing feet over icy waters, amazonites, corals, rubies and milkwood roses, strings the lyre’s ephemeral songs

They are sung in the orbs that dazzle in her celestial diadem and in the grasses that hung over blue bells or autumnal seeds

Gazing into the farthest stars and constellations

The Sagittarius in the reticulum of a night owl is the occult sacrifice of rice, grain and pulses They wave their hands to distant galaxies, to many other universes

The Song of Songs is crafted on the bark of a tree, in the Navajo mandalas, in the womb of the urn, in the clay pots that are painted with sparrows, barn owls, barley and wheat With pomegranates and flowers , the little humming bird talks to the rivers that are aspiring to meet the sea: the churning of it, in the glass-hours of dawn will repeat her birth in the meta-pollinating vessels of time over and over…- JRC (Future Poetry)

Comments on present art project: “I have been interacting with Joy and observing his art and the correlations he brings out almost spontaneously – the east and the west entwined in his works, the classical and the quantum world –

The landscape of world art is a network of a binary movement, expansion and contraction, that of causality and retrocausality. The collapse of the mant universal ensembles in the black wholes are portraits of the Krishna strings. The re-emergence of new Stellar nurseries from the white expanses of the inter-galactic infinite are the Sukla sutras.
..
Artists around the world have treaded between these greyscales and portrayed the scheme of an intervening vibjyor, the middle part, the visible universe.
..
What is the deep underbelly of realization of our Sages, the countless Rishis and Rishikas, is today the very focus of the Quantum and relativistic world, be it Quantum Physics or Quantum electrodynamics.
..
Under the apparent surfaces of decomposition and warfare, there is a rise of a powered tide, a new sutra, a new weaving (tantra) of another fresh and bigger Renaissance in the offing.
..

To that Golden Age we reciprocate with full hope of revival, recovery and resurrection.

Dr. Joy Sen
Professor IIT Kharagpur

Day 4 of Saradiya Navratri: Exhibition IV- Paying Obesience to Mother Goddess, Devi Kushmanda in the Form of a Cosmic Egg – The Natural Spontaneity of the Cosmic Spin

Spinning and twining

In the starlight ballroom

We came forth as innumerable beings resonating with her energy

We crawl back into the womb

Where silence sleeps in the beauty of her being

A radiance in the void, her luminous steps

Who could write or express gratitude?

For love is One, across all planes of existence

Like child nourished by the seraphims

We have found the paradise in her Self.- JRC – on the 4th of Navratri, the aspect of Mother Parvati worshipped is Devi Kushmanda. As the name spells out, Kush meaning small, usma meaning energy and anda meaning the cosmic egg. To sum up, she is the one who created this universe like from a cosmic egg with her smile. The plasticity of the smile is the cause of the multitudes, she is ever worshipped for wellbeing and strength of all sentient beings, she nourishes them all, she is the creatrix of this creation.

4th Day, The Creatrix, Devi Kushmanda

Happy Navratri: Exhibition 1- Invocation to Mother Nature through Shailaputri, the 1st of the Nava Durgas: Connecting through the Lens of  Cultural Integration and Non-Dual Unity of Awareness

India and Italy Cultural Integration
India, France and Uk Cultural Integration through History of Consciousness
India-France through the lens of Consciousness
India-Spain-France through the Lens of Consciousness

Shailaputri, is the 1st of the Nava Durgas celebrated during this auspicious time to connect with the resonating energy of mother Earth for further evolution of consciousness on earth towards defining the original unity of consciousness based on the principles liberty, equality and fraternity.

Folk elements /Art/History/Theatre/Literature/Science and Music

– JRC

Pls support our work and send your comments. I am trying a new way of connect countries through consciousness beyond space time and causality yet in and through it.

