Happy Navratri: Exhibition 1- Invocation to Mother Nature through Shailaputri, the 1st of the Nava Durgas: Connecting through the Lens of  Cultural Integration and Non-Dual Unity of Awareness

India and Italy Cultural Integration
India, France and Uk Cultural Integration through History of Consciousness
India-France through the lens of Consciousness
India-Spain-France through the Lens of Consciousness

Shailaputri, is the 1st of the Nava Durgas celebrated during this auspicious time to connect with the resonating energy of mother Earth for further evolution of consciousness on earth towards defining the original unity of consciousness based on the principles liberty, equality and fraternity.

Folk elements /Art/History/Theatre/Literature/Science and Music

– JRC

Pls support our work and send your comments. I am trying a new way of connect countries through consciousness beyond space time and causality yet in and through it.

Folk, John Lennon, Picasso, van Gogh, Paul Gauguin
India -Spain – France
Spain – India (Bengal)
India-France series
Japan-India Zen Series: Infinite Ways to Raise Awareness
Folk Series (Rural life)
The Fluting Dance of Gnostic Symbols: Cosmic Resonance
Japan -India zen bird series
Japan-India Zen Bird Series
Japan-India Zen Bird Series
Wild Flowers India-France

Comments:

Sri Tapash Konar, Famous Visual artist, : “Interesting Journey with overlapping the common spirit.”

Dr Saikat Kumar Basu, Scientist : BioArt-Inspired by Nature: A New Emergent Art Form on the Social Media Platforms

“Joy is working on elements and narratives in history which are bio-inspired.
Art is an expression of human mind and soul and a manifestation of inner self expression. It is defined and perceived according to both the artist as well as his or her audience, readers, translators, reviewers, fans and/or admirers, museologists, curators, collectors, critics and art historians. Art prevails in various forms and platforms like literature, dance, drama, music, acting, recitation, sketches, paintings, sculptures, handicrafts, folk arts, ethnic arts as well as prehistoric art left on rock faces and caves by our long forgotten humanoid ancestors.

Art therefore has been associated with human society even before the formal initiation of human civilizations across all the major continents. It has evolved over several millennia and acquired various styles, formats, motifs, fragrance, ethnicity, language, heritage and branding in different parts of the world. From modern art to Renaissance classics; and from tribal/aboriginal art forms to abstract art, the diverse world of arts and culture is a mesmerizing platform that deserves our sincere appreciation and support to further excel and evolve over time.

The recent boom of information technology, internet and the rise of social media as a major communication platform around the planet has also impacted the diverse field of arts in various forms like any other realms of human life. Some critics consider these widespread and rapid changes in the arts as positive; while others mark them as negative to the conventional art practices. However, none can ignore the importance of social media in our lives and it’s unimaginable deep penetration into our minds and thoughts. Hence, it is quite natural that this is certainly going to impact arts too; whether positive or negative is an entirely different area of discussion.

Under these circumstances and with the COVID-19 pandemic restrictions confining people indoors; new art forms have emerged and are booming in various social media platforms. One of them I have named as BioArt. Now you may ask what is BioArt and do you mean by it? Well to me BioArt as the name chosen by me is an amalgamation of two diverse disciplines of arts and sciences. In simple terms, BioArt encompasses any form of artistic expression by an artist that has central theme of Biology or Biological Sciences (Life Sciences) consciously or unconsciously in the final artistic output. It could be anything from real life sketch of plants or animals or figurines or wood/clay/glass/polymer models to unique designs made from subjects that are biological in both theme and origin.

To further illustrate, BioArt could be anything from a Japanese origami defining an animal or plant to models, figurine and even abstract with biological subjects of themes. But the best application of the term BioArt is applicable in designs or patterns or abstract art made or prepared from biological subjects or themes. This art form has been rapidly evolving in the social media providing an open platform for professional artists trained in art softwares or even those who are art amateurs. The new initiatives and possibly the free time available due to being confined at home as a result of the COVID-19 pandemic has been stimulating the development as well as rapid evolution into unique art forms strongly biological in theme and origin.

For me biological subjects such as images forms the basis of my BioArt initiatives. I like using pics of images of nature and wildlife and use softwares to develop unique and creative designs that can be used for commercial and industrial design purposes. These bio-imprinted designs are useful for designs to be used on furnitures, curtains, paper, plastic and ceramic containers, kid, male and female clothings, toilet items and gardening accessories, wall paper, tiles and floorings. Such designs could be used in the interior decorations of offices, chambers, laboratories, clinics, hospitals, diagnostic centres, gymnasium, shops, kiosks, malls, recreational centres, washrooms and toilets, beauty parlours, spas, pools, pubs and restaurants, hotels, motels, guesthouses, bungalows, meditation, religious and worship centres, movie theatres, interiors of public transport like tube rails, mono rails, railway carriages, trams, buses, cars, autos, totos, vanos and rickshaws. New and creative biological designs can have positive impacts on the consumers and customers and will further add to the artistic glories and uniqueness of a municipality, city, town or a metro.

The BioArt adds to the aesthetics of our daily life in a new and innovative form. The social media platforms are to be acknowledged at this point for their help in providing a portal as well as a diversified wide platform empowering and Eva long both professional and amateur artists to post and display their innovative artistic enterprises. Also due to the reach of the social media even to the farthest and remotest corners of our planets, BioArt has been booming exponentially as more people are being able to see, review, comment and provide constructive feedbacks in further improving or modifying the work of the artists involved.

This could easily transform into a new revenue source and provide self employment opportunities for several talented individuals over safe and recognized online money transaction portals and apps. Buyers and sellers could thus interact online maintaining social distancing norms and carry their trades forward during the pandemic. For amateur artists engaged in other professions this is a window of opportunity to both explore their available recreation time to enjoy their hobby as well intellectually contributing to the society through their innovative BioArt projects and in turn earn some revenues from their work as an additional income.

-Dr Saikat Kumar Basu

The Hermetic Order of the Golden Dawn: From WB Yeats’ Tattva Cards to Paris High Fashion and Rajasthan Ancient Tantra Symbolic Art

2nd Exhibition: The Hermetic Order of the Golden Dawn. A series of paintings including WB Yeats Tattva Cards from Numberless Dreams to L’OREAl Illustrations in bricolage with CHRISTIAN DIOR, 1950s Paris Fashion with Rajasthan Symbolic Tantra Art and Zen Artworks of Birds and Flowers.

All artworks done by me (charcoal on paper with mixed media) For exhibition in Paris, London, Zurich

Pls contact joyr.choudhury@gmail.com

Tattva Cards, WB Yeats from His Number less Dreams, Visions circa 1898-1901 now present in National Library, Ireland
Tantra Symbolic Art and Paris High Fashion
Tantra Art and Paris Fashion
Tantra Symbolic Art and Paris High Fashion
Portugal 1948-55 by Charles Fenno Jacobs
Gallacian Milkmaid , 1925 by Ruth Matilda Anderson
Paris Fashion and Tantra Symbols: Unlimited Ways to Awareness 1.0
Cloche Hats, Dynevor Rhys, April 1928 Paris

The Kashmir Chromosome: An Incredible 25 narratives of Resilience and Triumph put together by Kaunteya Sinha and Vaibhav Giani from Kolkata

At The Kasmir Chromosome event Left Kaunteya Sinha, Shreya Giani, Aditya Ghosh, the Monarch of Ladakh 2nd Right and Bollywood Sensation Vibha Saraf extreme Right
Vaibhav Gaini, the High School Child Prodigy talks about his inspirations behind the project The Kashmir Chromosome to Tantra Foundation Media Outreach Team