Folk, John Lennon, Picasso, van Gogh, Paul Gauguin
India -Spain – France
Spain – India (Bengal)
India-France series
Japan-India Zen Series: Infinite Ways to Raise Awareness
Folk Series (Rural life)
The Fluting Dance of Gnostic Symbols: Cosmic Resonance
Japan -India zen bird series
Japan-India Zen Bird Series
Japan-India Zen Bird Series
Wild Flowers India-France

Comments:

Sri Tapash Konar, Famous Visual artist, : “Interesting Journey with overlapping the common spirit.”

Dr Saikat Kumar Basu, Scientist : BioArt-Inspired by Nature: A New Emergent Art Form on the Social Media Platforms

“Joy is working on elements and narratives in history which are bio-inspired.
Art is an expression of human mind and soul and a manifestation of inner self expression. It is defined and perceived according to both the artist as well as his or her audience, readers, translators, reviewers, fans and/or admirers, museologists, curators, collectors, critics and art historians. Art prevails in various forms and platforms like literature, dance, drama, music, acting, recitation, sketches, paintings, sculptures, handicrafts, folk arts, ethnic arts as well as prehistoric art left on rock faces and caves by our long forgotten humanoid ancestors.

Art therefore has been associated with human society even before the formal initiation of human civilizations across all the major continents. It has evolved over several millennia and acquired various styles, formats, motifs, fragrance, ethnicity, language, heritage and branding in different parts of the world. From modern art to Renaissance classics; and from tribal/aboriginal art forms to abstract art, the diverse world of arts and culture is a mesmerizing platform that deserves our sincere appreciation and support to further excel and evolve over time.

The recent boom of information technology, internet and the rise of social media as a major communication platform around the planet has also impacted the diverse field of arts in various forms like any other realms of human life. Some critics consider these widespread and rapid changes in the arts as positive; while others mark them as negative to the conventional art practices. However, none can ignore the importance of social media in our lives and it’s unimaginable deep penetration into our minds and thoughts. Hence, it is quite natural that this is certainly going to impact arts too; whether positive or negative is an entirely different area of discussion.

Under these circumstances and with the COVID-19 pandemic restrictions confining people indoors; new art forms have emerged and are booming in various social media platforms. One of them I have named as BioArt. Now you may ask what is BioArt and do you mean by it? Well to me BioArt as the name chosen by me is an amalgamation of two diverse disciplines of arts and sciences. In simple terms, BioArt encompasses any form of artistic expression by an artist that has central theme of Biology or Biological Sciences (Life Sciences) consciously or unconsciously in the final artistic output. It could be anything from real life sketch of plants or animals or figurines or wood/clay/glass/polymer models to unique designs made from subjects that are biological in both theme and origin.

To further illustrate, BioArt could be anything from a Japanese origami defining an animal or plant to models, figurine and even abstract with biological subjects of themes. But the best application of the term BioArt is applicable in designs or patterns or abstract art made or prepared from biological subjects or themes. This art form has been rapidly evolving in the social media providing an open platform for professional artists trained in art softwares or even those who are art amateurs. The new initiatives and possibly the free time available due to being confined at home as a result of the COVID-19 pandemic has been stimulating the development as well as rapid evolution into unique art forms strongly biological in theme and origin.

For me biological subjects such as images forms the basis of my BioArt initiatives. I like using pics of images of nature and wildlife and use softwares to develop unique and creative designs that can be used for commercial and industrial design purposes. These bio-imprinted designs are useful for designs to be used on furnitures, curtains, paper, plastic and ceramic containers, kid, male and female clothings, toilet items and gardening accessories, wall paper, tiles and floorings. Such designs could be used in the interior decorations of offices, chambers, laboratories, clinics, hospitals, diagnostic centres, gymnasium, shops, kiosks, malls, recreational centres, washrooms and toilets, beauty parlours, spas, pools, pubs and restaurants, hotels, motels, guesthouses, bungalows, meditation, religious and worship centres, movie theatres, interiors of public transport like tube rails, mono rails, railway carriages, trams, buses, cars, autos, totos, vanos and rickshaws. New and creative biological designs can have positive impacts on the consumers and customers and will further add to the artistic glories and uniqueness of a municipality, city, town or a metro.