When I was a school boy, or, at the university, all that knowledge I had of Kashmir was from picture postcards, antique or curio shops in New Delhi, a little interaction with the men who burnt their skin moving from door to door to sell their exquisite Kashmiri Shawls, and, of course, from the yelling of Shammi Kapoor in the song Yahoo! chahe mujhe koi junglee kahe from the film Junglee released in 1961, shown in Doordarshan later in 1980s and “Yeh chhand sa Roshan chehra” – a romantic song of poise and harmony that mesmerised audiences with shimmering waters of the Dal Lake in the background in Kashmir Ki Kali 1964 together with the film Arzoo, 1965 – these were all Bollywood classics. These were the only memories of most our friends’ growing up years, of what we knew or glimpsed about Kashmir. And yet there was another door which opened slightly while at college I chanced upon an album from legendary British Rock Band, Led Zeppelin that had one epic song called Kashmir, very melodic and metaphysical with the lines:


“Oh, let the sun beat down upon my face
And stars fill my dream
I’m a traveler of both time and space
To be where I have been
To sit with elders of the gentle race
This world has seldom seen
They talk of days for which they sit and wait
All will be revealed…..”

I was enchanted with the song, repeated it over and over again till the woke up again with a new morning that beckoned a new hope and hum the rest of the lines of that song : My shangri la beneath the summer moon


I will return again
As the dust that floats high in June
We’re moving through Kashmir….

These were the only doors that time had opened to know a place which had a reservoir of resources, not just, snow, and, orchards and plenty of lakes that mirror every detail of the star-lit skies. But the map is not the territory – till I visited the brilliant curated show titled “The Kashmir Chromosome” put up by Kaunteya Sinha and an incredibly talented high school student Vaibhav Giani from Kolkata. I was anticipating no less, before I stepped into the KCC gallery, with my eyes glued to the 25 significant narratives that tell you about the journey of the people who come from humble backgrounds, and, against all odds they braved their way to their dreams, with passion, love and sincerity. The photographs – 25 of then – each constituting narratives with narratives – meta-narratives, that express the enduring spirit the people of Kashmir who always had to put their beautiful place in memories of poets, artists, designers, musicians, and, entrepreneurs.

The Child Prodigy Vaibhav Gaini
Bollywood sensation and singer sing writer Vibha Saraf
Morrison Tantra Foundation talking to the Pilot
Morrison and Abhijit talking to the Basketball Player
Morrison with Jaz Sahab the last santoor maker in Kashmir
Tantra Foundation with the Monarch of Ladakh
Bickram Ghosh at the Event taking about music beyond boundaries


I had to start seeing the exhibition at some point, and, destiny choose me to start with Zaz Shahab, who is the last recognised santoor maker in Kashmir, who spend hours with Pandit Shri Shiv Kumar Sharma Ji, who made this instrument popular not only in Indian classical music, but, across the world, still allowing the fingers to glide over to create modulation in sound. And then I bumped into Vaibhav, his eyes glistening, as he told me quite candidly his experiences, and the sincere heartwarming love he received from the people in Kashmir, visiting it several times with his photographer, constructing interview scripts ,and, working diligently with his mentor, Kaunteya Sinha, who guided him in every step, also, inspiring him to find another new young fresh talent in India who would invest time on “human equity”, on “human skills” , on “narratives of resilience and triumph” in many other forgotten parts of India.
The program was very well organised with the presence of these men and women from Kashmir, their narratives constitute The Kashmir Chromosome, the event flanked by guest luminaries like The Monarch of Ladakh- His Excellency Maharaja Jigmud Wangchuk Namgyal and Padma Shri Raghu Rai, India’s most iconic photographer, Bollywood sensation, singer and song-writer Vibha Saraf, who also sang melodiously with lilting grace, Indian Chess Grandmaster, Dibeyendu Barua, National Award winning singer, Imam Chakraborty with tabla maestro Bickram Ghosh and Aditya Ghosh, Founder of Akasha Airline.

The whole program evoked responses from the audience, and, all agreed at one singularity point – the people of Kashmir have come out and showed power, courage and resilience to seek their own destiny, with equipoise and rhythm that is so dynamic to a place surrounded by snowcapped mountains and the mirroring lakes.
I will try to put together each of the narratives very soon here, and please watch out Tantra Foundation Media Outreach Channel in YouTube to see all the interviews we have taken.

 Thanks to Kaunteya and Vaibhav and all others to make this event a reality - The Kashmir Chromosome tells us that the peoples are changing because they have the will power and lot of heartfulness to adapt and adjust to fast changing scenarios that are building up.

As I end, this blog what keeps repeating is lines from W. B. Yeats: ” We are the last of romantics, /Choose for theme, /Traditional sanctity and loveliness .. and it hauntingly hums with Led Zeppelin’s

” My shangri la beneath the summer moon
I will return again
As the dust that floats high in June
We’re moving through Kashmir”….

Watch “La Primavera: The Ritual in the Cosmic Unity of 1-ness (Future Poetry) @IcaPoetryOfficial” on YouTube

Happy Easter….

When the delirium was over
The hands that rocked the cradle
And held the moon in his locks,
Legs that walked on ice and hot desert sands
Following the course of the meandering rivers
To the rocky caves beneath the sea
The rainbow corals and the blue pearl
The jaguar fish and the turtles and terrapins


Dripping in the rain when fingers are pointed towards the horizon.
The divided lines conjoin to host
La Primavera under the canopy of a
Brightly lit sky
The waxing moon profusely bleeding it’s silvery mist over mountains of gold and copper
And crystals like pink argyle diamonds
That shine over the serpents head
In fire incantations they talk to the mother of the universe
Language without verbs become inactive
Without nouns there is nothing to name
Silence is non action without the doer
When it is negated a shining luminous unmistakable presence without any counterparts is readily the reality that engulfed him
He saw the coming in and out of multitudinous universes, meta-alorhytmic metaphors dazzling in the elemental poesis of dimensionkesss singularity points .each reverberating with hymns that the tongue tastes while commemorating the diegesis of mantric syllable in the pantomime of characters endless in the theatre that accomodates every act in the domain of speechless causality that time unknown knows not….
Here and now, she may cry again
Light a lamp, hold a mirror in her hand
Her hair may fall like a shadow of the moon
Eclipsing the sun
And there will be no language
No sign
No nothing .but only a luminous presence
Seeking darkness that is not there anymore…..
Shall you not sing to the glory of this everlasting dawn
A moment that stretches to eternity
As there is no time
Past and future
The advanced and retarded waves
Have disappeared from the equilibrium
Leaving only the ethereal patterns of a pre geometry to weave what it wants to weave
A horse, a stallion running over grasslands
And she beholds the world her bosom
And becomes it
infinitely small or big
Enduring the cry, the scream
The passion and the comic interludes
Exchanging flowers the seasons may give
In an ovation to her playful caprice
She the stillness embodied
Waved her hand and kissed the petals
That will bear the true love that destiny doesn’t know
I may go to slumber again
Aeons may pass in a few seconds
Distilling time win her cup of wonder
She may pluck the grapes and berries
Lie on the grass banks near the meadow
The sun will rise from her forehead
you may not know it
And I may sink into deep oblivion
The stars may fizzle out one by one
Leaving nothing but for her to shine

Sacred Tree at Shri Kunja, Rural Outreach, Tantra Foundation
The Green Fields, Shri Kunja
Myself with Revered Yang Thang Rinpoche, Yuksum Retreat
Joan Baez
Rani of Jhansi, Kolkata Art circa early 1900
Sri Anandamayi Maa
Sri Sarada Maa with Sister Nivedita
Divine Mother, Pondicherry

Blessing of Goddess 🙏 Tara 🙏 while writing this….

Dr. Madhu Khanna, Founder Trustee, Tantra Foundation in interaction with eminent photographer Satyaki Ghosh

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For More Information on Tantra Foundation, contact at joyr.choudhury@gmail.com

Pink Floyd’s Set The Controls for the Heart ❤️ of the Sun: A Study on Holistic Environmental Ethos

Atom Heart ❤️ Mother
The Banks of Sacred River Narmada
Siberian Drum for Rituals depicting Sun and the Ecology

Roger Waters : Live at the Pompeii

“If” from side 2 of Pink Floyd’s Atom Heart Mother is a soothing gentle song with beautiful rendition of music. I have tried to put together here the Non-dualistic concepts of Dakshinamurthy Stotram and also the fundamental concepts of a holographic universe and the primacy of consciousness. Though the song with its melancholic transience of absence (swan /train/moon/dream) appearing relatively as a presence before us is something we need to look at, but, the imagery and the busic is also a stark reminder of modern haste and desperation which would appear again and again the Dark Side album and in Wish You Were Here. it strongly points at ideating a holistic environmental ethos, something, Dr. Madhu Khanna, founder trustee of Tantra Foundation mentions in her book ‘Ecological Insights in Atharvaveda and their Relevance Today published by India International Centre.