The BioArt adds to the aesthetics of our daily life in a new and innovative form. The social media platforms are to be acknowledged at this point for their help in providing a portal as well as a diversified wide platform empowering and Eva long both professional and amateur artists to post and display their innovative artistic enterprises. Also due to the reach of the social media even to the farthest and remotest corners of our planets, BioArt has been booming exponentially as more people are being able to see, review, comment and provide constructive feedbacks in further improving or modifying the work of the artists involved.

This could easily transform into a new revenue source and provide self employment opportunities for several talented individuals over safe and recognized online money transaction portals and apps. Buyers and sellers could thus interact online maintaining social distancing norms and carry their trades forward during the pandemic. For amateur artists engaged in other professions this is a window of opportunity to both explore their available recreation time to enjoy their hobby as well intellectually contributing to the society through their innovative BioArt projects and in turn earn some revenues from their work as an additional income.

-Dr Saikat Kumar Basu

“Agle Rakhbo Tomay” Bengali Music Album Featuring Former Miss Ireland, Aleksandra Taylor and Rishav Basu

“Agle Rakhbo Tomay” is the new monsoon Bengali music album released in Kolkata on 15th July 2023 featuring the stunning British Actress, model, and, former Miss Ireland, Alexandra Taylor alongside the charismatic prodigious new male icon, Rishav Basu directed by the esteemed Director Anshuman Pratush.

The first Bengali Music Album, where Alexandra has featured, she even could sing the songs pretty well, songs that spring out from a post-pandemic world ravaged by loss of loved ones, songs that provide the protection and support in the form of love and gentle kindness, that goes the distance. Shot in London, the music album is a testimony to two innocent characters falling in love, their commitment, and, the promise the relationship holds in an already fragmented world. It also connects two cities Kolkata and London, that has history behind it, but, it also surpasses any localisation because love is universal and generic, so it celebrates an intangible asset which is the very bedrock of any healthy community. It is love that connects through music, even if someone doesn’t understand the language, the soft Bengali undertones that creates a beautiful loving sensation that lingers not in the ear, but, also in the heart when it’s over like Wordsworth’s The Solitary Reaper. Sung by Pratik Kundu, it’s a beautiful rendition of his musical talent where the deeper connection is felt instantly in the rhythm and the use of the words, the lyrics and music is reminder of his talent in music/film industry. The music album is available on all platforms, and, it will be much enjoyed by people of all ages, across all communities worldwide.

Interaction with British Actress and Former Miss Ireland Alexandra Taylor on her new Bengali Music Album Release “Agle Rakhbo Tomay”

Alexandra Taylor’s Promising Journey from Manchester to Kolkata, the first British Actress to feature as the main actress in a Bengali Film “Ogo Bideshini”

The deeper connection with India and Ireland is something for historians to explore, but, it is quite commonplace that Indian Cultural Renaissance which started in late 19th Century and early 20th Century culminating in Tagore’s noble prize in 1913 has deep roots in Irish literature and the aesthetic movement, the Celtic Twilight with W.B. Yeats writing the forward to Tagor’s Noble prize winning book Gitanjali – a unparalleled classic for the ages, further to that Dublin and Calcutta (as it was known that time) had other impacts on each with George Bernard Shaw, and, James Joyce becoming literary icons that enriched Indian literature both in thinking and understanding the psychoanalytical part of the human becoming. Such a strong connection, and lineage, today is taken forward by Aleksandra Taylor, she has two post graduation degrees in acting and a master’s degree in voice, a natural born actress, who went to drama school as early as six years, with her mom waiting patiently outside to take her back home. Such fortitude, and mental ability to know what she wants to do from an early childhood is often overlooked when one enters the glamour world of film and paparazzi. Before making a foray into Bengali films, she was a successful British actress and model, she grew up in Manchester, loved the football club (Man Un) and enjoyed the Indian films with their family emotions, dances, and delicacies. But genuine love for Kolkata came, when she visited the city, felt the warmth and hospitality and the cultural connections, the history and more importantly and psychological friendship that grows up when one feels at home with the settings of a certain place.

Most importantly, she is the first British Actress to play a lead role in a Bengali film “Ogo Bideshini” directed by esteemed director, Anshuman Pratush. Casted alongside Ankush in the lead role, much of the success was dependent on the synergy she had with Ankush, who in his own way created that space for her to revel in the film. In films, reciprocation of roles is an important contributing factor to sucess and ratings. Ankush created that opportunity in the role for Alexandra to be her best in full confidence. She also did advertisement commercials in Bengali, Hindi and Telegu and some films as well, but, “Ogo Bideshini” was her first mainstream moview where she eased into the role, a spontaneous acting that’s her credential, but, she worked hard and with utmost dedication and sincerity, trying to grasp the Bengali language, not, just words and sounds, but, the whole semiotics
, and structured sentences for the dialogues. So, she has lived up to the potential, with new films in the offing, and, a brand new release of a Music Album “Agle Rakhbo Tomay” directed by Anshuman Pratyush, her promising career has taken its flight. A very sociable, and intelligent girl, she has learned the nuances of the Bengali culture with a deep respect, she calls now Kolkata her home, far away in London, the gray clouds might bring rain, while there is Indian Monsoon to bring the music and the dances.

Alexandra with Rishav at the pre-launch program of the Music Album “Agle Rakhbo Tomay”
Alexandra in interaction with Morrison and JRC on her Bengali Film Career and the Music Album Release
“Agle Rakbo Tomay”
Smile that Saves Life
Agle Rakhbo Tomay Poster

– J

Cognitive Resonance in the Brain and Transformation, Change and Evolution in E-Assessment Processes

Brain Data Interface

Cognition – ‘The process of acquiring knowledge and understanding through thought, experience or the senses’

Resonance: ‘Amplifying effect when two systems interact in harmony’

Evolution of Consciousness is toward Cognitive Resonance

 

resonance

The concept of the Brain as a Hologram posits that memory is distributed rather than localized in the brain. If it was possible for every portion of a piece of a holographic film to contain all the information necessary to create a whole image, then it seemed equally possible for every part of the brain to contain all the information necessary to recall a whole memory. But responses evoked by the individual in a particular scenario is highly conditioned since the neural networks work in a certain predictive pattern and the whole information content of the brain is not used. But scenarios are soon changing. A simple case of E-Assessment or E-Testing gives evidence that e-marketers are now able to think out-of-the-box to challenge the networking in the brain and force it to reconfigure the pattern. The so called ‘Disruptive Technologies’ which are AI driven are putting new barriers, forcing the brain to re-think and enable a seamless evolution of consciousness. Very soon traditional Multiple-Choice questions in E-Assessment which has one correct answer and others as detractors, will be replace by gaming scenarios or other multi-modal question-feedback that allows new synthesis and critical thinking to emerge – the new education perspective can be used to develop the ‘Multiple-Intelligence’ of the child from the very onset. It also augurs well in the velocity or emerging markets in the world where use of high-speed internet data (4G/5G or similar) is affordable in the use of devices like tabs and smart phones.

Going Beyond-Multiple Choice in the E-Assessment environment and the use of AI driven technologies in Skills Assessment also shows Change and Evolution in the Framework and Policies which are integrating the Transformation of Consciousness taking place.

Modern neuroscience research tells us that every brain is unique and
experience driven. So, at birth certain neural pathways and networks
are conditioned by our genes. That remains fixed or conditioned but
the brain is not static but dynamic and continually morphs itself in
response to experience. So, the new take is genetics + environment
drives human behaviour and understanding and skills set. There is
evolution of consciousness based on quality of external stimulants.