Dr Khanna points out the Modern Parallels in Deep Ecology : “The potential model of environmental ethics represented in the Atharvaveda has a close affinity to the existing models of ecology in vogue today,  such as the Gaia hypothesis put forward by James Lovelock and Lynn Margulis; Deeo Ecology advocated first by Murray Brookchin, Edward A. Dabby, Dave Fireman and the Norwegian philosopher Arne Naiss.

– JRC, Tantra Foundation

#tantrafoundation #consciousness #art #music #nonduality #deepecology #madhukhanna, #atharvaveda #pinkfloyd #rogerwaters #atomheartmother #davidgilmour
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The Unconditional Love: From the Woodstock Diaries to a Home Called Love, Here, and, Now

From the market square, or, the noisy bazar near you selling every nick knacks to fishes and flower, from the ancient barter system following the historical trade routes to India, the spicy route or silk route, however, you may call it, man’s trading and commerce when it takes a step ahead of the altruistic motif, it goes on into inflation, an usurper of the ego, and, using it as a powerful dynamic artifice to control markets and his wild dreams of chasing after an effervescing elephant, I mean “immortality”, for that, power of new technology, search for exoplanets, and, understanding gnosis is important to man to add to his credentials.

Janis Joplin
Italy in Spring with the Ice Melting
Venus or the Morning Star
The Last Supper, da Vinci
On the Road Again…JRC
Time-Bell and Tree Draped in A Saree, JRC
The Mystic 💙 Bells

He joins the rat race, himself becoming a field rat, testing his own limits, and, cutting off the branch he is sitting on, he forgets that he can grow flowers, sing songs, play guitar, camp outside and be a star gazer….he forgets can work on the synaptic patterns in the brain, study ant behaviour and use bio-mimicry whenever necessary for humanity at large, can use mathematics to study weather patterns, and, all that is good for humanity. But if he fails to find, inspite of all that, the real source of Love, which is the Self abiding in itself not as an object but as pure being-awareness, the reflection of which is in the earth itself,  man would falter to protect his sentience, and, then he would degenerate into a living zombie operated by a chain of AI devices. All that Bob Dylan songs, and the kirtans of the Bauls, the songs of troubadours, and the classic repertoire of Mozart, Bach or a Beethoven would confine us each in a solitary cell called Hell or Dante’s Inferno. To get back to Joni Mitchell’s GARDEN we need to find source of a transcendental love, divine love. it is not a magical phenomenon that is hard to acquire, but, practice or sadhana is required. Otherwise, we would still be doing altruistic service like charity, or, helping others with meals, but, in guise of the ego. We would not even know it, it is so subtle, and, causality would bind us forever. It would be work, but, not Karma Yoga which Swami Vivekananda talked about. Doing work, and, not transforming that into karma yoga is like getting fried in a  living cauldron where time cooks everything thing from grasses to kings and paupers. This is what Yudhisthira answers the Yaksha in Mahabharata when asked about What’s the News….to be with time is to find compassion and love …..then time would follow you or time would on your side always…..- JRC, Tantra foundation

That Love Cannot Be Brought: Future Poetry, JRC, Tantra Foundation

#consciousness #adwaita #tantra #tantrafoundation #divinemother #art #janisjoplin #woodstock #music #stockmarket #venus #sarvapriyananda #shakuntala #dante #french #paulgauguin #tahiti #nagaland #nonduality #

Watch “The Non-Computational Being & Pure Awareness” on YouTube

This is a new channel dedicated to Future Poetry in a build up to Tantra Foundation (2023-2025) programs on Time As. A Changing Landscape” . If you like, pls subscribe to the channel link shared above.