To challenge the brain and our understanding of a particular subject
we can devise new ways of testing or creating new scenarios which will
be completely new to the already conditioned neural pathways in the
brain caused by one set of testing or assessment. The brain has to
radically change its own response to the new assessment and evolve
accordingly. It has to form new synapses with regard to new
information processing and use data already stored in its own hologram
to find the right answers.
New ways of testing and assessment drives new evolution and it can
change brain function and brain size as well. This is the new dynamics
of collective evolution based on Beyond Multiple-Choice Assessment. For technical expertise assessment, there is already a shift towards virtual simulation, where the participant can respond to practical testing sitting anywhere, anytime.

If the new technology can mix unpredictability or uncertainty in the
scenarios for assessment, allowing randomness to constitute a new
complex order then the brain can respond to that situation using its
own non-local consciousness.

There will be quantum entanglement b/w the information bits (quantum
information bits or qubits) in the question and the information stored
as memory in the brain hologram. If Assessment is an understanding of the participant’s formal knowledge about a subject, then in an ideal scenario there is cognitive resonance between the Questions, Delivery of it and the Answers or Responses which comprise the Assessment Process. The more enriched this process is, the better is the evolution of consciousness.

 

—————————————————————————————————————————————–PRESS RELEASE

FUTURE SECURED FOR INTERNATIONAL E-ASSESSMENT CONFERENCE

 

 Assessment Tomorrow and the eAssessment Association (eAA) agree partnership for the e-Assessment Question Conference

Assessment Tomorrow and the eAA today announce the signing of a Memorandum of Understanding to take forward the e-Assessment Question Conference and Exhibition (www.e-assessment-question.com).

The 2019 e-Assessment Question conference (10th and 11th April 2019), now in its 17th year, has become one of the key events on the education calendar for the UK and beyond. It brings together public and private sector institutions, awarding organisations, technology companies, policymakers and other educationalists that share an interest in improving assessment.

Matt Wingfield, chairman of the eAA, comments:

“The eAssessment Question has become one of the most influential gatherings in education technology. The spring conference has steadily grown to become one of the main annual events in the edtech calendar, and has seen major deals and policy decisions originated from within its doors.”

Jeff Ross, director at Assessment Tomorrow, comments:

“We are confident that the eAA is well placed to drive the conference forward, evolving the format in partnership with its members and industry sponsors to ensure it remains relevant to the needs of this rapidly maturing sector.”

The eAA already organises the eAssessment Awards to promote best practice within the sector as part of the conference programme and the 3rd annual awards dinner will be held on the evening of 10th April.

 

From 2020, the eAA will take over the organisation of the conference and exhibition with support from Assessment Tomorrow.

Further information from:

 

Assessment Tomorrow, Jeff Ross (+44 7785 920392) or Martyn Roads (+44 7802 724750)

info@assessmenttomorrow.com    www.assessmenttomorrow.com

 

eAssessment Association, Karen Pernyes (+44 7986 847033)

marketing@e-assessment.com  www.e-assessment.com

 

Notes for editors:

 

Assessment Tomorrow has been organising specialist e-assessment conferences and events in a number of worldwide locations since its first London event in 2003.

The eAssessment Association is a professional membership organisation with over 1,600 members drawn from right across the formal education and work-based learning sectors.

Founded in 2008, the association promotes better assessment of knowledge, skills and capabilities of people through technology. It builds awareness of the benefits that technology brings to assessment and works to ensure that the industry it has a strong voice and influence in key policy debates.

Reading Beneath the ‘Faces’: Serge Anton’s Photography and the Non-Local Discreetness of Each Moments

Tonpa Shenrab Miwo Bon Monastery Nepal

Tonpa Shenrab Miwo, Triten Norbutse (Bon) Monastery, Nepal, photograph by Joy Roy Choudhury

Sometimes I do wonder what makes a photograph so fascinating. Is it the observed or the capture, or, the technology used to observe the observed, or, something hidden beneath the observed that it brings out, some recurrent pattern or archetype that gives the photograph something to stand out from the clutter of objects in our every day life. Does the photograph throw any light on the mind of the photographer? Does it tell anything about his level of perception, as he is the one who is choosing the subject of his photography? Adding another perspective to it, does the photograph hold a key or passport to eternity? Lets look into it. If the photograph captures a moment or say a decisive moment, then we are talking about a precise fragment of space-time which is discreet or can be called a quanta. Instead of thinking about the linearity of time because our neural networking is conditioned that way, we can think about discontinuous moments and there are infinitesimal gaps in between these moments. At the subquantum level, these are interference patterns of wave fronts which are captured in the photograph. Through the photograph is a presence because our brains are Fourier analyzing the wave forms, they are  in fact frequencies which have their origin not at the manifested level of reality but at the implicate level which is the quantum potential. Out of that quantum potential, the photographer is able to manifest one aspect of it in a kind of coordinated movement (also called Holomovement by David Bohm). What does it then tell about the photograph? Though the photograph is a local thing-event, but, what is fundamental is the deeper reality behind it, not, time but the timeless that it represents. That is possible because the photographer is a witness or observer- he is not adding anything to reality. He just capturing “things as they are”. And these discreet ”thing-events” (ji) are like mirrors reflecting each other ad infinitum creating an orchestrated dance like billions of jewels in a necklace each reflecting each other and thereby creating an entire ensemble through mutual interpenetration. Each jewel or dew drop reflects the whole (though of lower resolution) and is a passport to the timeless and the eternal.

The Face Is The Mirror Of The Soul – Serge Anton

image001

I would like all of you to have a look at Serge’s work, these faces capture the timeless frozen in time. The observer’s consciousness have archived those beautiful moments that capture the essence of existence and bliss. This is what reality is all about – at both levels, the manifested biological level of physical forms, and, at a deeper fundamental level of subquantum reality, the level of the formless or the unmanifest which is more fundamental.  It is the TAO or the Brahman Or the Void which manifests our individuality out of love and compassion (karuna), and if you use the great wisdom or ”maha-prajna” then everything goes back into the timeless as possibilities in consciousness, into the formless undifferentiated, unborn Self which you verily are -”Tat Tvam Asi” (That Thou Art). Here, the photographer is the SEER, the witness, all-pervasive, perfect, non-dual, free, intelligent, action-less, desire-less, unattached and serene – that is the true nature of the Self. The moment photographed is the beautiful tapestry of wordless silence, each face having its own narrative which reflects all other narratives – faces reflecting each other and resembling the whole, the ensemble in a synergistic dance that comes from “the empty theater and empty circus and empty universe
ready to accommodate any act and any audience”. (Buckminster Fuller on Vector Equilibrium)

So, you can take a look at Serge Anton’s work from his book Faces by Lannoo Publishers and enjoy every discreet moment.

FACES from Lannoo Publishers is an exquisitely designed book of beautiful portraits taken by internationally renowned photographer, Serge Anton. Each portrait has been photographed on Anton’s countless travels in Africa and Asia over the last 30 years.

Each portrait tells wordless stories, as they reveal a certain resemblance in the exotic faces of faraway cultures- details in their eyes and wrinkles that seem to reflect the wisdom of lifetimes. There is no text to explain each portrait as Anton wants readers to be intrigued by the portrait no matter where, how or when it was taken.

image002

For More Information on Serge Anton’s work, pls get in touch with

Jenna Fazio

Public Relations Assistant

CAROL LEGGETT PUBLIC RELATIONS

39 West 14th Street Suite 405

New York, NY 10011

(212) 727-2155

———————————————————————————————————————————-

Nick Mason’s Saucerful of Secrets, London

 

splash

Nick Mason’s Saucerful of Secrets

-J

122nd Birth Anniversary of Sri Dilip Kumar Roy, 22nd Jan, 2018: Realization in the Cellular Mind and Supramental Descent from the Point of Singularity

 

dilip-and-friends-in-london

Sri Dilip Kumar Roy and his college friends in England, 1920

ABOVE: Sri Dilip Kumar Roy and his college friends in England, 1920. CLOCKWISE from lower left: D.K. Roy, K.P. Chatterji, Subhash Chandra Bose (Netaji), C.C. Desai.  Pictures courtesy Pilgrims of the Stars- Dilip Kumar Roy and Indira Devi/ Excerpt from Pilgrims of the Stars/ Dada ji & Indira Ma picture courtesy Hari Krishna Mandir Archives- website: http://www.harikrishnamandirindiraniloy.com/

 

His ways are strange, bewildering!