With Swami Swamisarvapriyananda
From Jung’s Red Book
Chandogya Up, picture of Adi Guru Shankara
Starry Night, van Gogh painting circa 1888, post-impressionism, River Rhone in France
Sri Ramana Marshi, the Sage who was embodied silence itself, Santam, Shivam, Adwaitam

This is short consciousness analogue on the withering human proximity with nature and the complexity of our relationships which result from avidya (ignorance), of not knowing the Being-Awareness which we truly are, right here, right now. Swetaketu reference goes back to Chandogya Upanishad where he comes back after finishing his studies, and, accumulating vast resources of knowledge , almost in every subject from astronomy to mathematics and Sanskrit grammar etc. But when his father, Rishi Uddalaka Aruni asks by knowing what all knowledge gathering is possible, he gets startled, because, he was still thinking of knowledge acquisition as bits of information, let’s say in modern parlance, digital 🥪 crumbs which are neurobiologically stored as memory. We still are in the dark about which part of the brain stores information, or, is it just holographically present all over???? But back to the Upanishads, Swetaketu thinks that there’s no subject which would make all knowing possible, still, thinking in terms of objective knowledge entangled with the triad of knower, knowables, and the knowing or knowledge – it is classical vedanta the triputi of the generated experience. But his father was actually pointing him towards pure being-awareness which makes this epistemic process of knowing possible. So, we are in the realm of non-computability and beyond semiotics of language, into a much dreaded Wittgensteinian silence which we try to fend off, thinking or rather dismissing it as void or empty, and, overlooking the fullness of its beauty in the clear light …

When Man misses this self-enquiry, then the subconscious or the subliminal mind throws up causal chain of desires on the surface mind, prompting him to do, which otherwise, he would have ideally rejected. Intelligent or buddhi takes a back seat, and, it is all controlled by powerful avidya of not knowing the Being-Awareness…

van Gogh’s reference here is a filter to our cognitive decision making which is dominated, and conditioned by falsehood….because every object is an object and further reduced to a mere transactional exchange that lacks sobriety, and compassion….it reiterates that we have moved far away from the archetypes of beauty, love, nobility that had characterised the human sensibility on earth …so this writing is a way of creating a cognitive dissonance which is an entry requirement in a standard operational procedure for taking a quantum leap into the understanding of the ontology of the Self …

– JRC, Tantra Foundation

Tantra on the Edge: Curated by Dr. Madhu Khanna with DAG

Tantra on the Edge: Inspirations and Experiments in 20th Century Indian Art curated by Dr. Madhu Khanna with DAG (Delhi Art Gallery). This is a very brief presentation by Tantra Foundation of the concept exhibition Tantra on the Edge curated by Dr. Madhu Khanna with DAG, it showcases the key concepts of Tantra and how it was integrated slowly into modern Indian contemporary art in the works of great artists like G.R. Santosh, V. Viswanadhan, Shobha Broota, Ettore Sottsass, Ranjit Makkuni, J. Swaminathan, Dr. Sohan Qadri, Satish Gujral, P.T. Reddy, K C.S Paniker,Biren De, S.H. Hazra. Manu Parekh, Jyoti Bhatt, Gogi Saoj Pal and others. ****Kindly note the poster art section here is not included in the Tantra on the Edge curated by Dr. Madhu Khanna supported by DAG This is just an educational understanding of the East-West knowledge transfer and communication that was taking place in the 60s and 70s I referred to here, which had obviously the tantric view of seeing the cosmos as a holistic embedded pattern which has the creative will-force as one of the three cardinal points of the triangle.

The Swinging 60s and The Reception of Tantra with Dr. Madhu Khanna, Tantric Scholar, Curator and Founder, The Tantra Foundation, and, Dr Emma Ramos, Curator, South Asia Collections, The British Museum, London and Shri Kishore Singh, Senior VP, Delhi Art Gallery – this wonderful event virtually was organised by DAG
Pink Floyd Poster Art. The band that thrived on creating an alternative world or a dreamscape with new sound textures and sometimes pure childlike verse and other times reality entangled with space-time architecture warped….that warped curvature gave a non-euclidean geometry to their verses and sound….the rise and fall of a 🌊
Shiva Linga, Benaras Stone 20th Century, Collection: National Museum, New Delhi Acc. No: 82.367
The Beatles poster: Post-India tour with the inclusion of Sitar Maestro Sri Ravi Shankar, the music became more creative with new explorations in verse and sound. 1967 was the crucial year in world music
Grateful Dead poster: The Skull is a deep rooted tantric symbol, in the Tibetan book the dead there is specific mention of 6 bardos or doors the soul (subtle body/linga sarira/karana sarira/causal body) goes through after death….Grateful Dead’s music is magical , it can be so, if one can overcome death in some alternative states of consciousness and that one can do by practicing meditation in daily life. We are all on threshold of Enlightenment, and, the only free particle of time is music….it flows like Jerry’s guitar licks…

This presentation by Tantra Foundation also draws upon tantra in art as a fluid tradition dating back to many centuries and enjoyed permeability and instrumentality across diverse regions, religious faiths – Hindu, Buddhist, Jain, tribal traditions across many cultures in the world from aborigines in Australia to the Red Indians and Shamans in Central America, and, among indigenous people in Mongolia, Tibet etc.

The tantric tradition co-developed parallel to the Vedas, regarded as one of the oldest surviving religious texts in the world (2500-1900 BC) According to Dr. Madhu Khanna ” the tantras re-invented a minimalism that was reductive in nature, abstracting the lissom figure of gods and goddesses, and dematerialising the anthropomorphic figures into pure geometrical symbolic form.

These abstract symbols were playfully or unconsciously appropriated or embodied in the works of various artists in Indian Contemporary Art Scene”. A new addition to this presentation done by Tantra Foundation is based on the influence of Tantra in visual arts in the West, in the UK and the US, that were reflected not only in art but in the music scene that explored the texture of various new sounds and theme based lyrics as concept albums, a wide range of experiments in music itself in live concerts – alluding to the macrocosmic and microcosmic harmony existing in nature, and, trying to present a fresh aesthetic understanding of what man is and his relation with the other/with the cosmic consciousness.

Going to California (you could read Kalifornia has specific creative hotspots which supports music, poetry, art and a thriving pure spirituality . Not a messiah on every street certainly…
Joni Mitchell sang “Oh, I wish I had a river/I could skate away on….(River song), one of original female storytellers who travelled with a bag of songs as if she picked berries from the sky…referred by Led Zeppelin in their song Going to California, a classic folk ballad alluding to Joni and at a deeper level the Self Unborn non-dual….a woman never never never born….
Kali(Maha-Vidya or The Great Knowledge), Bengal Art Scene: Tantra, The Bengal Chapter
Ian Anderson silhouette as Dancing Krishna, Jethro Tull poster art, one of the bands that took music to a new level with influences of folk, nature, and elemental earthly rusticity. We are inventing organic farming in a new way …we are Inventor of the original seed drill instrument, we are the Jethro Tull
The Famous Rolling Stones Poster Art

That was prevalent in the London underground scene (UFO club and others) post-Beatles India tour and with the epic release of two great albums in a gap of few months that would define a new outline for music, from the Abbey Road Studios, Beatles’ Sggt. Peppers Lonely Hearts Club Band and Pink Floyd’s debut album The Piper at the Gates of Dawn, 1967, featuring a great talent that withered away, called Syd Barrett. It is evident that art and music lost their strict boundaries and were overlapped freely under the influence of an Eastern and Western understanding that strived for harmony and progress – relevant is Barrett’s Change Returns Success, Chapter 24 song by Pink Floyd from their 1st album, The Piper. This has the influence of IChing and Ying Yang built into its structure with dreamy lyrics based on Western arrangement of octaves and an original theme which alluded to man’s relation with the cosmos and the metaphysics associated in such ecology. Rolling Stones, The Grateful Dead, Jefferson Airplane, Traffic, Ian Anderson of Jethro Tull – all these bands and many more brought into the musical scene not
only rock b roll but pure untouched reality that breathes into the songs of Bob Dylan, CSNY and Joni Mitchell. The list is endless…..