Sri Balaram and Sri Krishna

Sri Krishna (R) and Sri Balaram (L), Old Indian Art

To fathom Him I fail.

How He fulfils our hearts with His love

Devi Sarasvati, Goddess of Learning Bengal Kalighat Painting

Devi Saraswati, Goddess of Learning, Kalighat Painting Bengal

O Friend, I cannot tell.

 

I learned to laugh through tears and staked

My all to glimpse His Face:

I won Him by becoming His,

Lost all and gained His Grace.

 

Relentlessly He weaned me from

My lesser loves, my kin,

Till even the mate I once had hailed

Loomed far and alien.

 

Now dead I am grown to fear and shame

In my lone quest for Thee:

Strange, none befriends when thou becom’st

One’s friend, O Mystery!

(Song that came to Indira Maa after 14 hours of meditation at Mussorie, 1949. Dadaji, i.e. Sri Dilip Kumar Roy translated it into English. The original song was in simple Hindi. – from a spiritual science point of view some sort of super-luminal synapse taking place in the brain by mediation of Non-Local Consciousness, thereby articulating in simple harmony the essence of the Lord as expressed in Srimad Bhagavatam)- The Advent of Mira, Pilgrims of the Stars, Autobiography of Two Yogis, Dilip Kumar Roy and Indira Devi

Sri Dilip Kumar Roy with Sri Sita Ram Das Omkarnath Ji  and Mata Indira Devi

Sri Dilip Kumar Roy with Sri Sita Ram Das Omkarnath Ji and Mata Indira Devi

 

MY FIRST MEETING WITH SRI AUROBINDO:

Sri Dilip Kumar Roy: “You must, then, realize it yourself first?”

Sri Aurobindo: “Obviously. Be it a new realization or light or idea- it must first descend into one person from whom it radiates out in widening circles to others. Doesn’t the Gita, too, say that the ways of the best of men act as models to the rest? In the Integral Yoga, however, the work starts after the realization, whereas in most other yogas it ends with the realization. The reason is that I am primarily at manifestation, for which I must, obviously, reach the Supramental myself before I can bring it to bear on our earth-consciousness. For this, ascent has to be the first step- descent is the next.”

Sri Dilip Kumar Roy: “How will the descent work, to start with?”

Sri Aurobindo: “When the Supramental touches our being, our consciousness will overpass its twilit stage of the mental, where the Divine Truth is distorted, into the upper regions where light has free play, that is, where there are no such distortions. This will in its turn bring about the transformation of mind, life and body, as that will be one of the functions of the Force as its inception in the world of matter, generally- to usher in subsequently the new era in man’s living. You must not misunderstand me. What I want to achieve is the bringing down of the Supramemtal to bear on this being of ours so as to raise it to a level higher than the mental and from there change and sublimate the workings of mind, life and body….”

Sri Dilip Kumar Roy with Yogishwar Sri Kalipada Guha Roy

Sri Dilip Kumar Roy with Yogishwar Sri Kalipada Guha Roy

Processing symbols

Connecting with the aural frequencies of the bees and birds,

Sri Aurobindo Symbol

Sri Aurobindo amd Divine Mother Symbol

 

With the faraway spiral galaxies

With the dewy grass, stone artefacts and mandalas

Under the shade of the peepal and banyan trees

Silence adumbrates wisdom of the new era

And the boat leaves for the other side,

The fisherman’s song and the cradle of stars

Are there to commute and encounter a synapse

The river rolls itself

Unfolding into the cherubic circles of the night jasmines at bloom

The optic nerves connecting data

Divine Mother Symbol

Divine Mother Symbol

To the point of singularity

Through realization in the cellular mind

Optimizing surrender through energy vortex of the earth

Completing the circuit

With convolutional patterns and symmetries

Leveraging time

For the Timeless Descent!