Chinnamasta Puja Yantra (Above) & Tantric Chequerboard Diagram

– JRC, Head of Communications, Tantra Foundation

#consciousness #spirituality #art #poetry #divinemother #pinkfloyd #jethrotull #therollingstones #thebeatles #gratefuldead #tantra #tantrafoundation

Watch “Find the Cost of Freedom: International Women’s Day, 8th March 2023, Tantra Foundation presentation” on YouTube

From Jodie Foster to Greta Garbo and Suchitra Sen, and Madhu Khanna and countless other women – planet earth indebted to them – all of them because they represent the very existence of this planet and numerous other exoplanets and star systems…..it is about a certain vibration, a frequency we call it Freedom, when there’s nothing to loose and nothing to hold on to as well, just floating like patterns non-repeatable of cloud shapes and foam forms – non-computable and unintelligible…..

Find the cost of freedom And bury it in the ground /mother earth will swallow you, lay your body down – CSNY, 1971

A Tantra Foundation presentation on International Women’s Day 8th March 2023

The Celebration of Being-Will in the Film “Exposure” directed by Holly Morris: An Introspection on the International Women’s Date 8th March 2023

This is very brief interview of American New Wave Feminist Director, Holly Morris after the screening of her film Exposure at the American Centre. The film chronicles the difficult journey of thirteen women to the North Pole, shot magically, interfused with tensions, anxieties, and, health concerns amidst the back drop of vast sheets of ice and terrible thin sheets cracking due to climate change, a journey though shot in time in an objective setting, with all its drama, excitement, pain and endurance, but, nevertheless as Holly said “it’s also an inner journey for all these women, a quest to search for their own hidden potentialities that were waiting to be discovered as was the destiny point at the North Pole.

What it brings to modern communities is immensely important in terms of takeaways from this wonderful film, these women after all that hardship are able to make it to the North Pole in just two days earlier than the schedule of ten days, they navigated from Sub-Sharan desert to this place, an unraveling of scenes that cover the sunset amidst the sand dunes, and kneeling down to pray to the mother earth, for safety and the power she bestows to endure the quest, the snowy whiteness and the sledges moving tirelessly adds a typical irony of mise-en-scenes with comic intrusions from daily lives of these women to whip away any boredom that is attributed often to such trekking across the ice. The women have endured, have prevailed over extremes, the crack in the thin ice couldn’t take away their resilience, their mindfulness and positivity, and, they come stronger with a beautiful narrative to gift the new generation on how to lead and overcome the frights of frost bite either in the North Pole or in a city room in Manhattan or Mumbai, these powers latent in mother nature are now no more dormant, but, activated for then to transmit to the younger generation so they can overcome any stress in their lives in the complex setting of a modern life. Nature provides security, nature can be violent and treacherous, but, it is supra-ethical as Sri Aurobindo said, it is beyond the dualities of life, it is both an immanent and transcendental principle, and, once they overcome the doubts in their minds, the logic of fear in their in the cell membranes, they push them towards the inner wisdom as opposed to mere factual knowledge, a mentor they become for all of us. This is a magical journey that Holly Morris was able to share with the world, and, they also collected lots of datasets for environmental scientists to work on deeply to save this planet from climate change and economic crisis.

With American Director, Holly Morris at the screening of her film Exposure at the American Centre, JRC, Tantra Foundation on the Right
Holly Morris, American Director : Relaxed while in Kolkata, photograph by Tantra Foundation
Exposure by Holly Morris
Interaction with the audience on the film, Exposure

Holly is a wonderful person, and, she can talk freely knowing what she knows and communicating that to the seeker in an unique way, her own masterclass that is so resourceful to any learner. A good program by the American Centre.

– JRC, Head of Communications, Tantra Foundation, and, interview by M. Morrison

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