-J

 

 

 

Ratha Yatra 2017: Intersection Point Where All Timelines and Space (Cartan Subspace) Conjoin at a Wormhole Junction in Hyperspace

Jagganatha Subhadra and Balarama

Lord Jagannatha Devi Subhadra and Lord Balarama painting, folk style 19th century, Orissa courtesy Sothebys

“Na tasya pratima asti yasya nama Mahadyasa Hiranyagarbha” (Yajur Veda 32:3 hymn) /’He Has No Image, His Name is Glorious Hiranyagarbha’.

“Mameibanso jiva loke jiba bhutah sanatanah” (15th Chapter of Gita) ‘The Perennial Part of the God is Present in the Body of Creatures’. 

Ratha Yatra Poster

Ratha Yatra in London old poster art

 

Bondage is the impermanent nature of the universe

Only the everlasting soul dwells in non-duality

Being free and beyond the causation of space-time it appears as everything

It disappears into the golden womb of nothing

Still shining in the void of voids

It is the supreme unity of all operational matrices

The essence or nature from which creation assumes its destiny

A preset asymmetry is then released into the finite

Into the ocean of multitudes branching out the karmic propensities

A single flow of supreme divinity connects them all

Pulsating all timelines of the cycles of yugas

A manifested ocean of space consumes them all *Prajnana Bramha/’Idam Mahadbhutam Anantam Aparam bijnana ghana eba’ (Brihadarankya Upanishad)

A differentiated order of chaos is the original destiny of the unifying godhead

Sacred evolution is the sustaining metaphor of every life in the universe

As the chariot moves creating its own rhythm of dance

A spectacle beholds the passing scenes

From the Hiranyagarbha , it was before the rising sun awake from its slumbering sleep

Deep beneath it was only a radiance of love that overflowed

That connected with itself through all sentient beings

And the wheels of Jagannatha neither dry or wet

Rolled into the essence beyond the machine perfection of human intelligence

Into that where no words can peer or sound vibrate

Or thoughts claw their meaning on mind

Into that ineffable:

‘Hiranmayen patrena Satyasaphihitam mukham,

Tattwampushanapabrunu Satya Dharmaya Drustaye’ (Isha Upanishad)

 

-J

 

 

 

 

Time Projectiles in Vertical Space Dome in the Dynamic Cosmic Consciousness of the Mind-Map-Grip-Zone

 

 

 

QUINWING A, Samij Datta, 2012

Time Projectiles in Vertical Space Dome in the Dynamic Cosmic Consciousness of the Mind-Map-Grip-Zone

Consciousness-Analogue

The defining space positions of a many-particle system in a time elevator

Is through the use of cosmic Jacquard punch cards of the old loom

A typeface of matter emerges in the mind, Berkley was right!

In the hologram of the cosmic multiverse

The circles play and interact with each other

Till trime-nawa-nawa-nawa-trime  is changed into

Trine-nawa-nawa-nawa-trine

Roerich said “through Beauty we pray, with Beauty we conquer”

And in beauty we always find a truth

Through these lines of frozen insertion in the original text    

I declare the constitution of the New World Congress

Where every atom is the atomized fusion of consciousness

That is granted to time followers in a classical episteme of non-local causality

A flower is a leafy diagram of many rivers in the myriad mind-wells of the time-gap

Its hexagram is the pentecostal fire of the darkness burning in the vacuum bond

She had the stars fixed in a receptacle

Or else a kite flying in the metallic frame of Benjamin Franklin

She was mouth of the pentacle guarding the lion of alblackica

She was the first oracular synthesis of man’s occult power with reason

She was the dead star, the white dwarf of an amphibious ring

Shining like pink argyle diamonds in the sky

Retat-rua-ro-avra-electroyim-nevanta talk-time in a bird-watch-loop game.

 

– Joy Roy Choudhury

Ref: Photograph, Joy Roy Choudhury